英语人>网络例句>desolateness 相关的网络例句
desolateness相关的网络例句

查询词典 desolateness

与 desolateness 相关的网络例句 [注:此内容来源于网络,仅供参考]

This desolateness overcame all his connubial fears—he called loudly for his wife and children—the lonely chambers rang for a moment with his voice, and then all again was silence.

这desolateness克服了他所有的connubial恐惧,他大声呼吁他的妻子和孩子的孤独商会一会儿响起他的声音,然后又是沉默的。

Mr. Wang vividly displayed the hardships and humbleness among the people in everyday life, and pursued the value and dignity of life in view of desolateness of our everyday life. In his view, keeping one's spiritual life undamaged is much more important than one's material life.

汪曾祺着重表现了民间社会生活中困苦和卑微的生命常态,他正视人类的生存困境,从生命的荒凉出发去追求生命的价值和尊严,在他看来,比物质生活更重要的东西,是保持人的精神生命不受损害。

In a bustling sea of people, in the silence of memories, search for the desolateness of a desert, feel the beating of the youthful, lively heart outside of the coldness of the city.

窗外是二环如水的车流,窗内是你,孤独而清醒的记忆。在喧闹的人海中,在落寞的记忆中。

Tai Sishen hand is gentle and incapable, demonstrating his manner being desolateness.

泰思深的手轻轻无力,显示他为人的冷淡。

The loneliness in the crowds and the desolateness amidst all the excitement made him feel like many other people living on this solitary island.

拥挤里的孤寂,热闹里的凄凉,使他像许多住在这孤岛上的人,心灵也仿佛一个无凑畔的孤岛。

One can well perceive that we, as human being, having feelings and temperament, always get triggered off a particular feeling of deepness, tranquility, sternness, and desolateness about autumn.

足见有感觉的动物,有情趣的人类,对于秋,总是一样的能特别引起深沉,幽远,严厉,萧索的感触来的。

The best retaliation is not the hatred, but hits the desolateness which the moral nature sends out, does makes the effort to hate a irrelevant person ------"My First half of life"

最佳的报复不是仇恨,而是打心底发出的冷淡,干嘛花力气去恨一个不相干的人——《我的前半生

In addition, some describe a kind of deep and calm picture: the soft, blue tone, men bending over the stones, who seem to feel the physical nature for its mass, shape and volume. Man, through the dialogue with such natural objects, dissolves himself into the desolateness and quietness of the universe.

另外,也有一种深邃而平静的画面,调子是柔和的蓝灰色,人默默地俯身于岩石之间,似乎就是要体验物的本性,它的厚度、形状、体积,人通过与这种自然物的对话,从而将自身融化在宇宙的苍茫和安宁之中。

I worship the older generations very much, not just for they are fearless of the desolateness but also because they set up one-by-one petroleum oases in the desolateness.

我很佩服老一辈石油工人,他们面对荒凉无所畏惧,于荒凉之中竖起一座座美丽的石油绿洲。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来",意味着他不得不采用感情误置的方式,将石头进行拟人化的处理,用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目,它被提升到一个象征的位置上,与神话和英雄的精神题旨迅速结合在一起,成为人性之中欲望、焦虑、压力等情感的客观对应物,从本质上来说,物自身的特性被淹没了,在表现物的自然特性和表现理念这两者之间,他选择了后者,这意味着,在感动他的最初事实与他要表现的事实之间就有了一种脱节,但他敏感地意识到了这种脱节,这种"图解的危险",我们可以看到,当这组画最终呈现在我们面前的时候,物的自然特性得到了很大程度的挽留和表现,其中有一些画作直接描绘了岩石本身,它本身的褶皱和棱角、苍凉和沉重,同时,并没有人出现在这样的画面上。

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