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Work each square by bringing your needle and floss up through hole 1 and down through hole 2, up through 3 and down through 4 to make an X.

工作带上针每平方米和使用牙线，通过孔一，下通孔2时，透过三，下到4作出十

Work each square by bringing your needle and floss up through hole 1 and down through hole 2, up through 3 and down through 4 to ma ke an X.

工作带上针每平方米和使用牙线，通过孔一，下通孔2时，透过三，下到4作出十

Work each square by bringing your needle and floss up through hole 1 and down through hole 2, up through 3 and down through 4 to m ake an X.

工作带上针每平方米和使用牙线，通过孔一，下通孔2时，透过三，下到4作出十

Work each square b y bringing y our needle and floss up through hole 1 and down through hole 2, up through 3 and down through 4 to make an X.

工作带上针每平方米和使用牙线，通过孔一，下通孔2时，透过三，下到4作出十

Wor k each square by bringing your needle and floss up through hole 1 and down through hole 2, up through 3 and down through 4 to ma k e an X.

工作带上针每平方米和使用牙线，通过孔一，下通孔2时，透过三，下到4作出十

Work e a ch squ a re by bringing your needle a nd floss up through hole 1 a nd down through hole 2, up through 3 a nd down through 4 to m a ke a n X.

工作带上针每平方米和使用牙线，通过孔一，下通孔2时，透过三，下到4作出十

Work each square by brin g in g your needle and floss up throu g h hole 1 and down throu g h hole 2, up throu g h 3 and down throu g h 4 to make an X.

工作带上针每平方米和使用牙线，通过孔一，下通孔2时，透过三，下到4作出十

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

However, as I went down thus two or three Days, and having seen nothing, I began to be a little bolder; and to think there was really nothing in it, but my own Imagination: But I cou'd not perswade my self fully of this, till I should go down to the Shore again, and see this Print of a Foot, and measure it by my own, and see if there was any Similitude or Fitness, that I might be assur'd it was my own Foot: But when I came to the Place, First, It appear'd evidently to me, that when I laid up my Boat, I could not possibly be on Shore any where there about.

唉！人在恐惧中所作出的决定是多么荒唐可笑啊！凡是理智提供他们保护自己的种种办法，一旦恐惧心占了上风，他们就不知道如何使用这些办法了。

When playing away it would be better to close down slightly less as you will force the attack to break you down to make chances.

打客场时，逼抢最好轻微少些，因为你的逼抢会迫使攻击方来攻击你而创造机会。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。