查询词典 cultural

To make better use of the opportunity, China should promote Chinese culture by realizing cultural harmonization in a global cultural exchange and interaction context, and China should map its cultural identity by abandoning the liberating discourse of western modernity and inheriting the traditional Chinese harmonious discourse.

和文化可以更好地发展和更新中国文化。

It is the result of economic globalization, and it manifests the tendency of diversification of cultural form, deepening of cultural content and incessancy of cultural confliction.

这种特征，是经济全球化的时代物质、社会条件发展的必然结果，并表现为形式多样化、内容深层化和冲突持久化的趋势。

Based on Gudykunst'spsychocultural influences on the process of communication and Farch and Kasper's psychological and strategic model, the paper discusses connotation and interactions of cultural stereotypes, cultural transfer and cultural empathy, and analyzes their influences on intercultural communication strategiesfrom the point of synchronism and levels.

本文以Gudykunst的心理文化对交际过程的影响及Farch和Kasper的心理策略模式为理论基础，解析文化定势、文化迁移、文化移情三个变量的内涵和互动性，从共时和层级的角度分析对跨文化交际策略的隐性影响。

It is one of the commonest phenomenon which we all discover that the couples of cross-cultural marriage face langrage barriers, stereotypes, culture shock; that if remembering makes them fight less, they shall frequently encounter all sides of the emotional spectrum: elation, excitement, passion and frustration, fear and stress; that the difficulties of cross-cultural marriage may appear immense, but they are not unfeasible, so that there are heavy odds in favor of most cross-cultural marriages between "true love", these couples work hard to overcome their differences because they know the meaning of happiness:"God gave me the best husband/wife ever, I am incredibly blessed to have met him/her."

目前我们发现一个最为普通的现象是：跨文化婚姻夫妇面对语言障碍，世俗偏见和文化冲突；即使回忆往事是减少争；吵的灵丹妙药，但他们时常经历起伏不定的情感变化：欢欣，激动，激情或是沮丧，恐惧和压力；跨文化婚姻的困难看上去很艰难，但并非不可逾越，大多数跨国婚姻最可能基于真爱，所以夫妇双方都很努力克服双方的差异，因为他们更加明白幸福的真谛，"上帝赐予我最好的丈夫/妻子，能在茫茫人海中遇到他/她，我感激涕零。"

These images that need no word expression and logical reasoning, even need no brain-racking search for the archetypes, are a kind of self-cultural sediment. They may have multiple and cultural relations or collisions with a declining national spirit at present, but the paintings themselves not only act as a representation of dominant cultural traits of our nation, but are also my attempts to continue stone inscriptions and brick engravings by those ancient people through knife scraping and line engraving in cold and gray tone, not only a visual sediment of my own obscure emotion, but also a kind of exterior exposition of my personal art spirit.

这些无须用言词、逻辑去表达、推理、甚至去挖空心思搜寻的形象，是自我的某种文化的积淀，或许与时下民族气性衰微与潦落的状况有着多层面的文化上的关联与冲突，但画面本身不仅成为民族强势文化特质的某种形式上的渲染，同时也希籍冷灰色调下的刀刮、线刻能够成为古人碑帖、砖刻痕迹的某种延续，既是自我内心晦涩情绪的视觉沉淀，也是个人艺术精神的某种外化的诠释。

In the meantime music and dance are dynamic state arts with the human body perform for intermediate, which have two kinds of cultural characteristic of language writing and non- language literalness and the non-language writing characteristic be theirs main aspect, which make race music and dance of protection and lineage have more difficulties comparing cultural heritage ancient works and cultural object ruins .

同时，音乐和舞蹈是以人体表演为中介的动态艺术，它具有语言文字与非语言文字的两种文化特征，非语言文字特征是它的主要方面，这就使得民族音乐和舞蹈的保护与传承较文献典籍和文物遗址而言有更大的难度。

In the meantime music and dance are dynamic state arts with the human body perform for intermediate, which have two kinds of cultural characteristic of language writing and non- language literalness and the non-language writing characteristic be theirs main aspect, which make race music and dance of protection and lineage have a larger difficulty comparing cultural heritage ancient works and cultural object ruins .

同时，音乐和舞蹈是以人体表演为中介的动态艺术，它具有语言文字与非语言文字的两种文化特征，非语言文字特征是它的主要方面，这就使得民族音乐和舞蹈的保护与传承较文献典籍和文物遗址而言有更大的难度。

Through putting him in the special social cultural field to analyze his symbolic capital as a free literator and his strategies in the cultural field, this paper reveals the origin, nature, and influence of Li Ao's cultural phenomenon, and obtains the realistic inspiration to Chinese intellectuals from them.

本文将其置于特定的社会文化场域，通过对其作为自由文人的符号资本及其在文化场策略的分析，揭示李敖文化现象的成因、实质及影响，并从中获得对中国知识分子的现实启示。

Since the current popular culture has become a very important part in Chinese cultural system, we can not deny its realisticness and logicalness, and we must value mess"s cultural choices and their cultural request, devote to develop advancing and herlthy popular culture, control and regular all kinds of possible faults and problems in the current popular culture"s evolution.

作为当代中国文化系统的重要组成部分，大众文化存在的现实性、合理性是无法否认的，我们必须尊重社会大众的文化选择和文化需求，致力于发展健康向上的中国大众文化，对其发展中存在的种种问题进行调节和控制。

This thesis takes the strenuous search for cultural identity of the Dead family in Song of Solomon as the main line, embarks on the cultural identity of blacks in different periods, connects the pursuit of identity with their history in American society, outlines a vivid historical picture of blacks from the evolution of their identity (from the enslaved black to the emancipated freedman, to the northern migrator and then the youth born in the north), further explores the efforts made by the blacks on their way to seek their national outlets and build their cultural identity in different periods, points out the advantage and disadvantage of their choice, and finally draws to the conclusion that African American should not abandon their national tradition but at the same time they must stand on American society and find a sound integrity of the two cultures.

本论文以托妮·莫里森的第三部小说《所罗门之歌》中戴德家族寻求文化身份认同的艰难历程为主线，以黑人在不同的历史时期的文化身份的选择为切入点，把黑人对身份的探寻与他们在美国社会中的历史文化联系在一起。从黑人身份的演变(从奴隶到被解放的自由人到北方移民者到出生在北方的新一代黑人青年)勾勒出一幅美国黑人百年历史的生动画面，分析在不同时期黑人为寻求民族出路和构建文化身份时所做出的艰苦卓绝地努力和探索。同时也指出了他们所选择道路的利与弊。最后的结论是：在寻求种族出路时既要立足美国现实又不能抛弃种族传统，而应该努力找到二者的最佳结合点。

By the time of its fall, most of the prisoners were writers who had written against the corruptions of the government.

到它被攻陷的时候，里面多数的犯人是写了反对政府贪污文章的作家。

The most obvious variation to ovum morphological character was that the color was changed from light green to sepiaceous in embryonic development, and all the ovums were almost hatched after 96h.

在胚胎发育过程中卵的形态特征最明显的变化是颜色从淡绿到深褐色，卵在发育96h后卵基本全部孵化。