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In view of the political situation of Chu state,Chapter Fouris a general examination on the whole process from contacts tointegration as an areal cultural structure---Chu kulturkreis,between the cultures of the Mang people,the Pu people,the Yuepeople,the Pa people,the Xuyi people,the Huaxia people andChu culture,followed by a brief explanation of the fundamentalcourse,the ways and features,of the cultural reintegration.Theauthor strives to be comprehensive in recovering the traits com-plex of Chu kulturkreis.

第四章结合楚国政治扩张状况,全面地考察楚文化与长江中游的群蛮、濮、越、巴、徐夷、华夏等民族文化的由接触而整合为一体化区域文化结构一楚文化圈的过程,扼要地分析了这次文化重整的基本线索、方式、特点等,力求全面地复原了楚文化圈的文化特质丛的概貌,具体来说,这次文化重整是从文化接触到文化整合的过程,其间包括适应、调整、再适应、新的综合四个阶段,其实现方式是新文化元素的采借和抗阻、旧文化元素的保持和抛弃、整个重整过程具有开放性、非平衡性、涨落、非线性四个特点。

Liminal space is the 'in-between' location of cultural action, in which according to various cultural theorists, anthropologists and psychologists meaning is produced.

阈限空间是文化行为&处在之间&的位置,而在各种文化理论家、人类学家和精神学家的观点来看,意义正是在此其间生产出来的。

That the special locational advantages the nice geographic position and the rich cultural resources made Chongqing ready to develop the Cultural Tourism.

重庆特殊的区位优势和丰富的人文资源具备了进行文化旅游开发的现实基础与有利条件。

The research result shows, up to the Commercial Revolution in Europe, there had been "individualist" and "collectivist" cultural tradition in Genoa and Maghribi traders, and this two different cultural traditions had produced deep and lasting influences for the selection of economic institutions, political system and economic development, and decided their a long institutional changes locus and economic development road greatly.

研究结果表明,到中世纪的欧洲&商业革命&时期,热那亚和马格里布已经分别形成了个人主义和集体主义的文化传统,而这两种不同的文化传统对两个社会经济、政治制度的选择和社会经济发展产生了深刻而持久的影响,并在很大程度上决定了它们的长期制度变迁轨迹和社会经济发展道路。

Based on A.Greif's study of the relation between cultural tradition and institutional changes, this paper, utilizing game theory and historical evidences, discussed the different cultural tradition of Genoa and Maghribi traders in late Middle Ages and its effects on the selection of economic institution, political system and social structural changes, and gave a new explanation for the source of the ramifications in the institution changes of the East and the West.

本文以格瑞夫关于文化传统与制度变迁关系问题的研究为基础,运用了博弈论与历史经验的归纳性分析相结合的研究方法,以中世纪晚期的热那亚和马格里布为典型案例,对不同文化传统对经济制度、政治体制和社会结构变迁所产生的影响,进行了深入具体的历史比较制度分析,并进一步对东西方国家长期制度变迁出现轨迹分叉的根源,提出了全新的说明与阐释。

Upon that, Wang Zhong is like finding himself addicted to the opium poppy, maniacally drums for his work combining the features of the Big Cross and the Contemporary Cultural Relic Contemporary Cultural Relic, No.

在那, Wang Zhong 是象发现自己上瘾对鸦片罂粟,疯狂打鼓为他的工作结合大十字架和当代文化遗产(当代文化遗产,第4,合成材料, 350□00□70cm, 2000 的)特点。

The city has undertaken the development of a cultural and heritage zone with Cultural Center of Marikina being one of its major components.

偕同Marikina文化中心,这个城市承诺发展的文化遗产区域已经成为城市的重要组成部分。

At the same time, also through folk song festival, Sangzhi Minge Jie, and other major cultural and art activities and the use of traditional folk song festival held duet, the water dragon Dragon Boat Festival, Wu Lei Shan temple, Mao Goose Carnival and other activities, many non-national intangible cultural heritage project Useful and the protection of heritage.

同时还通过举办山歌节、桑植民歌节等大型文艺活动和利用传统节日举办山歌对唱、端午节泼水龙、五雷山庙会、茅古斯狂欢节等活动,使许多民族民间非物质文化遗产项目得到了有益的保护和传承。

Be able to acquire a culture- general methodology for learning about an unfamiliar culture; Understand the MBI model of managing cultural diversity from Lane, DiStefano and Maznevski; Become familiar with Hofstede's four dimensions of culture: individualism/collectivism, power distance, uncertainty tolerance/aversion, and masculinity/femininity in cultures, plus the later-added dimension called by Michael Bond long-term orientation; Examine other numerous cultural orientations frameworks/theories, including Kluckhohn and Strodtbeck ' s Value Orientations, Hall ' s Monochronic and Polychronic Classification, High-context and Low-context orientation, and Condon and Yousef ' s, Trompenaars models.

掌握管理文化多元化的 MBI 模型,以及跨文化商务沟通中有关文化差异的主要理论模型,如霍夫司泰特、克拉克洪和斯乔贝克、霍尔的高语境与低语境、单向时间和多向时间、强皮纳斯等跨文化学者的理论。

While giving a careful study to the texts, this paper dig deep into the cultural connotation of the skit of marital conversion in the two dynasties, holding the belief that the fundamental cultural connotation of it was to maintain the holiness of legitimate marriage, while the model of husband"s conversion reflected common people"s dream of nabobism. The Story of the Lute, the finial work of the skit of this type, embodied Gao Mings ethic reconsideration of the marital conversion phenomenon, and displayed his obscure bewilderment over the value system of Confucianism.

本文挖掘宋元婚变戏文的文化内涵:认为其最基本的文化内涵是维护合法婚姻的神圣性;而作为婚变戏文主体的丈夫变易型婚变则寄托了市民对荣华富贵的白日梦;《琵琶记》是宋元婚变戏文的巅峰之作,体现了高明对婚变现象的伦理反思,表达作者对儒家伦理价值系统的朦胧困惑。

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Cultural Infidel
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