查询词典 cultural

This dissertation tries to expound the deep and intricate problem of cultural identity which emerges in this special literary phenomena, deepening the research of Macanese literature, providing a consultation for the whole cultural identity studies of the Macao literature, as well as an example for the studies of cultural identity in current literary field.

本论文试图对这一文学现象中所呈现的深刻而错综复杂的文化身份问题进行理论的阐述，提高并深化对澳门土生文学的研究，为澳门文学整体的文化身份研究提供一种三照，也为当前文学界文化身份的研究，提供一个范本。

In 1980s, being dead against the biggest cultural change in the rising American TV epoch- all public words appear in the form of entertainment forming a cultural spirit - the American Neil Portsman wrote《Amusing ourselves to death》, analysing deeply that all the cultural content will be willing dependency to entertainment, with no complainte and even complete silence,'As a result we have become a species which is amusing itself to death', this proved to be true what Huxley said in 《The Beautiful New World》in 1932 'Men lose freedom because of entertainment, we will be destroyed by what we love'.

1980年代，美国人尼尔·波兹曼，针对美国这种一切公众话语都逐渐以娱乐的方式出现，并成为一种文化精神的文化的重大转变，写了《娱乐至死》，透析一切文化内容都将心甘情愿地成为娱乐的附庸，而且毫无怨言，甚至无声无息，&其结果是我们成了一个娱乐至死的物种&，论证了赫胥黎1932年《美丽新世界》中的预言&人们由于享乐失去了自由，我们将毁于我们热爱的东西&，正日益成为当今美国乃至全球的社会现实。

In this paper,in the terms of chromatic inner spirits and its geography,psychology and praxiology,the author holds a discussion on different cultural chromatic views,cultural psychology and cultural behaviors between Chinese culture and Western culture,and also on the development pattern of the two cultures.

实质上，中西方文化不只是黄、蓝两种色彩在视觉上产生的差异，其中还蕴含着更为深刻的文化内涵，直接影响着人们的心理，制约着人们的行为，并影响着中西方文化的发展格局。在绿色

The first section concerns an overall study of Wang"s family of Linchuan. It encompasses a range of topics concerned with the transferring, flourishing and declining of Linchuan Wang"s family, inheritance of the generations, cultural traditions and cultural achievements. It also put anemphasis on the lives of the main family members and their cultural exchange activities. The second section is a case study of Wang Anshi"s poetics. It presents an in-depth theoretical summary of diffusion of Wang Anshi"s poems, deciphering pseudograph, compiling of anon poems by Wang Anshi as well as the theoretical critique of his poems.

上编为临川王氏家族之总体研究，全面考察了临川王氏家族的迁移兴衰、世系传承、文化传统、文学成就，并对其家族主要成员之生平和文学交往活动进行了重点论述；下编为王安石诗学之个案研究，对王安石诗歌之传播、辨伪、辑佚、以及其诗歌在宋元两代之理论批评进行了较为深入的理论总结。

Furthermore, to revolute the cultural sysytem is the vital way to boost the cultural development, therefore, make a powerful cultural strength.

深化文化体制机制改革是推动文化大发展大繁荣的必由之路，是提高文化软实力的强大杠杆。

The text proposes that cultural industry in Xu Zhou have problems of that small total amount scale, unefficient cultural resources development, low market share and unqualified employees, which restrict the development of local cultural industry.

提出徐州的文化产业存在总量规模较小、文化资源开发不够，市场占有率不高、从业人员缺乏且整体素质不高等问题，制约着当地文化产业的发展。

In the novel, both the Lin mother and daughter have fallen in love with the same man, a general manager of an electronic company, Fang. The woven texture is not only about blood ties but also represents sex and love under different cultural settings, bespeaking different values and cultural orientations, and symbolizing the tragedy of in the 21 Century, a time of overlapping cultural.

刘志庆的《幻情》中与某电子公司总经理方小华恋爱的林彩萍和林怡虽然是母女俩，然而她们之间并不是只具有血缘联系那么简单，而是代表着不同的文化时代的性与爱，体现着物质化时代的性与艺术化时代的爱的价值取向和文化指向，象征着性与爱在21世纪之初的文化重叠和交错的悲剧。

Renjian's works represent a spiritual tendency, a search in the abstract and the concretized, for relationship between the cultural origins. It is no longer an improvement purely on the means or the pattern, but rather, a peaceful intervention into the contemporary cultural context. Although it still adopts traditional cultural symbols, an improvement in the spiritual realm is achieved by delivering a visual effect that is both open and tranquil in his art works.

任剑的作品体现的是一种精神倾向，在抽象与具象间寻找文化渊源的关系，而不再是一个纯粹形式上或者样式上的完善，而以很平静的方式介入了当代文化的语境，虽然借助了传统的文化符号，却提升到了一个精神的目的，作品的精神性是靠作品本身的空旷和静宁的视觉效果来感悟。

The problem of geographical arts calls for our attention. The multiple development patterns of regional arts and cultural diversity have to be reconstructed in order to resist the cultural centrism, hegemonies and cultural bureaucracy.

美术的地域问题必须要引起关注，美术文化的多元发展格局和文化多样化必然要重新建构，以抵抗文化中心主义、霸权主义和文化官僚主义。

All the aesthetic cultural activities are interpreted and analyzed from the angle of concealed code of ideology. A kind of cultural phenomenon iii a dominant position compared to other cultures simply comes down to the "supremacy" of ideology. The influence of commerce on art creation is simply equated with standardization and commonplace, which might make the difference between traditional and universal need and specific political need of contemporary capitalism mixed up, and might make the evolution of commercial culture neglected. Consequently, the inwardness of cultural phenomenon was misapprehended.

但意识形态批判理论在具体运用中有可能产生意识形态泛化的倾向，把所有的审美文化活动都从隐藏的意识形态编码角度进行解读和分析，把一种相对於其他文化处於更优势地位的文化现象简单归结为意识形态的&霸权&，把商业对艺术文化生产的影响简单地等同於标准化和平庸化，有可能混淆传统的或普适的需要与当代资本主义特定的政治需要之间的差别，忽视商业文化的演变，从而造成对文化现象内在性质的误解。

But this is impossible, as long as it is engaging in a market economy, there are risks in any operation.

但是，这是不可能的，只要是搞市场经济，是有风险的任何行动。

We're on the same wavelength.

我们是同道中人。