查询词典 dancing

To be fond of dancing was a certain step towards falling in love

喜欢跳舞是谈情说爱的一个步骤

To be fond of dancing was a certain step towards falling in love.

爱上跳舞这就意味着朝坠入爱合的道路迈出了实在的一步

Dancing is step with beat just as poem is a style with rhythm.

舞蹈是有节拍的步调，就像诗歌是有韵律的文体一样。

To be fond of dancing was a certain step towards falling in love; and very lively hopes of Mr. Bingley's heart were entertained.

和他跳舞可真是与他相爱的第一个步骤呢，而且都非常希望能虏获宾格利先生的心呢。

Nothing could be more delightful! To be fond of dancing was a certain step towards falling in love; and very lively hopes of Mr. Bingley's heart were entertained.

这真是再好也没有的事；喜欢跳舞是谈情说爱的一个步骤；大家都热烈地希望去获得彬格莱先生的那颗心。

Nothing could be more delightful! To be fond of dancing was a certain step towards falling in love; very lively hopes of Mr. Bingley's heart were entertained.

这真是再好也没有的事；喜欢跳舞是谈情说爱的一个步骤；大家都热烈地希望去获得 s sbb ww 彬格莱先生的那颗心。

These shows feature step dancing, with its unique style of keeping the arms and upper body still, while performing intricate and rapid steps with the legs and feet.

这些舞蹈以舞步为代表，具有独特的风格。当脚和腿快速舞步的同时保持手臂及上身不动。

And Karen could not help dancing a step or two, and when she began her feet continued to dance; it was just as though the shoes had power over them.

珈伦经不起这番赞美：她要跳几个步子。她一开始，一双腿就不停地跳起来。这双鞋好像控制住了她的腿似的。

It looked like they were dancing… step apart, step together, step apart, step together… they walked sideways across the cliff!

它看起来像在跳。。。一步外，站在一起，一步外，站在一起。。。他们走过的悬崖侧身！

As the clickety-clack of Irish step dancing and the sound of traditional Irish music fill the air

爱尔兰踢踏舞的"喀里啪嗒"声伴随传统爱尔兰音乐响彻全场

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。