查询词典 dance to jazz music

Teamed up with four other beautiful and brilliant girls, all of whom are graduates of music academy schools, Sun Lili, herself a music academy graduate, founded the Five Princess Band in 2004. Unlike other girls bands which have been quick to colone the same style, an enormously success for a band of this nature, Five Princess is quietly insistent on developing its own style: combining singing with melody to create a new fashion of traditional Chinese music. The reason, according to Sun Lili, the singer of the band and one of the top ten winner singers in the Pepsi Pop Music contest, is that it greatly adds to the appeals of the music if the traditional melody is accompanied by a song.

&五乐格格女子新民乐弹唱组合&创建于2004年，由毕业于高等音乐学府的五位音乐学院青春靓丽，才华横溢的美少女组成，她们没有向如今遍地开花的其他新民乐组合一样去拷贝一种风格，而是走出了另外一条不同于任何组合的路线，那就是弹唱结合的形式，扬琴兼组合主唱手之一孙莉莉的想法是：现如今没有一首脍炙人口的器乐曲，很多器乐组合演奏了很多优美的器乐曲也不被广大听众认知，所以，她们认为有曲有唱，既有优美的民族乐器旋律，也会同时通过她们的演唱来丰富乐曲，这样才会流传下来她们的歌曲。

Teamed up with four other beautiful and brilliant girls, all of whom are graduates of music academy schools, Sun Lili, herself a music academy graduate, founded the Five Princess Band in 2004.Unlike other girls bands which have been quick to colone the same style, an enormously success for a band of this nature, Five Princess is quietly insistent on developing its own style: combining singing with melody to create a new fashion of traditional Chinese music.The reason, according to Sun Lili, the singer of the band and one of the top ten winner singers in the Pepsi Pop Music contest, is that it greatly adds to the appeals of the music if the traditional melody is accompanied by a song.

&五乐格格女子新民乐弹唱组合&创建于2004年，由毕业于高等音乐学府的孙莉莉召集了其他四位音乐学院青春靓丽，才华横溢的美少女组成，她们没有向如今遍地开花的其他新民乐组合一样去拷贝一种风格，而是走出了另外一条不同于任何组合的路线，那就是弹唱结合的形式，扬琴兼组合主唱手之一孙莉莉的想法是：现如今没有一首脍炙人口的器乐曲，很多器乐组合演奏了很多优美的器乐曲也不被广大听众认知，所以，她们认为有曲有唱，既有优美的民族乐器旋律，也会同时通过她们的演唱来丰富乐曲，这样才会流传下来她们的歌曲。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Still, the term is not usually applied to rock music rooted in the blues -based or other African American music (except as mediated through folk revivalists ), nor to rock music with Cajun roots, nor to music (especially after about 1980) with non-European folk roots, which is more typically classified as world music .

但是，任期不是通常采用的摇滚乐，根植于蓝调型或其他非洲裔美国音乐(除中介民俗revivalists)，也不是摇滚乐与美国路易斯安纳州的根源，也对音乐(尤其是约1980年)与其他非欧洲民族的根，其中较为典型列为世界音乐。

In a classical sense of music performance, sonic showing manner is a crucial link, which is a cause to make every music performance of the same music work different. And it is the different sonic showing maimers that embody the unrepeatability of music performance that fully presents the inexhaustible music artistic charm.

在传统意义的音乐表演中，音乐作品的音响呈现方式是一个关键的环节，因为它是造成音乐表演之所以不同的根源，同时，也正是由于音响呈现方式的不同，才体现出音乐表演艺术的不可重复性，从而充分展示了音乐艺术的无穷魅力。

Based on the analysis and studies of the concrete music representative of the present times, the article comes up with several approaches to the thematic treatment of the concrete music works, which involve modeling musical theme, comparing music theme and extending music sections by effect modulation; constructing music wo...

本文从当今具有代表性的具体音乐作品分析入手，研究提出了具体音乐作品中关于主题的几种处理手段：如通过效果调制塑造音乐主题、对比音乐主题、发展音乐段落；通过&主题材料综合呈示与渐变发展&、&主题材料分别呈示与交叠发展&、&主题材料逐渐呈示与交替发展&等主题呈示、发展与结构全曲的布局处理的手法来构建音乐作品，体现主题的&主题性&。

The essay takes the research of Czerny"s pianoétudes, which is comparatively weak in China and abroad, as its object of study. The study begins with the research of theétudes"material, harmony, composition, melody, rhythm, type of tone and sound, through the comparison of a great number of typical examples of music scores, uses the comparison and analysis of different details between different music pieces, expounds thoroughly form music itself, the technical system and artistic features of Czernys musicétudes as well as their connection with music compositions of the school of Viennese classical music.

本论文《车尔尼钢琴练习曲研究——技术系统、艺术特色、与维也纳古典主义钢琴音乐之间的内在联系》把车尔尼钢琴练习曲作为整体研究对象，从材料、和声、织体、旋律、节奏、音型、音响等方面入手，通过大量典型谱例的比较，运用乐曲之间细部对比、分析，从音乐本体出发，详尽地阐述了车尔尼练习曲中的技术系统、艺术成分及其与维也纳古典乐派钢琴作品的关系。

In the meantime music and dance are dynamic state arts with the human body perform for intermediate, which have two kinds of cultural characteristic of language writing and non- language literalness and the non-language writing characteristic be theirs main aspect, which make race music and dance of protection and lineage have more difficulties comparing cultural heritage ancient works and cultural object ruins .

同时，音乐和舞蹈是以人体表演为中介的动态艺术，它具有语言文字与非语言文字的两种文化特征，非语言文字特征是它的主要方面，这就使得民族音乐和舞蹈的保护与传承较文献典籍和文物遗址而言有更大的难度。

In the meantime music and dance are dynamic state arts with the human body perform for intermediate, which have two kinds of cultural characteristic of language writing and non- language literalness and the non-language writing characteristic be theirs main aspect, which make race music and dance of protection and lineage have a larger difficulty comparing cultural heritage ancient works and cultural object ruins .

同时，音乐和舞蹈是以人体表演为中介的动态艺术，它具有语言文字与非语言文字的两种文化特征，非语言文字特征是它的主要方面，这就使得民族音乐和舞蹈的保护与传承较文献典籍和文物遗址而言有更大的难度。

Polish Fantasy on Original Theme is one of the two piano concertos composed by the Polish composer─Ignacy Jan Paderewski. Affected by the sectional manner of the fantasy, unique rhythm and the melody of Polish dance music, Polish Fantasy on Original Theme presented the feature of Polish dance music, the style of the fantasy and the form of single movement concerto.

摘要 《原主题波兰幻想曲》为波兰作曲家帕德列夫斯基所创作的两首钢琴协奏曲其中一首，此作品利用幻想曲多段落的方式以及波兰民族舞曲独特的节奏、旋律特性所创作，结合了波兰民族舞曲的特色、幻想曲的风格以及单乐章协奏曲的形式。

Listen,point and check your answers.

听，指出并且检查你的答案。

Warming needle is one of effective treatment methods for knee arthralgia aggravated by cold,and it is simple,safety,so it should be developed in clinical acupuncture and moxibustion extensively.

但以本院科针灸门诊在2005年1月—2006年6月期间共收治膝痛患者100余例，经过临床的诊断后，其中施以温针治疗的48例，疗效显著，报道如下。1临床资料本组病例48