查询词典 crept

Ivy crept over the wall until reaching the top of the chimney.

常春藤攀爬到烟囱顶部。

The Hebrew fragments of Ecclesiasticus belong, at the earliest, to the tenth, or even the eleventh, century of our era, and by that late date all kinds of errors could naturally be expected to have crept into the origional language of the book, because the Jewish copyists of the work did not regard it as canonical.

希伯来片段Ecclesiasticus属於，最早的第十届，或什至第十一届，世纪我们的时代，这晚的各种错误，可自然会预计将有悄悄进入了原始语言的书籍，因为犹太copyists的工作并没有把它作为典型。

The cows jumped wildly over the five-barred barton-gate, maddened by the gad-fly; Dairyman Crick kept his shirt-sleeves permanently rolled up from Monday to Saturday: open windows had no effect in ventilation without open doors, and in the dairy-garden the blackbirds and thrushes crept about under the currant-bushes, rather in the manner of quadrupeds than of winged creatures.

奶牛被牛虻咬得发了疯，有五道横木的栅栏门都被它们跳了过去；从星期一到星期六，奶牛场的克里克老板卷起来的衬衣袖子，从来就没有放下来过。只开窗户而不把门打开，风是透不进来的；在奶牛场的园子里，乌鸦和画盾在覆盆子树丛下跳来跳去，看它们的样子，与其说它们是长翅膀的飞鸟，还不如说它们是长四条腿的走兽。

That forest-dell, where Lowood lay, was the cradle of fog and fog-bred pestilence; which, quickening with the quickening spring, crept into the Orphan Asylum, breathed typhus through its crowded schoolroom and dormitory, and, ere May arrived, transformed the seminary into an hospital.

罗沃德所在的林间山谷，是大雾的摇篮，是雾气诱发的病疫的滋生地。时疫随着春天急速的步伐，加速潜入孤儿院，把斑疹伤寒传进了它拥挤的教室和寝室，五月未到，就己把整所学校变成了医院。

The snail crept half out of his shell, stretched out his horns, and drew them in again.

蜗牛伸出一半身子，探出他的触角，接着又把触角缩了回去。

Some adventurers have bragged that they crept in to gather treasure and left before the harpies ever noticed.

有些冒险者吹嘘说他们曾经悄悄溜进山谷拾取了财宝，并在鸟身人注意到他们之前全身而退。

I will confess that I was far too much taken up with what was going on to be of the slightest use as sentry; indeed, I had already deserted my eastern loophole, and crept up behind the captain, who had now seated himself on the threshold, with his elbows on his knees, his head in his hands, and his eyes fixed on the water, as it bubbled out of the old iron kettle in the sand.

我得承认，我被正在发生的事情完全吸引住了，压根没起到一个警戒哨的作用；事实上，我已经离开了东边的射击孔，趴在了船长的后面，这会儿他正坐在门槛上，肘拄在膝盖上，用手托着头，注视着从那只旧铁锅底的沙中冒出的水。

The pigeons on the roof pulled their little heads out from beneath their wings, looked around, and flew into the field. The flies on the walls crept about again. The fire in the kitchen rose up, broke into flames, and cooked the food. The roast began to sizzle once again. The cook boxed the boy's ears, causing him to cry, and the maid finished plucking the chicken.

马站了起来，摇摆着身体；狗儿欢跳不止，汪汪吠叫；鸽子由翅膀下抬起了头，昂首四顾，振翅飞向田野；墙上的苍蝇嗡嗡地飞了开去；厨房里的火又窜起了火苗开始烧饭，烧烤的肉又丝丝作响；厨师怒吼着扇了童工一个耳光；女仆继续给鸡拔毛，一切都恢复了往日的模样。

The pigeons on the roof pulled their little heads out from beneath their wings, looked around, and flew into the field. The flies on the walls crept about again. The fire in the kitchen rose up, broke into flames, and cooked the food. The roast began to sizzle once again. The cook boxed the boy's ears, causing him to cry, and the maid finished plucking the chicken.

马站了起来，摇摆着身体；豿儿欢跳不止，汪汪吠叫；鸽子由翅膀下抬起了头，昂首四顾，振翅飞向田野；墙上的苍蝇嗡嗡地飞了开去；厨房里的火又窜起了火苗开始烧饭，烧烤的肉又吱吱作响；厨师怒吼着扇了童工一个耳光；女仆继续给鸡拔毛，一切都恢复了往日的模样。

This electro-alt rock collaboration between longtime friends Paul Meany (vocals/keys), Darren King, Greg Hill, and Roy Mitchell-Cardenas has crept up on the music scene with force thanks to the 2006 release of their full length debut cd "Mute Math", the onslaught of a worldwide fan-base driven to their website, and this years nearly sold-out nationwide Album Release Tour.

这 electro-中高音摇动长时间的朋友保罗 Meany， Darren 国王，格雷格希尔，和 Roy 米契尔- Cardenas 之间的合作已经爬在音乐现场上上面以力量谢谢对他们的充足长度的 2006 释放初次登场 cd&哑的数学&，突击一全世界的以狂热者为基础的驱使到他们的网站，和今年几乎销售一空全国性的相簿释放旅游。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。