查询词典 dance drama

So theatric character under her brush exceeded ace time and which a eastern meaning, about life and death, about metem ychosis, about explain to drama of artist-self that endow with much more entitative in the drama that reflect in her oil painting called drama life.

艺术家张铁梅不是一个复古主义者，她用她的画笔和这批作品在今天的日益都市化的所谓的后现代主义的快节奏的城市社会里搭了一个舞台，一个传统的舞台，让那些匆匆行走于今天文明的人或过客偶然发现的一个舞台。

Besides, when the first and second person deixis are used in drama, the zero point usually switches to other characters in the drama, thus, to be strict, these two kinds of person deixis in drama doesnt have the deictic function.

此外，在戏剧中，第一和第二人称指示语的中心原点被转换为戏剧中的人物，因而也不具有严格意义上的指示功能。

The change historical drama pan-politics allegorizing narrative pattern's key, lies in the connection "54" the time and "the new time" the historical drama modern history rational tradition, establishes one kind to have the multicultural value orientation and many kinds of artistic style pursue historical drama creation idea under the modern rationality energetic contemplation.

改变历史剧泛政治寓言化叙事格局的关键，在于接续&五四&时代和&新时期&历史剧的现代历史理性传统，建立一种在现代理性精神观照下的具有多元文化价值取向和多种艺术风格追求的历史剧创作观念。

First, to take ideology as a weapon was the starting point of the revolutionary drama-"the Left Drama"while to pay attention to human and the conflict between human and the society, which led to the probation of the connotation of the conflict consciously was the core of sub-current realism. Second, the main current realism had a strong revolutionary"proletariat"aim and political sense-objective sense while the sub-current realism focused on people and setting up characters. Third the main current realism laid too much emphasis on the sense of mission of its time which led to the tendency of formulizing and generalizing while the sub-current realism paid attention to the firm objectivity and to imitate life as their aesthetic ideal, and as a result the sub-current realism produced vigorous works. CHAPTER 4 Realistic Chinese modern drama experienced a hard and winding way of development. It was even worse after the People Republic of China was established.

本章还从三个基本方面入手，论述了主流的现实主义与非主流的现实主义内质的差异与不同的发展趋向，即作为一种武器的思想是主流的革命现实主义中&左翼戏剧&的出发点，与注重人与命运、人与现实的冲突，从而自觉追求冲突内涵的挖掘是非主流现实主义的核心；主流的革命现实主义中&普罗列塔利亚式&强烈的革命目的&目的意识论&与非主流现实主义的倾心于人物、注重人物塑造的审美原则；主流的革命现实主义所强调的时代使命感而产生的公式化、概念化倾向与非主流的现实主义所注重的客观性、以摹仿生活真实为审美理想而产生的具有生命力的话剧剧作。

"Push slave" costume stills Drama "push slave" is South Korea's broadcast last night in a drama, Lee Da Hae Nvbannanzhuang be seen through a small bully and tried to rape, she was ripped off clothes exposing most of the chest, but also almost caught milk dew point, the audience was reprimanded South Korea "is simply too exaggerated," but the drama ratings are still a ratings winner straight for 27.2%.

推奴》剧照古装韩剧《推奴》正在韩国播出，前晚的剧集中，李多海女扮男装被小混混识破并企图强暴，她被扯下外衣露出大部分胸部，还险些被抓奶露点，遭韩国观众斥责&简直太夸张&，但该剧收视率仍直冲27.2%成为收视冠军。

With the infiltration of the folklore, religion and anthropology towards the area of drama study, the conception of drama academia changes. Folk drama turns up more and more in the views of the scholars.

随着民俗学、宗教学、文化人类学等学科对戏曲研究领域的渗透，学界的戏曲观念逐渐发生了转移，民间戏曲也愈来愈频繁的出现在众多学者的学术视野之中。

Chapter five summarizes the reasons of the flourishing development of drama in the period of Elizabeth I : it is the result of the three main social powers'(the queen, peerages and the middle-class) conjunct contribution, because these three powers have their own demand and benefit differently under the given historical conditions, their demand and benefit makes them have to do so; it's also the result of drama's successfully syncretizing the cultural tastes of the queen, peerages and the middle-class; what's more, England's school education in the age of Renaissance also reveals its value in the boom of drama.

第五章总结了伊丽莎白时期英国戏剧得到繁荣发展的原因：戏剧的繁荣是在特定的历史条件下，女王、贵族及中产阶层等从各自的需求和利益出发，共同促进的结果；也是戏剧成功融合了以女王、贵族、中产阶层为主的社会各阶层文化口味的结果；此外，英国文艺复兴时期的学校教育对戏剧的发展也具有重要的意义。

Chapter five summarizes the reasons of the flourishing development of drama in the period of Elizabeth I : it is the result of the three main social powers"(the queen, peerages and the middle-class) conjunct contribution, because these three powers have their own demand and benefit differently under the given historical conditions, their demand and benefit makes them have to do so; it"s also the result of drama"s successfully syncretizing the cultural tastes of the queen, peerages and the middle-class; what"s more, Englands school education in the age of Renaissance also reveals its value in the boom of drama.

第五章总结了伊丽莎白时期英国戏剧得到繁荣发展的原因：戏剧的繁荣是在特定的历史条件下，女王、贵族及中产阶层等从各自的需求和利益出发，共同促进的结果；也是戏剧成功融合了以女王、贵族、中产阶层为主的社会各阶层文化口味的结果；此外，英国文艺复兴时期的学校教育对戏剧的发展也具有重要的意义。

People, it is really wonderful, it was stated that "it" like a drama, a drama of each inside, we are playing a leading role, how well-played drama, acting on their own, but also some people say "it" is a script, but I think,"it" is not only a play, not just a script, as well as a game, wins or loses, if no effort to learn, to experience!

人，真的很奇妙，有人说这&它&像一场戏，每一场戏里面，我们都扮演着主角，怎么样演好这场戏，靠自己的演技，也有人说&它&是一本剧本，但我觉得，&它&不但是戏，也不仅仅是一本剧本，也是一场比赛，有输有赢，如果没有努力去学习，去感受！

The following text is a study of the entrance and exit poetry of Yuan Drama, which researches into the quantity, poetic theory and types of the entrance and exit poetry in Yuan Drama, analyzes characteristics, investigates the origin, considers its role of Yuan Drama.

本文拟调查元杂剧宾白中的上场诗和下场诗的数量、格律、类型，分析其特征，探求其源流，考察它在戏曲中的作用。

It is suggested that TDS can be used as a new method for the analysis of pedogenesis and climatic change.

总之，热处理过程中磁化率的变化能非常灵敏地反映磁性矿物的转化情况，而且，这种转化往往与样品所经历的土壤化作用强度密切相关，因此，TDS可做为分析成土作用强度和古气候变化的一种新方法。

Therefore, in this chapter, I will research into the conflict and contradiction of the paternity. Also, in this novel, the father's behavior of "He who loves well chastises well." is quite suspicious, one of the reasons is that the father thought his son belonged to him. And then, this thesis quoted Lacan's theory to touch upon that someone who has accepted the concept of patriarchal society, he will be influenced for his whole life. That also reveals that human being has no choice sometimes in this society.

因此本章会先就父子关系的冲突与矛盾做深入的探讨，小说中的父亲似有对儿子爱之深责之切的行为，其原因可能在於父亲将儿子视为所有物所致；其次，论文将引用拉冈相关理论，讨论在父权社会中，不论身分为何，只要是已受父权社会观念根深蒂固影响的人物，终生都将受其所苦，此也揭示出人生存於社会上的无奈。