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drama相关的网络例句

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与 drama 相关的网络例句 [注:此内容来源于网络,仅供参考]

After pointing out the connotations of the two theories, the author puts a stress on clarifying their gains and losses. The author thinks that,""Drama-Poetry Theory"" enlightened some playwrights' drama-creating, but it didn't intactly reveal the ousia of opera;"" Yue-Ousia Theory""explored the question of Opera origin , but it still didn't work out the ousia structure of Chinese traditional opera.

在阐明这两种学说各自的内涵之后,着重辨析了它们各自的得失,指出:&剧诗说&虽能在一定程度上指导戏曲创作实践,并启示了一种对于戏曲艺术的诗性领悟方式,但并未完整地揭示出戏曲艺术本体,也没有准确地把握到戏曲艺术精神;&乐本体说&虽然深入地探讨了戏曲本源问题,揭示了戏曲艺术的精神命脉和审美定性,但由于未能贯彻历史的、发展的、辩证的观点,仍未能准确完整地把握到戏曲的本体结构。

The paper is composed of three main parts."Part of Drama" focuses on analyzing contents and artistic features of Shakespere"s drama "Othello";"Part of Opera" aims at illuminating contents and artistic features of Verdi"s opera-"Otello";"Part of Comparision"is the key part of the essay. The author tries to explore differences and causes by comparing Verdis opera with the original on the point of artistic features and contents.

全文分为三部分,第一部分&戏剧篇&意在分析莎士比亚戏剧《奥瑟罗》的主题内容和艺术特点;第二部分&歌剧篇&旨在阐明威尔第歌剧《奥瑟罗》的主题内容和艺术特点;第三部分&比较篇&是本文的研究重点,笔者致力于歌剧与原著在艺术特点和艺术内涵上的比较研究,探讨二者之异同及其原因。

In the history of Chinese drama ,Pipa is regarded as the first masterpiece of Southern Drama rejuvenation .

在中国戏剧史上,《琵琶记》以其深邃的思想内涵和较为成熟的艺术成就成为&南戏复兴之第一杰作&。

In late times of the twenties, with new drama's declining and traditional opera's flourish renewedly, many Chinese students abroad began to reconsider the future of Chinese drama.

二十年代后期,面对新剧的衰落和传统戏曲的再一次兴盛,一些从海外归来的学子开始重新思考中国戏剧的未来之路。

And meanwhile, the drama structure power formed with leading motive's transfixion and well layouted tonality enhances the integrality of the musical drama structure ulteriorly.

更多具有独立的戏剧结构,音乐的发展与戏剧内容密切配合,同时,主导动机的贯穿及调性合理有效的布局所形成的戏剧结构力,更增强了整体音乐戏剧结构的完整性。

It is adverted to the profound comprehension of Musical Culture, the strict criterion of the Confucianists, the influence of the authenticative vividity. On the inner reason, I mainly study the perform situation and the art inheritance during the drama forming period, such as the simple and rough perform situation Washe and Goulan during the drama forming period, and the influence of various accomplishments especially narrative aria etc.

话语类型主要论述中国戏曲中抒情性话语、叙述性话语和戏剧性话语的分类与特点;话语交流系统主要分析戏曲演出时,行当与观众、人物与观众、人物与人物之间的三重交流语境各自的特点及其相互转换的方式;话语视野主要阐述剧作家外视野对于戏曲中人物内视野的关照,及其对观众接受视野的影响。

By the narrative of the drama, the two factors mentioned before could be embodied and showed in the narration. What the audience apperceived is the realistic level of the drama.

舞台性、诗性通过叙事性层面显现出来,前两者会物化、体现在叙事层中,观众所直接感知到的即是经过舞台性、诗性&改造&后的艺术现实层。

while the drama Che Guevara, which arosed furor about revolution words,has little influence in tidal wave of market and consumption, After four years, the drama, the 93' year, performed by the state showplace, whice blazoned forth "the absolute humanitarianism above the absolute revolution", encountered cold shoulder at the very start. The paper's goal is to inquire the uncommensuration states between revolution and humanitarianism under intervention of power volition of country by their acception.

话剧《切·格瓦拉》在2000年的春夏之交所刮起革命话语的旋风已淹没在市场与消费的浪潮中,时隔四年后由国家话剧院推出的《九三年》所宣扬的&绝对的革命之上还有一个绝对的人道主义&主题一开始就遭冷遇,而本文就是围绕着《切·格瓦拉》到《九三年》的接受情况,论证了革命与人道在国家意志的介入下难以通约的情形。

while the drama Che Guevara, which arosed furor about revolution words,has little influence in tidal wave of market and consumption, After four years, the drama, the 93' year, performed by the state showplace, whice blazoned forth "the absolute humanitarianism above the absolute revolution", encountered cold shoulder at the very start. The paper's goal is to inquire the uncommensuration states between revolution and humanitarianism under intervention of power volition of country by their acception.

中国诺宇综合网http://www.siaaa.com摘要:话剧《切·格瓦拉》在2000年的春夏之交所刮起革命话语的旋风已淹没在市场与消费的浪潮中,时隔四年后由国家话剧院推出的《九三年》所宣扬的&绝对的革命之上还有一个绝对的人道主义&主题一开始就遭冷遇,而本文就是围绕着《切·格瓦拉》到《九三年》的接受情况,论证了革命与人道在国家意志的介入下难以通约的情形。

The poetic drama "Si Sheng Yuan " written by Xuwei, which blazoned forth the naturalness and rationality of man's sexual passion openly. It broke through the pedantic and acerbic atmosphere of drama field. Therefore, it became the first signs of Tang Xianzu's "Peony Pavilion " in the aspect of confirming man's desire and denying the false asceticism.

徐渭的杂剧《四声猿》,公然宣扬人的情欲具有天然合理性,冲破了笼罩着戏剧领域的迂腐酸臭的空气,在肯定人欲、否定虚伪的禁欲主义方面,成为汤显祖《牡丹亭》的先声。

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相关中文对照歌词
I Must Love Drama
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Drama
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No More Drama
Drama Everything
Drama A/T
The Drama
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