查询词典 drama

One woman's epic", the audience will not only be able to see the Tian Zhao Weiinterpret this为爱痴狂Sufi woman, can also be spoiled for choice to enjoy his Zhao Wei in the movie drama, drama TianSophie's identity is love drama performances madman drama, often active in the drama of the stage, in order to allow thefeeling at the time Zhao Wei performances, directed in particular Repertory Theater from Anhui province invited to a sixtiesand seventies-year-old performance artist, she personally arranged drama, guidance Zhao Wei ,"to the name of revolution,""ADoll's House","White-Haired Girl","cuckoo and other 19 classic drama in the play perfect reproduction, this drama also 19Zhao Wei had enough drama Addiction.

在《一个女人的史诗》中，观众不但能够看到赵薇演绎的田苏菲这个为爱痴狂的女人，还可以一饱眼福欣赏赵薇在戏中演话剧，剧中田苏菲的身份是热爱话剧表演的戏疯子，时常活跃在话剧的舞台上，为了让赵薇演出当时的感觉，导演特别从安徽省话剧团邀请到了一位六七十岁的老表演艺术家，让她亲自编排话剧，指导赵薇，《以革命的名义》、《玩偶之家》、《白毛女》、《布谷鸟》等十九部经典话剧都在剧中完美再现，这十九部话剧也让赵薇过足了戏瘾。

The drama art in Xinjiang, haw a long history, Each nation created its drama with unique artistic characteristics and styles based on its traditional culture. According to form and genre, the drama is divided into opera, dance drama and local drama. If distingue by national feature and region, I key are Uighur opera, Kazak opera, Sibo opera, melody opera and other local opera from the other pants of China.

新疆的戏剧艺术具有悠久的历史，各个民族在自己传统文化的基础上创造了独具艺术特色与风格的民族戏剧，按其艺术形式和体裁划分有歌剧、舞剧和地方戏曲，以民族特点和地域划分则有维吾尔剧、哈萨克剧、锡伯剧以及从我国内地传入新疆的曲子戏和其它地方戏曲。

On the other hand, the influence of Absurd drama manifested mainly in the perspective of observing the world in later plays. Absurd drama reveals the uncertainty of the world by the skill of"simile way". Contemporary playwrights draw extensively and broadened the use of"simile way", and create the new simile symbols: anti-classic simile, anti-system simile and anti-meaning simile. At the same time they use a comprehensive simile to create a kind of sensual drama.Absurd drama also destroys the language function of traditional drama by rupture and desegregation, also tends to use "the language of no meaning," to reflect the world's essence. The contemporary generation create a physical theatre to expulse of the role of language. Another extreme is to strengthen language function thus creating a language game.

另一方面，荒诞派戏剧的影响力主要体现在后世剧作对客观世界的认知上：荒诞派通过&直喻&的手法来表现世界不确定性的本质，被后世剧作家广泛借鉴并且拓宽了直喻手法的使用，出现了反经典、反系统和反深度的直喻符号，同时另一个极端则是用剧场性的全面直喻创造了具有震撼力的感官戏剧；荒诞派通过破裂与解体的方法化解了传统戏剧的语言功能，更倾向于用&无义的语言&表达来体现世界的无义，后世剧作家在此基础上索性彻底驱逐了语言的作用从而创造了肢体戏剧，另一个极端则是强化语言功能创造了&语言游戏&。

Social—realisticness, historical—culturalness, contradictoriness of patriotism and colonization acceptance, and the combination of Indian traditional drama and the modern western drama are the four important charactors of the modern Hindi drama literature. The contemporary Hindi drama literature is much better than the modern one.

社会现实性、历史文化性、印度民族主义情结和赞同英国殖民统治的观点的矛盾混合性以及印度传统戏剧形式与西方现代戏剧形式相结合是近代印地语戏剧文学的四个重要特点。

Since the China Television Corporationproduced the first Taiwan's TV serial drama---"Jingjing"in 1969, a new era of drama began. From the prime-time soap opera, 9P.M. unit theatrical, to local serial drama, idol drama and even docudrama, TV opera in Taiwan are full of variety. Changing based on primary trends is the reason why entertainment industry in Taiwan can keep highly competitive in the past 40 years.

台湾的电视剧从民国五十八年由中国电视公司制播的开启戏剧新纪元，历经近四十年台湾电视剧，随著时代的变迁，在顺境中求变化、在逆境中求生存，从八点档连续剧到九点半单元剧，再由本土剧到偶像剧，期间尚有类戏剧穿插其间，台湾戏剧的丰富性与类型之多变，也造就台湾文化娱乐产业持久的竞争力。

On the basis of the fruitiness of previous research, this paper devotes itself to presenting the panorama of the development on drama in Sichuan, through reviewing the state of different drama developmental period, the forming of Sichuan as the center of drama campaign and settling some relevant problems existing in the drama campaign in Sichuan.

本文在充分吸收现有抗战话剧运动研究成果的基础上，试图通过对话剧在四川发展不同阶段的状态、抗战话剧运动中心的形成以及剧运中相关问题的解决等具体史实的考察，力求呈现抗战时期四川话剧运动发展的全貌。

By analyzing the dual nature of drama, the linguistic features of dramatic text and the unique features of drama translation determined by the duality of drama, it is pointed out that performability must be emphasized in stage-oriented drama translation.

本文指出了在戏剧翻译中，可表演性是一个不可忽视的因素；并且探讨了运用功能对等理论指导戏剧翻译的可能性。

Facing the major trend of preferring regional drama to kunqu in the Qing society, Tang Ying broke the traditional prejudice of "respecting kunqu and suppressing regional drama" by bolstering regional drama at his own banquet, where he tried to combine Huabu and Yabu by combining the popular plays of regional drama with kun operas.

辄歌昆曲，辄哄然散去」的曲坛大势，在很大程度上突破当时文人士夫「崇雅抑花」的偏见，不仅在自己的歌筵上予「土梨园」以一席之地，且另辟蹊径，致力於以昆腔曲调，改编与取纳当时流行的花部剧目。

Part of the body is divided into three sections, namely:The first chapter of China's first amateur theater an overview of the background in order to try summed up the meaning of the Chinese characteristics of amateur theater, and then through the meaning and drama of today's non-commercial, non-professional drama, folk drama, drama, and so the concept of education analysis.

正文部分共分三个章节，分别是：第一章首先对中国业余戏剧的背景进行概述，从而试总结出中国业余戏剧的内涵特点，再通过此内涵与今天的非商业戏剧、非专业戏剧、民间戏剧、教育戏剧等概念进行辨析。

The theory applied in this thesis relies on aesthetics developing in three parts, namely, the origin of jester, ugliness presented in Shakespearean drama and function of ugly jesters in Shakespearean drama, in order to illustrate the significance of jesters in Shakespearean drama: the spokesman of the author.Key Words: Shakespeare; drama; jester; ugly; Aesthetics value

本文将在美学的基础上，通过小丑的起源、莎剧中小丑的丑态呈现以及丑陋的小丑在莎士比亚戏剧中的作用这3个方面的研究，来阐述小丑在莎士比亚戏剧中的重要意义：在莎剧中，他们是作者的代言人，在戏剧里，作者借小丑的语言评价讽刺其他角色，从而体现出当时社会的现实。

As of Tuesday, Google's results were still censored in China.

截至周二，谷歌的搜索结果仍受中国审查。

In order to make the positive action increase and negative one decrease, the sub-forces of the social factors must be adjusted to form a centripetal force.

在这一过程中，人的主体性发挥是社会有机体健康发展的灵魂。