查询词典 dancing

The four basic elements of hip hop culture are DJING,凚 MCING,凕 DANCING AND GRAFF.

HIPHOP文化中的4大基本元素是 JING 说唱，刍舞蹈，凡涂鸦。

This manifests as a dazzling, shimmering, or dancing graininess, especially in blocks of mid-toned or lighter colors.

这是体现了令人眼花缭乱的，闪烁，或跳舞粒状，特别是在中色调或浅色块。

Then one night Isadora and one of her brothers were dancing in their Grecian veils in a small garden.

一天夜晚，伊莎多拉和她的一个哥哥在一个小花园里披着他们的希腊面纱翩然起舞。

It is based on Hangzhou history and mythology which is mixed by singing , dancing and acrobatics together. The performance will give you a pleasant and impressed feeling and can be compared beauty with the "Red Grindery"in Paris and "O Show"in LasVegas.

该剧以杭州的历史典故、神话传说为基点，融合世界歌舞、杂技艺术于一体，运用了现代高科技手段营造如梦似幻的意境，给人以强烈的视觉震撼，堪与法国巴黎红磨坊和美国拉斯维加斯O秀相媲美。

There is also a group of children singing and dancing.

那边草地上有一群孩子在唱歌跳舞。

A group of girls are singing and dancing.

一群女孩子在唱歌跳舞

Over at that patch of grass, a group of children are singing and dancing.

那边草地上有一群孩子在唱歌跳舞。

Seated on the meadow are a group of children singing and dancing.

在它的一条腿上系着一块小小的不锈钢的东西。

There followed group singing and dancing, in which all attempted to join.

接着是集体的唱歌跳舞，大伙儿都参加进去。

In the late 19th century the Cuban habanera influenced the development of American ragtime; the Argentine tango gained worldwide popularity during the 1910s, initiating a craze for Latin ballroom dancing in Paris, London, and New York City; recordings of Hawaiian guitar music, country-and-western music, and ballroom dance orchestras arrived in the port towns of Africa by the 1920s; and the Cuban rumba became popular around the world in the 1930s.

19世纪后期的影响，古巴的哈巴涅拉发展美国拉格泰姆；阿根廷探戈赢得全世界流行的1910年代期间，发起热潮拉丁美洲交际舞在巴黎，伦敦，和纽约市；记录夏威夷吉他音乐，国家和西方的音乐和舞蹈乐团抵达港口城镇由1920年非洲和古巴的伦巴舞流行世界各地的1930年。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。