查询词典 display mode

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Study 2 used 2(conflict target: supervisor/subordinate)×3(conflict management mode: integrating/obliging/dominating ) design, letting participants to evaluate the effeciency and appropriateness of the management mode used in the contexts. The results showed:(1) the integrating mode were perceived most efficient and appropriage within the three conflict modes;(2) the interaction between the referent role of conflict object and the management mode is significant, which means when the conflict took place with the supervisor, the participants thought the obliging mode was more appropriate and efficient , while when it took place between the subordinate, they thought the dominating mode was more appropriate and efficient than obliging mode.(3)the interaction between SDO and conflict management mode is significant, which means the participants with high SDO would make no preference between obliging and dominating mode, but the participates with low SDO would favor the dominating rather than obliging mode;(4) the interaction between dialectical ways of thinking and conflict management mode is significant, the lower the level of dialectical way of thinking the participants were, the more difference were found between the appraisal of obliging and dominating mode.(5) the moderating effect of SDO and dialectical ways of thinking to the relationship between conflict object and management mode were not significant, which means the relative position of conflict object in China is so strong that can't be affected by SDO and dialectical ways of thinking.

研究二采用2*3（冲突处理方式：迁就/支配/整合）的情境设计，让被试对情境中冲突主角的冲突处理方式进行恰当有效性的评价，结果显示： 1、在与上级或下级发生冲突时，被试对迁就、支配和整合三种策略中整合式的恰当有效性的评价最高；2、冲突对象的相对地位与冲突处理方式之间的交互作用显著，即当与上级发生冲突时，被试认为使用迁就的处理方式比支配的方式更恰当有效，而与下级发生冲突时，被试则认为使用支配的处理方式比迁就的方式更有效； 3、SDO与冲突处理方式之间的交互作用显著，即SDO水平高的被试对迁就式与支配式的认知评价没有差异，而SDO水平低的被试对支配式比迁就式有更高的评价；4、辩证思维水平与冲突处理方式之间的交互作用显著，即低辩证思维水平的个体比高辩证的个体对支配式与迁就式的评价差异更大；5、SDO水平及辩证思维方式水平对冲突对象影响冲突处理方式评价的程度的调节作用不显著。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

Based on the system feedback archetype mode theory, the dissertation introduce the upper limit stepwise generation and elimination method of the system pullulate upper limit mode, construct the five upper limit archetype mode such as: market demand upper limit archetype mode, human resource upper limit archetype mode; fund upper limit archetype modes; technology innovation upper limit archetype mode; government support upper limit archetype mode ;By combining the five upper limit archetype mode ,we can attain a electronic information industry developmental pattern system upper limit archetype mode.

利用系统科学反馈基模分析理论，提出了系统成长上限模型上限逐步生成与消除法，通过构建江西电子信息产业市场需求成长上限子基模、人力资源不足成长上限子基模、政府支持有限成长上限子基模、资金不足成长上限子基模、创新能力不足成长上限子基模等5个基模，并对其做并运算，得到了江西电子信息产业系统成长上限基模，刻画了资金、市场、技术创新、人才与政府支持相互制约的关联关系。

Secondly, On the basic of existing research about mode classification of E-U-R cooperation, combine high school in Xinjiang in the aspects of producing to learn to grind to cooperate of actual, high school in Xinjiang in the research result conversion, product and technical developments and produce to learn to grind the cooperation to induce appliedly serves to consult with the mode, technique to turn to let with technique for the technique the mode, cooperation development mode, set up the entity mode, school to do the industry mode, the university science and technology park totally of the mode six greatest modes, detailed analyzed the influence factor, merit and shortcoming of the manifestation, characteristic, implement of a mode and open the exhibition circumstance in Xinjiang, return for a mode chose the typical model with meticulous care of case example.

其次，在参考现有研究对产学研合作模式分类的基础上，结合新疆高校在产学研合作方面的实际，把新疆高校在科研成果转化、产品和技术的开发和应用方面的产学研合作归纳为技术服务和技术咨询模式、技术转让模式、合作开发模式、共建实体模式、校办产业模式、大学科技园模式六大模式，详细分析了每种模式的表现形式、特征、实施的影响因素、优缺点以及在新疆的开展情况，还为每种模式精心选择了典型的案例。

First, the rural social security system should be developed in accordance with the national conditions, including economic and social development status quo, people's views and security traditions. Next, the thesis puts forward the guiding thought and general principles for the establishment of the system based on the national conditions, and clearly sets forth the idea of establishing the transitional rural social security system. Then, the thesis makes explanation and analysis respectively on the existing security types, hoping to find the proper components of the rural social security system that is suited to the conditions of the country. At last, the thesis puts forward the objective mode and transitional mode of the establishment of the system at the macro level. The objective mode is the development direction of the transitional mode, and the transitional mode is a necessary stage of the objective mode. Only when establishing the vigorous transitional mode that is suited to the national conditions and achieving development, can the objective mode be possibly realized in the self-evolution of the transitional mode.

首先，我国农村社会保障制度建设应当立足于我国的基本国情，包括经济社会发展现状、人们的观念、保障传统等方面；其次，在基本国情的基础上提出了建立我国农村社会保障制度的指导思想和一般原则，明确提出了建立过渡型农村社会保障制度的构想；而后，本文对农村社会保障现存的几种保障方式一一做出了说明和分析，以期为构建适合我国国情的农村社会保障制度模式找到合适的构成要素；最后，本文从较为宏观的层次提出了我国农村社会保障制度建设的目标模式和过渡模式，目标模式是过渡模式的发展方向，而过渡模式是目标模式建设的必经阶段，只有在建立适合国情具有活力的过渡模式并取得发展的基础上，目标模式才有可能在过渡模式本身的自我升级过程中逐步实现。

The production company specializing in the production of crystal words, Tongzi, iron word, titanium word, the word bubble, billboards, Xiongpai, meals Taiwan card, drinks licence, signage, medals, plaque, the licensing authority to display the licence, licensing departments, products Display stand, KT display panels, acrylic panels, light boxes, signs, Penhua, silk screen technology, business cards, X-Chin, Chin-widening net, Yi Labao, promotions, Taiwan, product display stand, Zhangui, Acrylic products, acrylic display stand phones, MP3 Chin-acrylic, acrylic-exhibition of digital products, shoes stent, red wine display stand, cosmetics display stand, signage, exhibition planes, vases, pumping carton , Pencil cases, Zhuangtai boxes, photo frames, CD-and-debris, paper planes, included boxes of miscellaneous items, Cardcase, business gifts, and so on.

本公司专业生产制作水晶字、铜字、铁字、钛金字、泡沫字、广告牌、胸牌、餐台牌、酒水牌、标识牌、奖牌、铭牌、授权牌、展示牌、科室牌、产品展示架、KT展板、亚克力展板，灯箱、招牌、喷画、丝印工艺、名片，X展架、拉网展架、易拉宝、促销台、产品展示架、展柜等，压克力工艺品、压克力手机展示架、压克力MP3展架、压克力数码产品展架、鞋支架、红酒展示架、化妆品展示架、标识牌、展架、花瓶、抽纸盒、笔盒、妆台盒、相架，CD架，杂物架、文件架、杂物收纳盒，名片盒、商务礼品等等。

Direct Correspondence of Display Data RAM to LCD Pixel Display Data RAM2,500 bits LCD Drivers25-common and 100-segment Selectable Duty and Bias Ratio ; 1/25 Duty 1/6 Bias or 1/15 Duty 1/5 Bias Direct connection to 8-bit Microprocessor interface for both of 68 and 80 type MPU Serial Interface (SI, SCL, A0, CS) Useful instruction set Display ON/OFF, Display Start Line Set, Page Address Set, Column Address Set, Status Read, Write Display Data, Read Display Data, Normal or Inverse ON/OFF Set, Static Drive ON/Normal Display, EVR Register Set, Read Modify Write, End, Reset, Internal Power Supply ON/OFF, Driver Output ON/OFF, Power Save and ADC select.

直接显示数据RAM的对应像素液晶显示数据RAM2，500位液晶Drivers25，共同和100段可选择的职务和偏差率； 1 / 25的责任1 / 6的偏见或1 / 15的责任1 / 5偏见的直接连接至8位微处理器的接口为68和80型微控制器的串行接口（司，沙田至中环线时，A0，CS）的相关指令集显示开/关，显示开始行设置，页面地址设置，列地址设置，状态读取，写入显示数据，读取数据显示，正常或逆开/关设置，静态驱动器/正常显示，腔内注册设置，读取修改写入，完，复位，内部电源开/关，开/关，节能和ADC选择驱动器输出。

A variety of display options are provided, including circular trend display, T-Y trend display, bar graph display, numeric display, overview display,historical display.

多种显示选项，包括圆形趋势显示，T恤y趋势显示，棒图显示，数字显示，展出概况，历史展示。

A layout information selecting part (304) selects a layout in accordance with the display part as designated by the display designating part (303) from layout information, which includes layouts suitable for the resolutions of the display portions (D1,D2), distributed from a media distributing apparatus. In accordance with the selected layout, a media display control part (306) selects media distributed from the media distributing apparatus, performs a conversion processing, such as scale-up or scale-down, and causes the display part as designated by the display designating part (303) to display the media.

配置信息选择单元(304)从由媒体播发装置播发的包含与显示单元D1和D2的分辨率相应的配置在内的配置信息中，选择与显示指示单元(303)所指定的显示单元相应的配置，并且根据所选择的配置，媒体显示控制单元(306)对由媒体播发装置所播发的媒体进行选择以及进行放大和缩小等变换处理后，将媒体显示在由显示指示单元(303)所指定的显示单元上。

Although translator has turned from being a crystal ball by which the original culture can unrestrainedly penetrate to another crystal ball by which the target culture can freely traverse, the translator's personal embodiment, in the process of cognitive act, are still absent in translation studies. Translators are still subjects without body or simply disembodied subjects.

译者虽然由原语文化可以自由穿透的玻璃球变成了译语文化可以自由穿越的玻璃球，但译者认知过程中的个体体验在翻译研究中依然缺席，译者依然仅仅是一个没有躯体体验的主体。

Chillingly, he claimed our technology is 'not nearly as sophisticated' as theirs and "had they been hostile", he warned 'we would be been gone by now'.

令人毛骨悚然的，他声称我们的技术是'并不那么复杂，像他们一样，和"如果他们敌意"，他警告说，'我们将现在已经过去了。