查询词典 dracula movie

The idea comes from Madame Dracula in night dark. Decoration by Victoria's style bombastically laces、big jewels and silver. To have strong comparison between the ancient darkness and luxurious shine.

构想来自於黑夜中的德古拉伯爵夫人，维多利亚风格的繁复蕾丝，加上大颗宝石及银饰，形成一种奢华闪亮与古老黑暗的强烈对比。

There were Suncus murinus, Rattus norvegicus, Mus musculus and Crocidura dracula in different residential areas.

随着人口和建筑物增多，食虫类数量超过家鼠，处于优势地位，因而在家鼠与食虫类之间有一定程度的负相关。

The true home of Vlad the Impaler is Dracula Castle, which sits on the Arges River.

真正的家就是impalerVlad的吸血城堡倚在阿尔杰什河。

Today, some people refer to Vlad the Impaler as Dracula.

今天，布朗城堡依然矗立在罗马尼亚，以它那些秘密的地下通道和房间吸引着好奇的人们。

Romania is the home of Vlad the Impaler, the man who inspired Bram Stoker to write his novel Dracula.

罗马尼亚是刺穿者弗拉德的家乡，他是布拉姆·斯托克写作吸血鬼小说的灵感来源。

Vlad the Impaler is best known for his cruel and unusual punishment techniques, as well as for being the inspirational figure for the 1897 Bram Stoker novel, Dracula.

穿刺王以他的残忍和恐怖的刑罚闻名于世。同时，他也作为布莱姆·史托克的小说德古拉（1897）一书中主人翁的原型广泛的为人所知。

Its most famous member, Vlad Dracula—or Vlad the Impaler, as he was commonly known—enjoyed a bloody career that rivaled that of his fictional counterpart.

其最著名的会员，弗拉德达丘拉或弗拉德的Impaler ，因为他通常称为-享有血腥生涯媲美他的虚构对应。

According to local lore, Vlad the Impaler, who inspired the mythical character Dracula, once used the castle during his incursions in Transylvania.

据当地的学术界考证，那位Vlad，也就是传说中的德古拉伯爵先生曾经在他入侵特兰西瓦尼亚时使用该城堡。

It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula.

几百年来，一代又一代历史学家们不惜以自己的名誉、安全为代价，苦苦追寻产生吸血鬼的历史源头——中世纪中欧残暴的统治者&刺穿者&弗拉德的下落，从而铲除吸血鬼这一人类历史上最黑暗的力量。

According to local lore, Vlad the Impaler, who inspired the mythical character Dracula, once used the castle during his incursions in Transylvania.

根据当地流传的故事，曾激发创作那个神秘人物——德古拉灵感的Vlad——刺者，曾经在他入侵特兰西瓦尼亚时用过这座城堡。

Although translator has turned from being a crystal ball by which the original culture can unrestrainedly penetrate to another crystal ball by which the target culture can freely traverse, the translator's personal embodiment, in the process of cognitive act, are still absent in translation studies. Translators are still subjects without body or simply disembodied subjects.

译者虽然由原语文化可以自由穿透的玻璃球变成了译语文化可以自由穿越的玻璃球，但译者认知过程中的个体体验在翻译研究中依然缺席，译者依然仅仅是一个没有躯体体验的主体。

Chillingly, he claimed our technology is 'not nearly as sophisticated' as theirs and "had they been hostile", he warned 'we would be been gone by now'.

令人毛骨悚然的，他声称我们的技术是'并不那么复杂，像他们一样，和"如果他们敌意"，他警告说，'我们将现在已经过去了。