查询词典 describe loving stories

They were doing biblical stories in the beginning, but then they branched out to these different folk stories.

他们正在做一开始圣经故事，但后来他们支了这些不同的民间故事。

Professor Jay Conger has said that "Stories have enormous power in terms of recall. If you look at statistics, or at PowerPoint, or at documents, what you discover from all the research is that there is almost no recall. What will be remembered are a few compelling stories that you share with your organization and with your team. And those will guide them when they are far away from you – which, by the way, is much of the day."

因为 Jay Conger 教授曾说过：「故事是最容易被人们记得的题材型式，研究发现从统计或投影片或文件上所获得的资讯几乎很难再被想起，通常是那些你和你的公司或团队一起分享的小故事会一直留在人们的回忆之中，就算在他们离开你之后，仍能在他们的人生中起作用，而这才是最重要的事。

The complete histories emerge gradually over the course of the book, with bits of information appearing in successive stories to clarify, complete, and sometimes controvert the information given in previous stories.

完整的历史逐步形成的过程中书，以比特的信息中出现的连续的故事，澄清，完整，有时争论中提供的资料前的故事。

I get letters from Vanity Fair,Cosmopolitan etc.asking me for stories,articles,and serials,butam publishing nothing for six months or a year（afew stories sold to Scribner's the end of last year and one funny article out） because I know thatnow is a very crucial time and that it is much moreimportant for me to write in tranquility,trying towrite as well as I can,with no eye on any market,nor any thought of what the stuff willl bring,oreven if it can ever be published——than to fall intothe money making trap which handles American writers like the cornhusking machine handled mynoted relative's thumb .

我收到《名利场》、《世界主义者》等刊物来信约我写短篇小说、文章、连载，但我最近六个月或者可以说这一年都没有发表作品（年底为斯克里布纳的刊物写过几个短篇小说和一篇滑稽文章），因为我知道，现在是非常关键的时候，对我来说，安安静静地写作，尽可能写得更好，既不关心市场，也不考虑金钱能带来什么，甚至不考虑我的作品是否能出版——这一切比落入操纵美国作家们的赚钱陷阱重要得多，这个陷阱就像玉米脱壳机夺去了我那著名的亲戚的拇指。

Of the ghost novels in Wei-Jin Dynasties, stories about ghost and people in Tang Dynasty, the novels of script for story-telling in Song Dynasty; the mystery desalinize gradually, the air of the common customs is strengthened gradually. The ghosts appearance is to serve reality purport of the works, to solve the realistic contradiction, not merely to tell such odd and unusual ghost stories.

魏晋志怪中的鬼话，唐代人鬼故事，宋代话本小说，其中的鬼怪谲异成分逐渐淡化，人间世俗之气逐渐增强，鬼魂的出现是为了解决现实矛盾，实现作品主旨，而不仅仅在讲述一个个离奇怪异的鬼故事。

Great-great-Grandma witches still snort into their elderflower wine when these stories are told. Great-great-grandpa wizards still get a strange light in their eyes and perk up suddenly when these stories are told.

讲述这些故事时，很老很老的女巫们端着陈年的酒嗤之以鼻，很老很老的男巫们眼中则闪耀着奇异的光芒并突然精神起来。

On behalf of the wedded couple, I'd like to thank you all for the stories that have appeared on the internet and in print, but I'd like to point out that there were some untruths in those stories, for instance, that there was a dish by the name of "Braised bamboo fungus and fish maw in sharks fin" on the menu. As we all know, Yao Ming is the frontman of the "Protecting sharks begins with me" campaign and he has promised at the WildAid event that he would not eat sharks fin at any time or under any circumstance. Hence, there was no sharks fin at the wedding tonight.

同时此位发言人还就姚明婚宴上出现鱼翅的事件进行了声明："这一段时间无论是在网络上还是在报纸上都出现了一些相关的报道，在这里我代表二位新人表示感谢，但是必须指出的是这中间存在的一些相对失实的报道，比如说说姚明在婚宴中摆出一道名为'红烧竹笙鱼肚烩鱼翅'的菜，但是大家都知道姚明是'护鲨行动、从我做起'公益活动的代言人，在出席世界野生救援协会主办的'全球野生动物保护宣言'活动中，姚明曾经郑重承诺在任何时间、任何情况下他本人都拒绝食用鱼翅，因此这次婚宴上将没有鱼翅这道菜。"

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

We are all hardwired to listen to stories because we want to see what happens; stories help deliver a message.

我们骨子里都喜欢听故事，因为我们想知道发生了什么，故事可以帮助传递信息。

We take care of the modes of the Institutional Revolution stories, including how the modes being narrated and developed, but not these stories reflecting the history truly or not.

我们在此无心探寻这些影片是否真实地反映了"文革"史，而是专注于"文革"故事在电影的叙事中有些怎样的模式、这些模式又是怎样被叙述的、以及这些叙事模式又有些怎样的发展变化。

Summary In copyright infringement cases,if the alleged infringer uses or even plagiarizes the copyrighted works or parts thereof,which causes no substantially adverse effect on the normal exploitation of the work,nor does it inflict any substantial damages to the right owner,the de minis doctrine should be applied to exempt the liabilities of the defendant and seek the balance of interests between the right owner and the general public embodied by the copyright law.

在侵犯著作权案件中，如果被控侵权行为人虽未经著作权人的同意，使用甚至抄袭了受著作权保护的作品或作品的片段，但若情节轻微，未对该作品的正常使用产生任何实质不利的影响，亦未对权利人的权利造成实质性的损害，则应适用&不计琐细原则&，免除行为人的责任，以寻求在权利人利益与著作权法所体现的社会公共利益之间的平衡。

This new product will become our best seller.

这个新产品会成为我们最畅销的产品。