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What we are asking the students to do is to decide which of the 'cultural problems' I have discussed, which of the narrative and narrational techniques, they see as central to the meanings of the story, and to – in Linda Williams' terms – ' recast' these for this cultural moment, and in visual form.

我们要求学生做的是:决定对于小说的意义来说他们视为最重要的东西——哪些是其中的&文化问题&,哪些是叙事和叙事技巧;还有,用 Linda Williams 的话来说,为这个文化时刻&重铸&这些,并且用视觉艺术形式。

Nonwestern countries should enhance their cultural self-confidence to promote cultural exchanges and absorption in a positive and open attitude rather than isolated attitude.

各民族文化在世界文化的互动中既不断吸收着异域文化中的优秀成分,同时也不断地贡献出本民族的文化资源使之成为人类共享、共有资源的一部分。

The research applied landscape ecology, integrating land using, ecology networks, and the concept of human needed environment model addressed by Odum to build natural and cultural criteria which are used to decide natural factorsand cultural factors. Subsequently, applying the criteria and planning procedures to category land into agricultural and non-agricultural areas. The agriculture areas include basic grain production areas, and leisure agriculture areas. The non- agriculture areas include agriculture of river corridor ecology restoration areas and remnant cultivates lands. Above all, remnant cultivated lands are separated into wilderness, parks or indefinite areas because of different context.

本研究运用之理念包括地景生态学、整合土地使用、生态网络及Odum提出四种人类需求环境模型;据以研拟自然及人文面原则,进行自然因子(NDVI值、坡度、高度、土壤等)及人文因子之准则建构;再依准则及划设流程规划出农业及非农业区域二类型,其中农业类型包括基础粮食生产区、休闲农业区,非农业区包括河廊农业生态复育区及剩余耕地,其中剩余耕地又依背景因子不同划设为荒野化、公园化或模糊区使用。

At the same time, this paper shows that because of the same biological functions of human beings and the similar living environment, cultural universalities overweigh cultural differences.

由于文化的共性大于差异性,且文化的差异性可以通过语言加以表述。

Abstract]This paper studies the animation industry by exploring European animation festivals panoramically from the perspective of aesthetic economy and space economy. It is found that semiotic products with great semiotic meaning are not a kind of transcendental presentation but daily reality in the aesthetic economy and space economy era. The animation industry, which is focused on cultural and creative content producing, is a rising industry in which the animation festival is not only the exhibition of traditional commodities but also a creative arena of meaning produce. The restructuring of place for European animation festivals is followed the basic requirement of aesthetic economy and space economy, since the festivals add new semiotic meaning and cultural elements to the original places.

从审美经济、空间经济的视角,以动漫节为研究对象,对欧洲动漫产业发展所形成的文化与市场景观进行一种全景式的考察后,可以发现:在审美经济的时代,以符号意义为主的符号产品不再是超验的表象,而是日常生活的实在;以文化创意内容为核心的动漫产业已经成为新兴产业;其中,作为符号生产与传统商品集中展示的动漫节,更侧重于深入开发动漫及其衍生产品的审美价值,使动漫节不仅仅流于纯粹的小商品集市,而在于创造更多的符号意义,丰富动漫节的多种内涵;动漫节举办地的地点重构适应了空间经济发展的内在要求,动漫赋予不少城镇以全新的符号内涵,创造了各种形态的地点神话,从而促进空间经济的城市发展。

Instead, they were able to find a certain region which was most suitable for living in the natural ecological system in the process of cultural building, and then to build and protect the national habitat which belonged to their own nationality according to their understanding of their nationality's culture.the protection of ecologic was mainly realized by cultural restraint and balance, it had the features of unconsciousness, remoteness ,passivism and regionalism.exploring the features and functions of this kind of protection is good for deepening the awareness of national habitat and offering predecessor's experience and lessons to nowaday ecological protection

古代民族由于所处时空域的限制,不可能全面认识自然生态系统并自觉直接维护生态环境,而是在文化建构的过程中从所处的自然生态系统内人为地分割出一个最适合于本民族生息的区域,按照本民族文化的理解去建构并直接维护本民族特有的民族生境。对生态环境的维护,主要是通过文化制衡来实现的,它具有无意识性、间接性、被动性和区域性。探讨这种生态维护的特点及功效,有助于深化对民族生境的认识并为今天的生态维护提供前人的经验教训。

Taofen Zou was a remarkable newspaper-man and an outstanding political critic in China's modern history. He was also a successful pathbreaker and operator of the publishing industry. The "Life "serial media organization that he masterminded included weekly magazines, dailies and bookstores. It was not only a cultural support in the adverse currents in that times, but also a cultural enterprise which was full of vitalities.

邹韬奋是中国现代史上杰出的新闻记者、政论家同时也是出色的现代出版事业的开拓者与成功的经营者,他主持的《生活》系列传媒机构,包括周刊、日报、书店,不仅是逆流中的文化堡垒,还是充满生机与活力的文化企业。

Advertisements in Shenbao had multileveled receivers and a multiplex contents dealing with many fields just like politics, economy, culture, society and so on. These advertisements penetratingly embodied social and cultural psychology of Shanghai citizens in the special historical and cultural background at that time.

申报》广告的诉求对象多层次化、内容多元化,涉及政治、经济、文化、社会各个领域,这些广告敏锐地体现着当时特定历史文化背景中上海人的社会文化心理。

There is some evidence for the cross-cultural validity of the scales measuring the perfectionistic , brand consciousness ,recreational,and confused by overchoice traits,and a comparison of previous replications(see Table 6) reveals a limited cross-cultural validity for Price-Value Consciousness and Impulsiveness, the two weakest factors from the original study.

有一些测量完美主义型、品牌意识型、快乐主义导向型和决策困扰型性格的跨文化效度的证据,此前研究的比较揭示出冲动型性格和被动型性格的有限的跨文化效验,这两种性格是原始研究中最弱的两个因子。

As an ancient capital, Nanjing's charm featuring philanthropism as well as profound cultural connotation is remarkably similar to Golf spirit of "self discipline, justice, harmony and trust". Such combination of Chinese and western culture will promote Nanjing's competence in terms of cultural and humanity environment.

在带动南京经济发展的同时,南京以博爱和深厚文化底蕴的古都魅力,与高尔夫&自律、公平、和谐、信任&的文化有着极为相似的内涵,两者中西式的融合将为南京增添人文环境的竞争实力。

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