查询词典 documentary

It is the first time that documentary is put in the main body of Guangzhou Photo Biennial. It is a new take on the nexus between documentary films and photography, as we can find that in the localness of "sightings" and "truth", this nexus binds the two together and make them feed upon each other. Between the parts of From Negative to Positive, Phenomena and independent documentary films, we can find a

本届广州国际摄影双年展第一次把纪录片作为主题展中的一个单元，这表明了策展人对于中国独立纪录片与摄影的关系发展到今天的一种重要认识：在&看&与&真&的本土性经验层面上，两者之间有着密切的联系和互为补充的张力；在&感光&、&显影&与独立纪录片之间充溢着社会叙事与政治伦理的对话与交流。

The innovation of this article is the perspective of "columnized survival". On the one hand, it carries out the summary the course of development of more than 10 years of columnized documentary, positively affirmed the trend of plebification with on-the-spot report concept and the trend of story expressed with entertainment concept; on the other hand, the article carries out meticulous analysis on the existing character of columnized documentary and the differences of non-columnized documentary of tradition. After having analyzed a mass media objectively getting involved in documentary, the article carries out the change coming into being in aspects of documentary such as making idea, production process, aesthetic attributes, narrative technique and social function. It carries out the calm thinking on the appearing problem, and seeks new export to the documentary with columnized survival.

这篇论文的创新之处在于从&栏目化生存&这一角度切入分析纪录片，一方面对纪录片栏目化十余年的发展历程进行概括总结，积极肯定了栏目体制下运作的纪录片所体现出的平民化与纪实观念、故事化与娱乐观念；另一方面，对栏目化生存下纪录片的本体特征、与非栏目化生存的传统纪录片进行细致分析，客观剖析阐述大众媒介介入纪录片创作后，纪录片在制作理念、生产方式、审美属性、叙事手法、社会功能等方面产生的变化，并对其出现的问题进行冷静思考，以期结合当下的生存语境，为目前纪录片栏目化生存的发展探寻新的出口。

Then, it complies with "the plebification trend of documentary with columnized survival", analyzing the plebification trend with on-the-spot report, emphasizing the "on-the-spot report" is the base of documentary with columnized survival, and commenting the documentary's plebification with the "on-the-spot report" concept.

其次，论文从&纪录片栏目化生存的平民化倾向&入手，分析纪录片的平民化与其纪实手法，强调&纪实&是纪录片栏目化生存的根本基石，逐层论述栏目化生存与纪录片的平民化及纪实观念。

This article firstly describes the survival situation, discussing the concept of "what is the documentary","what is the columnized survival" and the relation between documentary and columnized survival. It narrates the development of documentary with columnized survival from three stages, analyzing the characteristic of current-trend on selected topic, plebification of narrating angle and the diversification of performance.

这篇论文首先描述了中国纪录片栏目化生存的整体状况，对&什么是纪录片&、&什么是栏目化生存&、&纪录片与栏目化生存的关系&这三个问题进行概念界定与理论探讨，并以&节目化生存&、&栏目化生存&以及&走向频道化&三个发展阶段叙述了纪录片栏目化生存的发展历程，分析概括出创作选题主流化、叙述视角平民化、表现手法多元化等生存特征。

In terms of the form of the program,"Reality TV" incorporates such program conformations as documentary, amusement, games, talk shows, indoor opera, and news reporting. Meanwhile, it also inherits the characteristics of broadcast and movie, especially applying the method of documentary to some fictitious amusement programs and extending the tradition of the documentary aesthetics for "cinema- verite" by using TV.

在节目形式上，&真实电视&融纪实、娱乐、游戏、脱口秀、室内剧，新闻等节目形态于一体，继承了广播、电影等媒体的特点，特别是将纪实手法运用于虚构类的游戏娱乐节目中，用电视续写了&真实电影&纪实美学的传统。

Looking back the history of documentary film, we find the idea of documentary film has changed greatly with the statement of "fictionalizing reality" growing. documentary film has more functions to explain the reality, so its nature is the whole of three elements,which are recording, realizing and fictionalizing.

纵观纪录片发展的历史，&对现实的虚构&观点的提出，纪录片的理念发生了巨大的变化，它更多的是对现实世界的诠释，纪录片的本性其实是纪录、真实与虚构的三元合一。

She is dedicated to the social work since 1997. She is enthusiastic about human rights and social justice documentary promotion. Her first social documentary,"Left Them Behind", was commissioned by "Local DocuPower 2007" and got the Audience Award. Her 2nd short documentary film,"HERstory Jeritan", has been also selected for "2008 Taiwan International Video Art Exhibition Dwelling Place?"

近年移居澳门，与友人创立澳门拉阔网络协会并积极身体力行将社会行动结合纪录片媒体，透过录像纪录提升社会大众对弱势社群的关注。2007年获澳门文化中心「澳门纪录新势力2007」资助执导拍摄首部纪录片《被遗弃的针筒》并在《澳门国际电影及录像展2008-澳门制造》获得最受观众欢迎奖。

She is dedicated to the social work since 1997. She is enthusiastic about human rights and social justice documentary promotion. Her first social documentary,"Left Them Behind", was commissioned by "Local DocuPower 2007" and got the Audience Award. Her 2nd short documentary film,"HERstory – Jeritan", has been also selected for "2008 Taiwan International Video Art Exhibition – Dwelling Place?"

近年移居澳门，与友人创立澳门拉阔网路协会并积极身体力行将社会行动结合纪录片媒体，透过录影纪录提升社会大众对弱势社群的关注。2007年获澳门文化中心「澳门纪录新势力2007」资助执导拍摄首部纪录片《被遗弃的针筒》并在《澳门国际电影及录影展2008-澳门制造》获得最受观众欢迎奖。

Prosecutors are trying to show Jackson had banked on the documentary as a way to re-energize his career, and that it exploded in his face.

检察官设法显示杰克逊开户了在documentary 作为方式加强他的事业，并且那它爆炸在他的面孔。

This comes from the pursuit of truthfulness in documentary photography, rather than the selfconsciousness of local events. One might cry for a documentary element in concept photography and hunt for the concept in documentary photography, but this time they have two in one.

如果说它具有某种本土的自觉，不如说这是源自于摄影的纪录性本质；与其说之前的所谓&观念摄影&中没有&摄影&，而纪实摄影中缺乏&观念&的话，不如说在这种景观摄影的摄影类型里——既有摄影又有观念。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。