查询词典 creative

So, one of the problems in this question is this: Is continuity creative?

因此这个问询中的一个问题是：永恒有创造力吗？

Objectively, the controvert of critics towards Bunin's works both illustrates the difference of critics' visual angle and position, and refracts the contradiction and complexity of Bunin's own creative idea and world outlook.

客观地说，评论界对蒲宁作品的争议，既反映了评论家们视角和立场的不同，也折射出蒲宁本人创作思想和世界观的矛盾性和复杂性。

In addition, the caption of experience text chapter is not firm creative work, they are to reprint merely, have no right to do any changing, article caption also is the content of the photograph only, very objective, without any contumelious words, because this also did not encroach Zhang Yishan's reputation,counterpoise.

此外，涉案文章的标题不是公司创作的，他们仅仅是转载，无权做任何变动，文章标题也只是照片的内容，很客观，没有任何侮辱性的字眼，因此也未侵犯张一山的名誉权。

The degrees of conventionalization determines the continuum of a given metonymy, along which one end is fully semanticized, the other end is one-off, creative non-literal utterance.

但有关文献并没有涉及在多大程度上"心智诗学"(Gibbs，1994)的运作如何与语言及非语言知识进行互动的，也就是心智诗学怎样

Being a good conversationalist requires interest in other people, creative thinking, and knowing what's appropriate.

得到的回答是；"用你的母语，用同样的方法"。

Being a good conversationalist requires interest in other people, creative thinking , and knowing what's appropriate.

要想成为一个好的侃侃健谈的口才者，要用语言引起别人的兴趣，增加彼此的思维兴趣和懂得欣尝。

This text thinks, toing make the local government come out the predicament that system set up, shoulding emphasize from three commence namely:The local government should implement to produce the power working talent ownly, setting up with the system the diversification that promote produce the power, and pass to produce the power protect, resolving the motive of the tiny view corpus encourage the problem;To systemize the stipulation norm is central and creative relation in local system;Withdraw the market working talent realm, realize the type of 范 that system set up convert, such as reasonable boundary that contracts public economic market front, clear and definite government working talent with relax control etc..

本文认为，要使地方政府走出制度创新的困境，应着重从三个方面入手，即：地方政府应履行自己的产权职能，以制度创新促进产权的多元化，并通过产权保护，解决微观主体的动力激励问题；以制度化约束规范中央与地方的制度创新关系；退出市场职能领域，实现制度创新的范式转换，如收缩公有经济的市场战线、明确政府职能的合理边界和放松管制等。

The creative research works of this dissertation applied the line structured light sensor to the on-line measurement of BGA coplanarity.

论文所做的这些富于创造性的研究工作成功地将线结构光方法应用于BGA共面性的在线测量。

Some key problems of line structured light sensor is given comprehensive studies theoretically and practically, which include the analysis of sensor's mathematic model; the improvement of the key parts of the sensor, the light source and imageforming system; the method of on-line measurement and the evaluate of BGA coplanarity. These studies are supported by corresponding satisfactory experiments. This dissertation covers the following aspects concerning the main work and creative research in the subject: 1. The operating theories and features of pattern measuring methods are systematically introduced.

本文成功地将线结构光传感器应用于BGA芯片管脚共面性的在线测试，并针对线结构光传感器测量的一些关键问题进行了深入细致的研究和探讨：建立了线结构光传感器的模型并对结构参数进行了详细的分析，针对传感器的关键环节—光源和成象系统的改进都提出了创新性的理论和方法，对管脚形状比较复杂的BGA芯片球栅阵列的在线测试方法和评定方法进行了理论研究和实验分析，并获得了满意的结果。

The author began systematic study on Copland's"Practical Music"and drama music, and then completed the Master dissertation under the guidance of Professor Xu Yongsan. This at that time had been the first article in our country describing his creative technique in detail, especially his skill expressing complex modern artistry through simple technique.

笔者于1988年开始对科普兰部分"实用音乐"和戏剧音乐作品进行较为系统的研究，并在许勇三教授指导下完成了相关的硕士论文，这是当时国内第一篇较为详细地讨论科普兰作品的创作技法特征，特别是他如何用简洁朴素的手法表现复杂的现代作曲技巧的文章。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。