查询词典 deconstructed

Therefore, the absoluteness of meaning is deconstructed and the myth of "faithfulness" is terminated.

这就消解了意义的绝对性，也终结了"忠实"的神话。

This is like a deconstructed fish cake, without the shaping and frying, or a fish pie without the baking.

这就好比解构鱼蛋糕，如果没有成型及油炸，或一条鱼馅饼未经烘焙。

Insouciant dance-hall girls in enormous coiffures, velvet ensembles, polka dots, deconstructed suede, whips and satin getups followed.

insouciant舞蹈大厅女孩在巨大的coiffures ，天鹅绒合奏，波尔卡圆点，解构人造麂皮，鞭子和缎getups其次。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Therefore, the developing history of Metaphysic is a process obviously featuring construction and being deconstructed.

从宽泛的意义上来说，人类思维同时包含着建构和解构的两个维度，人类思想也是在建构与解构的矛盾中不断前进的。

Therefore, wyatt and donne, in disguise of petrarch's poetry of "male complaint", through exchanging point of view of the two sexes in pointing out and criticizing severely the unfaithful nature of men in general, deconstructed the petrarchan traditon of "male complaint".

他们借用当时时髦的彼特拉克传统的"男怨诗"作伪装，通过交换性别视角，用心良苦而又机智巧妙地指责和批判了把朝三暮四、负心薄情理所当然地看作是男子本性而被视而不见的世俗怪象，是对彼特拉克传统的"男怨诗"的完全解构。

It shows that they share an opposition against logocentrism and a belief in the open, reiterative, and creative nature of interpretation/translation. Yet they fail to concur when it comes to what general stance we should adopt toward translation and how text can be deconstructed and reconstructed, clashing with each other in particular over the issues of subjectivity, vector and regularity.

通过比较我们发现两种理论共享反二元对立的哲学思想，认为文本的解读和翻译都是开放、反复和创造性的，但在对待文本解构和重构的方式上存在分歧；对待翻译的态度上也有不一致的地方，主体性、矢量性和规律性是分歧的焦点。

In the new period, the revolutionary tinge began to fade away and the tradition of the revolutionary literature was deconstructed so that a new historical relationship of betrayal and retrogress was established.

在如何理解五四新文学与革命文学之间的关系上，建国后"十七年"与新时期存在着明显的差异：在"十七年"中，五四新文学传统逐渐被革命化，革命文学传统逐渐被强化，从而在二者之间建立起一种"继承与发展"的历史联系；在新时期，五四新文学传统的革命色彩逐渐被淡化，其地位一路飙升，革命文学传统逐渐被消解，从而在二者之间形成了"背叛与倒退"的历史联系。

Windbreakers were worn over deconstructed polo-shirtdresses and an ensemble of tank top, sarong, and leggings.

风被磨损超过解构马球- shirtdresses和的自由组合，坦克顶，帽子，并议论纷纷。

These predecessors, masters of art, like Ma Lianliang, Zhang Junqiu, Tan Fuying and Qiu Shengrong, with their outstanding talents, deconstructed this pre-Qin legend into a truncated swansong and made it a classic that continued to flourish.

马连良、张君秋、谭富英、裘盛戎等前辈艺术大师，用他们杰出的才华，把这先秦的传奇，解构成真正意义上的绝唱，使之成为久演不衰的经典。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。