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dazzle painting相关的网络例句

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In 1997, his traditional Chinese painting was collected by National Painting Art Committee and National calligraphic sodality and National Art Association. His works are awarded as the exquisiteness prizes of the second session for Xi Bi Spring National Calligraphy and Painting invitation Competition which have selected into " Xi Bi Spring Exquisiteness Ink and Wash Painting Record".

近期作品在国务院管理局主办的《中国机关后勤杂志》中陆续刊登,并应邀在中南海、全国政协、北京国际商会会馆、国务院北戴河服务局、国务院西山服务局及驻京部队等单位作画,大量作品被以上单位及个人收藏,并颁发收藏证书。2005年元月作品被人民大会堂及中国历史博物馆收藏。

Qianlong period, the value of glass painting is even higher, because at this time not only because of oil as early as age and have a higher value, but also because it works fine oil painting portrait , wholesale oil painting with the most submanifold, and added color or silver color, the most to a few well-known painter of Guangdong Huang Dasheng, his rich and oil painting than the old Italian.

乾隆时期的玻璃油画价值还要高一些,因为此时的油画不仅是因为年代早而拥有较高价值,更因为其画工精细,油画的大部分都带地子,而且加金彩或者银彩,最有名的画家要数广东的黄达生,他的油彩较浓艳而有旧意。

It also accelerated the pace of Chinese commercial painting, and furthermore, it brought tremendous influence to Shanghai treaty port painting, neoteric Canton area painting and"reformative"painting. It also inspired the Europe industrial arts and garden design of 17-18 century.

西洋风绘画促进了东西方贸易的发展,加速了中国绘画的商品化;对近代岭南绘画、上海开埠绘画及"改良派"绘画产生了影响;并成为17、18世纪欧洲中国风工艺美术设计和园林设计的重要灵感来源。

The academic direction of image painting applies itself to the vague limit between image and painting. If the direction of image art uses an image language creating independent and flowing spaces, then the painting should use the painting language to complete the component reality.

影像绘画的学术方向是致力于将影像和绘画之间的界限模糊,如果说影像艺术的方向是通过影像的语言来创造独立的、流动的空间,那么绘画就应该是通过绘画的语言来完成构成的现实。

In a word, my painting is neither a precise abstract painting, nor precise figural painting; I prefer to call it "specific painting."

总之,我的绘画既不是确切的抽象绘画,也不是确切的具象绘画,我更愿意称之为"具体绘画"。

It has ever held a series of experimental exhibitions,such as Xu Bing "Cultural Animal"exhibition;Zhao Bandi "Moonlight"exhibition;"New Sharp Gaze----painting exhibition of artists born in 1970s", New Academism Exhibition, the power of the painting, Chinese painting's new forces Series, The younger generation's painting exhibition.etc.With widespread influence in Chinese modern art circle, it has become one of the activity center of Chinese modern art.

世纪翰墨画廊曾成功推出徐冰&文化动物&展;赵半狄&月光号&展等一系列实验艺术展;以及&新锐的目光——生于七十年代青年艺术家绘画展&,&新学院主义&展、&绘画的力量&展,中国油画新新力量系列展,年轻一代油画作品展等,在中国当代油画艺坛产生广泛影响,成为中国当代油画艺术的活动中心之一。

In a word, my painting is neither a precise abstract painting, nor precise figural painting; I prefer to call it "specific painting."

总之,我的绘画既不是确切的抽象绘画,也不是确切的具象绘画,我更愿意称之为&具体绘画&。

Attempt of diversiform skill: Combined creation of graphic arts, painting, and the painting of embossment; on the technic aspect, he use the computer imitational pattern, piece together & stick, production of mold, corruption of metal board, and handed painting ; on the aspect of colors, he also use the "industrial" colors on painting.

技法多元化的尝试:版画、绘画及浮雕式绘画并行创作;在技法上,运用电脑模拟图样、拼贴、模板制造、金属板腐蚀及徒手涂绘等方式创作;在颜料使用上,亦采用「工业性」颜料涂绘。

His works of pure ink traditional Chinese painting are the best painting in ancient China, that is to say this is the traditional Chinese painting in ancient times, this painting skills have been lost for over thousand years which was the legatary soul of the Chinese peoples art civilition.

其中国画作品多次获金奖,并授予&中国人杰出艺术家&、&世界华人艺术突出贡献奖&、&中国艺术功勋成就奖&等荣誉称号,作品荣获中国书画收研究院最高奖项&一等奖&,被国家定为族文化遗产的精髓。

In recent works I have been committing myself in developing an individualistic discourse in and from the fountainhead of the painting and in attempting to establish a new set of language for ink and wash painting expression, bringing the ornamentality, allegoricity, and narrativity of the painting into new play, making the ink and wash painting a genuinely open language that can truly be adapted with pluralistic expressions to meet the challenges of the current culture.

在近来的工作中,我致力于从绘画的本原出发,从那里展开并演绎个性的话语,并试图建立一套新的水墨表述语言,使绘画的装饰性、寓意性、叙事性得到新的意义上发挥;使水墨成为一种真正开放性的语言,真正适合观念多样性的表达而适应当下文化的挑战。

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