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Political and technological developments are rapidly obliterating all cultural differences and it is possible that, in a not remote future, it will be impossible to distinguish human beings living on one area of the earth's surface from those living on any other, but our different pasts have not yet been completely erased and cultural differences are still perceptible.

政治和科技的发展正迅速地消除各种文化差异。在不久的将来,很可能难以区分居住在地球不同地区的人类了。然而我们不同的历史还没有被彻底地抹去,文化的差异仍然依稀可见。

Political and technological developments are rapidly obliterating all cultural differences and it is possible that, in a not remote future, it will be impossible to distinguish human beings living on one area of the earth's surface from those living on any other①, but our different pasts have not yet been completely erased and cultural differences are still perceptible.

政治与科技的发展正迅速消除一切文化差异,在不久的将来,人们有可能没办法把地球上一个地区的人与居住在另一个地区的人区分开来,但我们不同的过去还没有完全被抹灭,文化的差异依然清晰可见。

On the poetics level, using a irrational female-genesis to self-explaining; using a "body-writing" as a self-domination, making a self-realization by ways of "dark","blood","death", such as those feminine imagination; making a self-represent ion by "monologue". On cultural consciousness level, takinga self-searching on reconsidering woman's status and ending in love; taking a self-awaking by showing what a mother had "done" for daughter in order to serve and maintain man society; introducing a self-remolding through recover and rebel the man ideology; be self-awakening and oppugning the man-centre society, within its cultural "make","assimilation" to female herself.

本文从两个方面来集中分析《女人》显示出的的&女性意识&:在诗学审美形态上,以非理性的女性&创世神话&题材来解释&自我&;以&躯体写作&的方式来支配&自我&;以&黑夜&、&血&、&死亡&等&阴性意象&来认识&自我&;以&独白&的方式来表达&自我&;在文化意识形态上,以对爱情中女性地位和结局的重新思考来寻找&自我&;以&母亲&对&女儿&的&塑造&来揭示&母亲&作为男权社会的&服务者&和&维护者&形象达到警醒&自我&;对男性文化意识形态的还原和反叛来解构男性中心文化并重铸&自我&;在辨认&自我&的觉醒中将质疑引向对男性中心社会及其所预置的文化秩序和&被造&、&被同化&的女性自身。

In modern society, cultural lifestyle's richness and its different kinds provide common people with comparing and selecting objects, moreover, CS's special fascination with its challenging high—point, outdoing self, pursing perfection value and ideal status, and its specially representing forms keep and expand the great attraction to common people, which influence deeply on cultural life-style.

竞技体育的社会性影响,促使人们在更深的层次上考虑其文化内涵和意义,认识竞技体育对于人的意义,这是一个逐步深化的过程,是随着社会的发展和人们对于竞技体育发展的认识而不断探索真理、追求价值的理性征程。

From the analysis, we can conclude that at least three aspects will cause cross-cultural pragmatic failure: a. The intersection of pragmeme subset A and pragmeme subset B is an empty set; b. Interlocutor A's pattern of pract elements coupling is different from that of interlocutor B's; c. The outranging of allopract causes the transferring from a pragmeme to another pragmeme. The three aspects of pragmeme theory enrich the studies on cross-cultural pragmatic failure.

通过分析,我们得出跨文化语用失误的原因有三:第一,交际者双方对于某一语用行为的语用位交集为空集时会导致跨文化语用失误;第二,交际者双方选择的语用素集合中元素之间耦合方式不相同时会导致跨文化语用失误;第三,交际者一方的语用变体超出对方语用位范畴时会导致跨文化语用失误。

Since there is a lackage of the view "overpassing outside"in Chinese traditional ethic and morality,the obstacles of systematical development and the reformation of cultural systems have formed,so it is key that the lackage of morality should not appear in the development of cultural industry.

因此,文化产业发展不能出现道德缺失,这是关键。

It can be particularized in the following: First of all, the diversity of culture is the dominating form of worldwide development of human culture. On the secondary, the question of Cultural Imperialism appeared and became the focus of cultural development. At last, the common goal of different parochial culture is to pursue the advancity of culture.

主要来说,表现为以下几个方面:文化多样性成为全球文化发展的主要表现形式;文化帝国主义的强化成为全球文化发展的新问题;追求文化发展的先进性成为各种地域文化形式共同追求的目标。

This article through explaining "Western Chamber" which evolves to the classics production by reorganizing the subject, by the cultural esthetical criticism method, excavates "the wall" image which polymerizes and inherits in the Chinese classical esthetic culture and inquires into the culture connotation which contains the humanity emotion demand;promulgates the cultural production mechanism and esthetics value characteristic of the classical text;inspects the riddle of classical art which has eternal charm.

本文通过解读《西厢记》主题嬗变到经典生成的过程,运用文化美学的批评方法,发掘出了&墙&意象在中国古典审美文化中的传承聚合,探究其中蕴涵的人类情感需求这一思想文化意蕴,揭示经典文本的文化生成机制与美学价值特征,考察经典艺术的永恒魅力之谜。

This article through explaining "Western Chamber" which evolves to the classics production by reorganizing the subject, by the cultural esthetical criticism method, excavates "the wall" image which polymerizes and inherits in the Chinese classical esthetic culture and inquires into the culture connotation which contains the humanity emotion demand;promulgates the cultural productionmechanism and esthetics value characteristic of the classical text;inspects the riddle of classical art which has eternal charm

本文通过解读《西厢记》主题嬗变到经典生成的过程,运用文化美学的批评方法,发掘出了&墙&意象在中国古典审美文化中的传承聚合,探究其中蕴涵的人类情感需求这一思想文化意蕴,揭示经典文本的文化生成机制与美学价值特征,考察经典艺术的永恒魅力之谜。

Since 1960s,"Cultural Studies" has become the social cultural current of thought predominating the western academia.

自20世纪60年代以来,&文化研究&成为主导西方学术的社会文化思潮。

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