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dickens相关的网络例句

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与 dickens 相关的网络例句 [注:此内容来源于网络,仅供参考]

However,Chapman&Hall had enough faith in Dickens to find anotherillustrator,Charles Habl6t Browne,who took thepseudonym'Phiz'to match Dickens'S'Boz'.

然而查普曼_霍尔出版公司对狄更斯有着极大的信心,又找了另一个插图画家查尔斯·哈布洛特·布朗。他用"菲兹"这个笔名来和狄更斯的"博兹"相配。

The art of fiction, as Jane Austen knew it, declined from her through Scott, and Bulwer, and Dickens, and Charlotte Bronte, and Thackeray, and even George Eliot, because the mania of romanticism had seized upon all Europe, and these great writers could not escape the taint of their time; but it has shown few signs of recovery in England, because English criticism, in the presence of the Continental masterpieces, has continued provincial and special and personal, and has expressed a love and a hate which had to do with the quality of the artist rather than the character of his work.

jane的小说技巧,在她之后就开始没落了,Scott, and Bulwer, and Dickens, and Charlotte Bronte, and Thackeray, and even George Eliot(这些都是Jane之后的作家,你可以在金山上查到详细的资料)都没怎么采用她的风格,因为欧洲人骨子里有着狂热的浪漫主义,而这些伟大的作家也没有能够摆脱他们时代的感染。在英国,也没有什么恢复的迹象,面对着欧洲大陆上的伟大作品,英国的评论依然本土化,特殊化,个人化,他们对于作家表现出了强烈的爱,憎,而不是对于他们的作品人物。

It was inevitable that in their time the English romanticists should treat, as Senor Valdes says,"the barbarous customs of the Middle Ages, softening and distorting them, as Walter Scott and his kind did;" that they should "devote themselves to falsifying nature, refining and subtilizing sentiment, and modifying psychology after their own fancy," like Bulwer and Dickens, as well as like Rousseau and Madame de Stael, not to mention Balzac, the worst of all that sort at his worst.

就如valdes可能是瓦尔德)所说,那个时代的英国浪漫主义者处理"野蛮的中世纪习俗,将它们软化,歪曲,就像斯科特之类的人做的",他们应致力于篡改自然,提炼或者稀释人们的脆弱感情,按照他们的想像改变人物的心理。,就像Bulwer 、Dickens、 Rousseau、 Madame de Stael、更别提 Balzac了,他是最糟的。

We have to admit that Dickens has many traditional sense in his works, but his sense which connect the female with the happiness of a family doesn't sedulously debase the female but is in order to behave the female's goodness,blandness and selflessly dedicatory sacrifice spirit.It is of course a submission to the Dickens' original intention of art invent, that is, dig out the beauty of human and ask people for carrying forward humanitrianism.

我们不能不承认狄更斯再创作时带有很多的传统意识,但是他把女性与家庭幸福联系起来的观念并没有刻意的贬低女性,不尊重女性,而是有意的将女性的善良温柔和无私奉献的牺牲精神表现得淋漓尽致,这当然也是服从于狄更斯一贯的艺术创作初衷――-挖掘人性美和呼吁人类发扬人道主义精神。

Among Dickens's friends,the distinguished judge 10rd Jeffrey wept un-restrainedly and dle actor William Macready,whohad recently 10st his own daughter,found it hard toforgive Dickens for Nell'S fate.

在狄更斯的朋友当中,杰出的法官,杰弗里勋爵嚎啕大哭。戏剧演员威廉·麦克里迪曾痛失爱女,他无法原谅狄更斯这样安排内尔的结局。

From several aspects we can see that Charles Dickens expounds his views of humanity: In the novel, firstly Dickens reveals the character's inner world, he expresses their natural instincts; secondly, Dickens associate the characters masterly who can not be regarder the isolated individual, those chacacters produce the mutual influence on each other; at last, the writer compares the past life and mentality of the characters with their true consciousness in spirit.

我们可以从几个方面看,阐述他的观点,查尔斯狄更斯的小说中,人类:首先狄更斯揭示了人物的内心世界,他表示自己天性的影响;其次,狄更斯把人物精湛的人不能regarder孤立的个体,那chacacters产生相互影响;最后,作者比较了过去的生活和思维的特征与真实的意识。

It mainly expounds the opportunities of the introduction of the Dickens\' works, and the different stages of the propagation and acceptance of his works in modern China. There are four stages included: 1 1907-1919, Lin Shu\'s viewpoint on Dickens; 2 1920-1929, Dickens as a portraitist of the social reality; 3 1930-1939, Dickens as a spokesman of nonentities; 4 1940-1949, Dickens as an advocator of humanistic emotion.

主要论述了狄更斯作品传入中国的机缘以及狄更斯在近代中国传播与接受的几个阶段,包括四个方面的内容:1.1907—1919年,文学因缘:林纾眼中的狄更斯;2.1920—1929年,社会物状的描摹者;3.1930—1939年,&小人物&的代言者;4.1940—1949年,人道情感的提倡者。

Does not the age of Balzac, Dickens, Dostoyevsky and Tolstoy dwarf its earnest, fitfully brilliant but ultimately punier successor?

如果不是Balzac,Dickens,Dostoyevsky和Tolstoy的时代的低调认真的创作,断断续续的杰出创作但是最终却弱势继承?

It was inevitable that in their time the English romanticists should treat, as Senor Valdes says,"the barbarous customs of the Middle Ages, softening and distorting them, as Walter Scott and his kind did;" that they should "devote themselves to falsifying nature, refining and subtilizing sentiment, and modifying psychology after their own fancy," like Bulwer and Dickens, as well as like Rousseau and Madame de Stael, not to mention Balzac, the worst of all that sort at his worst.

就如valdes可能是瓦尔德)所说,那个时代的英国浪漫主义者处理&野蛮的中世纪习俗,将它们软化,歪曲,就像斯科特之类的人做的&,他们应致力于篡改自然,提炼或者稀释人们的脆弱感情,按照他们的想像改变人物的心理。,就像Bulwer 、Dickens、 Rousseau、 Madame de Stael、更别提 Balzac了,他是最糟的。

Some twenty years ago Charles Dickens wrote a series of letters in The Daily News on the subject of capital punishment; and in one, headed "How Jurymen Feel," he said

二十年前, Charles Dickens 在每日新闻上写了一系列的关于死刑的文章;在其中有一篇篇名是&陪审员是怎样感受的?&文章中,他说

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