查询词典 crazy

Generally speaking, Mo article is a young girl's dream, Sally is a female crazy growing period, but flower piece is a female mature.

总的来说，茉篇是一个少女的梦幻时代，莉篇是一个女性疯狂的成长时代，而花篇则是一个女性的成熟篇章。

Toots Thielemans' harmonica helps out on "Good Morning Heartache" and "Girl Talk," Clark Terry uplifts "It's Crazy" and "The End of a Love Affair" with his flugelhorn, and tenor great Johnny Griffin is featured on "I Only Have Eyes for You,""I Love You for Sentimental Reasons," and I Wish You Love.

" Toots泰利文'口琴可帮助在"早安，心痛"和"女孩对话，"克拉克特里隆起"这是疯狂"及"恋爱"，与他的鲁格号，和伟大的男高音约翰尼格里芬最终是"我只有特色为你的眼睛"，"我爱你感情的"和"我希望你爱。

It's crazy because the season seems to fly by.

这个赛季的起起伏伏简直是太疯狂了。

He is very foolhardy ; he will do all sorts of crazy and dangerous things .

他很鲁莽，会做各种疯狂危险的事。

The imago of "foreordination" you mentioned is created by the era, which may be related to the discussion topic of the "Rest" Exhibition. If so, I really don't know where art will run along with the bewitching of the crazy competition?

你说的"宿命"意象是时代营造出来的，应该与"休止符"展览议题有关联，这样看的话，真不知道艺术会随着疯狂竞赛的蛊惑奔向何方？

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

我的梦是一棵疯长的大树，延伸在城市与森林的边缘。

HSM 3 has Ryan choreographing the spring show — one character refers to his warm-up exercises as "some kind of crazy Fosse yoga thing"— and competing for a scholarship to Julliard.

HSM 3中，Ryan担任着春季音乐节的编舞者，这既是他"某种疯狂瑜伽"的热身联系，更是一个茱莉亚学院奖学金的竞争机会。

Christine said she wanted to be Mui Ma's foster daughter not for money, and she has already prepared gold bow and chopsticks to give to Kei Ma, and she definitely is not crazy kei daughter.

Christine 强调自己绝不是为钱而过契给梅妈，她更表示已准备了金饭碗及金筷子等到时送给契妈，自己绝不是「骑呢、无厘头契女」。

"I was inspired by last night," Fraser said. This is a crazy Bolt effect.

" "昨晚真是太令人惊喜了，简直不可思议，"她说，"这是受到了波尔特的影响。

Juno : That's a wise choice 'cause I knew this girl, she had this crazy freakout.

这很明智，我认识一个女孩，有次大发疯癫。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。