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dazzle painting相关的网络例句

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与 dazzle painting 相关的网络例句 [注:此内容来源于网络,仅供参考]

Along the winding mountain roads and on to the Peak, but see the deep green walls,diao liang hua dong ,hong zhu cornices, unique.qian dian the existing temple, the three permitted all three, the Temple Guardian Temple 1, Wan-dong and Shanmen, 2, Monk kilnsmu ta , Ling Yin ruins, such as three-ko.qian dian face south, the temple is located in the middle axis,dian qian Two monument erected the temple, built in the Qianlong sixteen years; Temple Guardian Templeqian dian house is located right in the middle of the permittedhou dian for the million, Inner Temple wall is complete, with high art, painting of the Heavenly Kings, like the Queen Mother, Monju, Fugen, as are 1.57 meters high, the proportion of moderate and natural, beautiful color and good facilities, rather than fine lines tangled complex, rigorous and lively layout;"Tang learn" vividly comic, realistic characters, new colors, easily sketched, are up-hing sent far-reaching effect of memorable art.

沿山路蜿蜒而上至山顶,但见红墙碧树深处,雕梁画栋,飞檐红柱,别具特色。寺院现存前殿、三佛殿各三间,韦驮殿一间,万宝洞及山门、二门、僧窑、墓塔、灵寅三层阁等遗迹。前殿面南,位于寺院中轴线正中,殿前竖庙碑二通,建于乾隆十六年;韦驮殿位于前殿屋后正中,后殿为万佛殿,内殿壁面十分完整,具有较高的艺术性,彩绘的天王像、王母像、文殊、普贤像均高1.57米,比例适中而自然,施彩艳丽而不俗,线条繁细而不紊,布局严谨而生动;&唐僧取经&连环画生动形象,人物逼真,色彩新颖,勾勒自如,均达到兴寄深远,回味无穷的艺术效果。

The painting chosen Ivan IV of violence in their daily lives, in a quarrel with the son of Ivan IV, son hit with the stick Wat temple, the impulse that led to his accidental death.

该画选择了伊凡四世在日常生活中的暴行,在一与儿子的的争吵中,伊凡四世用笏杖击中儿子的太阳穴,这一偶然的冲动致使儿子丧命。

Millais encountered various difficulties during the painting process.

米莱遇到的各种困难,在绘画的过程。

The play is inspired by Sir John Everett Millais's 1852 painting entitled "Ophelia," depicting the character from William Shakespeare's play "Hamlet."

这一表演的灵感来源于约翰·埃弗雷特·米雷斯爵士1852年创作的名为《奥菲利亚》的绘画作品,画作描绘了莎士比亚戏剧《哈姆雷特》中奥菲利亚一角。

After detailed analysis and study we objectively evaluate contributions Picasso and Kandinsky made to the transition of painting and their roles during development of western art.

在进行了详尽的分析后,将毕加索和康定斯基对于绘画转型的意义以及抽象绘画形式在整个西方美术发展大的历史时空中的地位给予了相对客观的评价。

It has many Wassily Kandinsky paintings on display and you can recognize very well how his style developed by and by to semi-abstract and then to abstract painting.

那里展出了许多康定斯基的作品,你可以清晰地看到他由表现主义风格到抽象风格的转变过程。

The early Renaissance is beginning in the 15 century, in Florence, Italy. The purpose of this article is to explore the characteristic of the arts during the early Renaissance, including the paintings, carvings, and architecture. For example in the painting, Masaccio (AD 1401-1428) invent a method called "Perspective".

本文主要针对文艺复兴的起源、意涵及绘画、雕刻、建筑等艺术早期的发展特色做探讨,从视觉艺术的角度来看,文艺复兴早期的发轫,以及在艺术形式上的突破和创新,其最重要的关键点是人们观念的改变,从中世纪服膺宗教中解脱,呈现出俗世生活中实实在在的人,因此「人文主义」的精神可说是文艺复兴时期的原动力。

He spent three years in Bologna as Italian Government scholar, exhibiting in Eros in Albion at the Casa Masaccio and From Bacon to Now at the Palazzo Vecchio in Florence. Between 1991-93 he was Guest Artist at the Stadelschule in Frankfurt, Germany and Visiting Fellow to the University of Oxford, and in 1994 became Distinguished Visiting Artist to CalState University Long Beach, exhibiting in the UK/LA festival, and representing the UK at the Cagnes Painting Biennale, France and the European Union exhibition in Bangkok.

在此期间,参加了卡萨马萨鞒的&敖尔比的厄尔斯女神&展,以及于佛罗伦萨举办的&从培根到现在&的展览。1991年至1993年,库克先后于德国法兰克福与英国牛津大学任客座艺术家。1994年,他被评为美国加州大学杰出访问艺术家,作品入选英国/洛杉矶艺术节,并代表英国参加了法国卡克尼斯绘画双年展以及在曼谷举行的欧盟艺术展。

The body of the paper mainly explores two layers of simplicity in painting, that is, simplicity of content and simplicity of form. With works of those who are famous for their classic beauty of simplicity in creation like Jean Francois Millet, Kath Kollwitz, Zhou Sicong, Luo Zhongli, the paper arrives that the different elements of simplicity in both content and form provide basic condition for the holistic simplicity of the whole work.

文章主体部分就绘画的朴素性展开论述,着重从绘画内容的朴素和绘画形式的朴素两个方面来展开探讨,以古今中外绘画史上一些作品深具经典朴素美的画家,特别是米勒、凯绥·柯勒惠支、周思聪、罗中立等人的艺术形式及精神内涵作例证,而得出绘画内容及绘画形式中各个因素各具特色的朴素,是体现整个绘画作品朴素美内涵的基本条件。

This thesis starts with a detailed analysis of Magritte's paintings and then further studies his painting style from the perspec...

本文首先对马格里特的一些绘画作品进行深入分析,从内在精神特征和外在视觉表现两方面对他的绘画风格进行详细研究。

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