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In the middle of the 1980s, at the same time as modernist art was surging forward, it was the pedagogical adoption of realism, realism was on the verge of becoming a movement –– French Realism––classical French Academicism and even styles from the Italian Renaissance slowly crept back and produced hyper-realistic, highly skilled works favored by the market.

可惜，写实主义乡土风，在进入艺术市场之后，迅速固定化为一种"乡土风情的商品画模式"。

The tortoise crept along at an agonizingly slow speed.

乌龟以极其缓慢的速度爬行着。

It spilled out, a sickly ribbon of yellow jaundice that crept from the antechamber in a ghostly thread.

它溢出出，一条黄色黄疸的病弱缎带从一条幽灵的线前堂爬。

I crept about under the low arches, looking at the ancient gold Iconosta-sis and the mosaics of the apse.

我在拱门底下匍匐而行，欣赏着古老的金色圣像门和教堂半圆壁龛中的镶嵌图案。

When Lisa crept into her bedroom, I couldn't have articulated any of this.

当Lisa潜入自己的卧室时，我可讲不出上面任何一点。

It crept up on us - not at a snail's pace, but rather as quickly as the seasons changed.

它攀升我们-而不是在一个缓慢的，而是尽快的四季变化。

She crept in beside him under the bedclothes.

她钻进被窝躺在他身旁。

Their foot, hugging the bank against the stream, crept the little begrimed steamboat, like a sluggish beetle crawling on the floor of a lofty portico. It made you feel very small, very lost, and yet it was not altogether depressing that feeling. After all, if you were small, the grimy beetle crawled

树，树，成千上万的树，无边无际的粗壮树木直插云霄，在它们脚下，我那只脏兮兮的小汽船正紧贴着河岸慢慢地逆水而上，如同一只在高大门廊的地板上爬行的呆呆的小甲虫。

But they got no further in speech just then. They crept and crept, the hem of her petticoat just touching his gaiter, and his elbow sometimes brushing hers.

不过当时他们没有多说别的话，他们弯着腰不停地搜寻着，苔丝的裙边正好碰到克莱尔的绑腿，克莱尔的胳膊肘有时也碰着了苔丝的胳膊。

He held the register open while he counted her change I was next in line which meant I was invisible From where I stood I could see that the till was full He didn't look the type to play superhero So I stepped forth and paid for my cigarettes Crept out the stores front door to chase a little breath Fangles in my head, shake the song off Another manic Monday night, its gonna be a long walk A car pulled up, a fixed up cutlass A woman and a child climbed out and left it running They went inside of the deli, placed an order With the extra dollar fifty bottled water cuz the daughters picky When they came out mommy gave me a glance That said man can love an angel but he's got to take the chance Already knew the deal, I lit one up and walk So they got back in the oldsmobile, belted up, and took off Thug love on the corner by the walgreens Lookin at me like I'm just another square saltine As I get closer I notice that they showin each other sketches Out of their notebooks, reminded me of my old roots I walk pass with a nod and a reminisce Swear to god hip hop and comic books was my genesis Respect the life and the fashions of the children It's the only culture I've got, exactly what we've been buildin All of a sudden I'm in front of some man No he's a youngin but he's got a gun in his hand He looks fifteen, he looks frantic, no he looks afraid Immediately apprehensive til I heard him say "Do you want this It's not mine I promise I found it on my block in between a couple garages Didn't wanna leave it for a child to stumble over I don't even know how to hold it."

当他计数了她的变动时，他拿着记数器开放 I是意味的下一个我是无形的我站立我的From可能看直到是充分的 He没有看类型演奏超级英雄 So我跨步并且支付了我的香烟 Crept追逐一点呼吸的商店前门在我的头的Fangles，摆脱歌曲 Another狂躁星期一晚上，它去是长的步行 A汽车开了过来，被固定短箭 A妇女和孩子爬和留下它跑 They去在熟食店里面，安置命令 With额外美元五十装瓶了水cuz女儿好挑剔的他们来妈妈的When给了我扫视 That说人能爱天使，但是他一定采取机会 Already知道成交，我打开了一和步行他们在oldsmobile拿回，围绕的So，和离开了在角落的Thug爱由walgreens 在我的Lookin，如我是另一块方形的撒盐饼干 As我得到更加紧密I通知那他们showin剪影在他们的笔记本外面的，被提醒我我的老根 I与点头和追忆的步行通行证对神Hip Hop和漫画书的Swear是我的创世纪 Respect生活和孩子的时尚 It是我有的唯一的文化，正确地什么我们是buildin 突然我是在某些人前面 No他是youngin，但是他有在他的手的一杆枪 He看十五，他看起来狂热，没有他看起来害怕惶惑的Immediately，我听见他说"您想要它不是我的我许诺的此 I发现了它在我的在夫妇车库之间的块 Did不想要留下它孩子的能绊倒 I甚而不会举行它。"

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。