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contemporary相关的网络例句

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与 contemporary 相关的网络例句 [注:此内容来源于网络,仅供参考]

Since NBC's founding in 1959, Pyotr Gusev and other Russian ballet experts helped lay a solid foundation of classical ballet, upon which NBC carries out a constant pursuit of integration of western ballet and Chinese national culture. As well NBC conducts extensive exchanges with international ballet community and invites famous ballet masters and choreographers such as Anton Dolin, Rudolf Nureyev, Darsonval, Ben Stevenson and Rudy Van Dantzig, to rehearse quantity of classical and contemporary ballets.

中芭自1959年建团以来,在由彼·安·古雪夫等前苏联芭蕾专家为剧团打下的坚实古典芭蕾基础之上,探索西方芭蕾与中国民族文化的结合,并与国际芭蕾界进行着广泛交流,曾聘请著名芭蕾大师、编导安东·道林、努里耶夫、达桑瓦尔、斯蒂文森、范丹茨格等来团排演了大量古典及当代芭蕾作品。

Therefore, we should make great efforts to construct contemporary form of Marxist philosophy in cooperating to its basic values, spirit of the times, modern achievements and Chinese questions.

因此,我们应在马克思哲学基本价值、时代精神、当代成果、中国问题和中国表述的结合中努力建构马克思主义哲学的当代形态。

At the same time, as a contemporary philosophy, it is significant for the culture philosophy to construct the new form of Chinese Marxist philosophy in the aspect of the ontological question of the philosophy, thinking tools, research paradigm and so on.

同时,文化哲学作为一种现当代哲学,在哲学的本体论提问方式、思维工具和研究范式等方面对于构建马克思主义哲学新形态有着重要的意义。

Contemporary literature and art should construct its own independent noumenon form. But the noumenon must' be open, and related in meaning with history. society and reality.

当代文艺应当建立自己的独立的本体形态,但同时这种本体又应是开放的,是与历史、社会、现实有着意义联系的。

At the same time, she uses a very poetic language that can touch the souls of those who are disillusioned with contemporary consumerist culture and expose them to a transcendental reality.

同时,她用一个非常诗意的语言,可以触及那些谁是当代消费主义文化与失望,使他们面临一个超越现实的灵魂。

In the second part, the consumptive characteristics of contemporary university students and the reasons are summarized.

第二部分:总结当代大学生的消费特点、形成原因,并进行道德评价。

However, the traveller encountered drastic transformation after his contact with the Other in the Pacific. In his last travel writing In the South Seas, Stevenson adopted a contrapuntal viewpoint located in the space of "liminality," challenging the Western hegemonic discourse of imperialism. His anti-imperialist tendency offended his contemporary readers, and the struggle between two cultures rendered the travel text fragmented.

但是,旅行者的自我在交会区与差异极大的他者接触之后,旅行者的自我发生转变,在《南太平洋记行》采用「阈越的空间」的对位观点,呈现出反帝国主义的倾向,这种反帝国主义论述的倾向遭到当时西方读者的排斥,同时在西方与南太平洋文化的两相拉扯之下,呈现出支离破碎的文本。

The Third Chengdu Biennial attempts to present objectively the multifaceted process of the development of Chinese contemporary art, to redefine the contemporaneity of this segment of the arts, and to explore the potential inherent in breaking boundaries, so as to increase people's understanding of the interaction between Chinese culture's unique aspects and internationalism and to encourage dialogue between the art and culture of China and that elsewhere.

本次双年展就是试图客观地展示中国当代艺术发展历程中的多元格局中的一个重要部分,重新定义中国当代艺术。在保持自身的创造性的同时,探索突破困境和局限的各种可能性,启动中国当代艺术全面发展的新局面,进而推动中国的文化与艺术同其他文化艺术之间更多的对话和交流。

Create a contemporary art that belongs to China's own "contemporaneousness."

中国制造》就是这样以一种文化上的自觉和自信,在改变波普语言的原初性质的同时,也超越了东西方文化的对立。

These words—"change,""Chinese situation,""variation,"and "paradigm," did not only describe the contemporary artist, Wei Guangqing, his working method, and typical appearance of artistic personality, but also pointed to another theoretical question worthy of consideration—Chinese modern art's contemporaneousness and indigenousness. The word "paradigm" also pointed to this specific context.

依次出现的关键词"改变"、"中国情境"、"变异"及"范例",不仅钩勒了作为当代艺术家的魏光庆其作品方式与艺术个性的特殊面貌,更凸显了一个值得深入思考的理论问题—中国当代艺术的"当代性"与"本土性"问题,"范例"一词亦当就此而言。

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I didn't watch TV last night, because it .

昨晚我没有看电视,因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来,在北京的很多小区里,电梯液晶电视被撤了下来。

I'm running my simile to an extreme.

我比喻得过头了。