查询词典 cultural

Kunio Yanagita's Nihonjinron is"self"construction of rational cultural nationalism, which differs from the"self"construction of occidentalism, nationalism, fascism and postwar democratism, and the"other"construction of cultural anthropology. It is a new pattern of constructing the new-era Japanese national cultural identity.

柳田国男的日本人论是相对理性的文化民族主义的"自我"建构，它与西化主义、国粹主义、国家主义、法西斯主义、战后民主主义的"自我"建构和文化人类学的"他者"建构不同，是建构新时代日本民族文化认同的一种新的模式。

In order to handle such problems, the government should, on one hand, strengthen the force financing the development of national cultural industry, channel more resources to flow into cultural industry from those oversaturated industries so as to increase the percentage of cultural industry in the GDP.

从我国的实际看，我国文化产业政策的总的目标应该是国家通过产业政策的实施，在 15 年内(2020 年)使我国的文化产业成为国民经济中的重要支柱产业，文化产业增加值在我国 GDP 中的比重由目前的 2.15 ％上升到 5 ％以上，并在未来 50 年接近美国，成为世界一流文化产业强国。

Departing from the position against "cultural evolutionism", this thesis treats of such cultural phenomena as polder mode, a tradition of tolerance, and postmodern value in the hope of defining the causes and vicisstitudes of Dutch cultural conventions as well as their double impact.

笔者从反对"文化进化论"的立场出发，围绕圩田模式、宽容传统和后现代等几个重要的文化现象，批判性地审视荷兰文化成规的成因、变迁及其双重影响。

Cultural gene ; cultural species ; cultural ecology ; rareness species ; diversity

文化基因；文化物种；文化生态学；珍稀物种；多样性

Or, to prove some of the latest social and cultural philosophy, in particular the introduction of the latest from the West, social and cultural concepts, the interpretation of the literary classics and re-release activities, such as a social and cultural concept.

或者，为着印证某种最新的社会文化理念，尤其是从西方引进的最新的社会文化理念，把对文学经典的阐释和重释活动，变成对这种最新的社会文化理念的注解。

Iii "Cost of restoration and repair" includes all actual and projected costs of curation, disposition, and appropriate reburial of, and consultation with respect to, the cultural heritage resource; and any other actual and projected costs to complete restoration and repair of the cultural heritage resource, including its reconstruction and stabilization; reconstruction and stabilization of ground contour and surface; research necessary to conduct reconstruction and stabilization; the construction of physical barriers and other protective devices; examination and analysis of the cultural heritage resource as part of efforts to salvage remaining information about the resource; and preparation of reports.

"复原和修复成本"包括所有实际的和将发生的修补、安置和适当的埋藏文化遗产资源，并与有关方进行协商成本；所有实际的和将发生的完成复原、修复文化遗产资源的成本，其包括重建或加固成本；重建或加固围路曲面和表面成本；进行重建或加固所必须的研究成本；建设栅栏或其他保护设施的成本；作为抢救文化遗产资源残余部分努力之一的检查和分析文化遗产资源成本；撰写报告的成本。

This paper is centered at the literary recomposition of the fifth-generation movies. This special cultural phenomenon came forth in a special cultural context in the new times, implies special values and modality, and ends as the cultural change and development of the new times.

本篇论文所确立的中心观点是：第五代电影改编这一特殊的文化现象，生成于新时期特殊的文化语境，表现为特殊的价值意义和形式探索，终结于后新时期文化的转型和演进。

The protection of cultural trade in the objective of safeguarding the world's cultural diversity, cultural diversity arising from the conflict as a natural barriers to the country's trade structure and trade gains will certainly have an impact, the article will adopt this model Ricardian trade analysis and verification.

文化贸易的保护在客观上维护了世界文化的多元性，多元化引起的文化冲突成为一道天然的贸易壁垒，对国家的贸易结构和贸易收益都会产生一定的影响，文章将通过李嘉图贸易模型对此加以分析和论证。

The salability of "Cultural Perplexity in Agonized Travel", the " Cultural Prose Mania" and the "Yu Qiuyu Phenomenon" are three fascinating features in the cultural history of 1990's. As important background, the transformations of the mechanism of literary productions resulting from the change of the social construction in the beginning of 1990's can not be ignored.

《文化苦旅》的走红、"文化大散文"热和"余秋雨现象"是20世纪90年代文学史中一场引人注目的连环戏，而90年代社会转型所带来的文学生产机制的转变则是这些热点现象不可忽视的重要背景。

At the same time, it produced a series of imaginings that became deeper and deeper – it was like a hypothetical point that allowed me to be completely immersed in the actual cultural background. Various human weaknesses have certain solemn and stirringly dramatic elements. In order to adapt to the basic visual experience, in order to allow the audience to easily accept and enjoy the underlying elements of the work, I intentionally left white spaces, they looked like hints in a guessing game. The viewer who understands would have a good laugh after becoming suddenly enlightened. This enables the viewer and me to have a sort of conspiratorial relationship, its meaning does not reside in the painting itself, but in the shared cultural background of myself and the audience as well as the shared attitude of such a cultural background. This makes it believable, a hidden bridge, often in a somewhat clear yet somewhat mysterious moment, two strangers who have never met are able to achieve a profound understanding, like that happiness of suddenly catching someone when playing hide and seek as a child ...

同时，阐发了一系列的联想，并使之不断地深入，它就像一个假设的点，将我置身于整个现实文化背景之中，这里人的种种缺陷带有某种悲壮成分的戏剧性，为了适应基本的视觉经验，为了使观众一目了然地接受并乐于体味作品中的潜在因素提供某种线索，我留有一些空白，它类似猜谜游戏中的启示，能使会心的观众茅塞顿开后一场哑然失笑，能使我和观众之间形成一种合谋关系，其意义不在画面本身，而在于我和观众之间存有共同的现实文化背景，以及对这种文化背景所持有的共同态度，它也就是有了可信性，就像冥冥中桥梁，常常在时而明晰时而神秘的一瞬，两个素昧平生的陌生人之间突然达到了心领神会的境地，如同儿时捉迷藏游戏中突然捉到对方时的开心……。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。