查询词典 cultural palace

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

A shitory of five thousand years,a culfure of five Thousand years and the trials and hardships of five thousand years have created historic and cultural cities in Chian,Like the stars in the sky,they sparkled,ard sparking and will go on sparkling forever,A fallen wall,a ruin,a palace,a garden tells stories of thousand years'survival and death,solemness and stirring,glory,grace and boldness.

五千年的历史，五千年的文化，五千年的风雨，铸就了中国的历史文化名城。如同天上的群星，不管是过去、现在和将来都将闪耀著永恒的光芒。一处断墙、一处废墟、一座宫殿、一座园林牵动的却是从千年历史风雨里演绎出来的，生存与死亡、悲壮与辉煌、婉约与豪迈的故事。

A shitory of five thousand years,a culfure of five Thousand years and the trials and hardships of five thousand years have created historic and cultural cities in Chian,Like the stars in the sky,they sparkled,ard sparking and will go on sparkling forever,A fallen wall,a ruin,a palace,a garden tells stories of thousand years'survival and death,solemness and stirring,glory,grace and boldness.

五千年的历史，五千年的文化，五千年的风雨，铸就了中国的历史文化名城。如同天上的群星，不管是过去、现在和将来都将闪耀着永恒的光芒。一处断墙、一处废墟、一座宫殿、一座园林牵动的却是从千年历史风雨里演绎出来的，生存与死亡、悲壮与辉煌、婉约与豪迈的故事。

A shitory of five thousand years,a culfure of five Thousand years and the trials and hardships of five thousand years have created historic and cultural cities in Chian,Like the stars in the sky,they sparkled,ard sparking and will go on sparkling forever,A fallen wall,a ruin,a palace,a garden tells stories of thousand years'survival and death,solemness and stirring,glory,grace and boldness.

五千年的历史，五千年的文化，五千年的风雨，铸就了中国的历史文化名城。如同天上的群星，不管是过去、现在和将来都将闪耀著永琲渐芒。一处断晼B一处废墟、一座宫殿、一座园林牵动的却是从千年历史风雨媞t绎出来的，生存与死亡、悲壮与辉煌、婉约与豪迈的故事。

Ming Dynasty Great Wall in the West from the starting point - 25 kilometers northeast of Jiayuguan where there is a treasure known as the "Great Desert Palace's underground art", where the distribution of more than 1,700 ancient tombs of the Wei and Jin Dynasties, by simple vivid, live callcu kuang realism murals for people reproduced the Wei and Jin Dynasties in Hexi region's political, economic, cultural and folk life.

在距离明代万里长城的西起点——嘉峪关东北25公里的地方，有一处宝地被人们称为&大戈壁里的地下艺术宫&，这里分布的1700多座魏晋时期的古墓葬中，以简洁生动、粗旷活拨的现实主义壁画，为人们再现了魏晋时期河西地区的政治、经济、文化和民俗生活。

Charlottenburg Palace, the ancient distributed around the Egyptian Museum, antique museum, prehistoric museum of early application of the important museums and cultural buildings, its internal collection of many precious relics and works of art.

古老的夏洛特堡宫周围分布着埃及博物馆、古董博物馆、史前早期博物馆和应用美术馆等重要文化建筑，其内收藏着许多珍贵文物和艺术品。

In 1969 André Malraux, the Minister of Culture, declared the Palace as a cultural landmark and had it officially protected.

安德烈马尔罗在1969年，文化部长，宣布作为一种文化具有里程碑意义的皇宫，把它正式保护。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。