查询词典 dragged

First to Fall, women dragged stone roller playing field, beans wheat又脆又hard repeatedly scratched her hand.

秋天一到，女人拖着石滚子打场，豆稞又脆又硬屡屡划伤她的手。

I dragged a string, and it flipped out and scratched the hell out of me.

我在地上拉着线逗它玩，它竟然发飙把我抓得乱七八糟

If this unit has survived the locations I have dragged it to it will work superbly for you also!

假如这个单位已经经历了，我拖它的地点，它会为你寄望也！

If this unit has survived the locations I have dragged it to, it will work superbly for you also!

如果这个单位已经经历了，我拖它的地点，它会为你寄望也！

This time it bit into Jake's surfboard and dragged it under water.

这一次它咬中了杰克的冲浪板并将之拖到水下。

It is joyful to sut on a horse-dragged sledge.

坐在一只马拉的雪橇上，心情多欢畅。

He dragged himself across the room to the corner where his dog was guarding his swag.

他吃力地走过房子到Tally看包的角落里。

As soon as the story developed on builds up ties, Jake Captain who gets a swelled head has not resisted the female sexual attractiveness the enticement, has hit Elizabeth's idea, is dragged into controls by David · Jones "the dead area", trades a speech to say was Jake Captain has already died, but he "died" and that kind of strict significance death is dissimilar--He also can "come back", only is needs to depend on the human to save.

故事发展到上一集结束，烧包的杰克船长到底没有抵住女色的诱惑，中了伊丽莎白的计，被拉入由戴维·琼斯控制的"死界"，换一句话说就是杰克船长已经死了，但他的"死"与那种严格意义的死亡还不一样--他还能够"回来"，只是需要靠人拯救而已。

The clock dragged away the minutes teasing her with the tediousness of the day.

时钟一分分过去，似乎在嘲笑她这沉闷的一天。

When a string is dragged under a newspaper or throw rug, it magically becomes the Paper/Rug Mouse and should be killed at all costs.

当一根绳子被拖到报纸或者地毯下面，便神奇的变成了报纸/地毯鼠，你要不惜一切代价杀之。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。