查询词典 contemporary

His teachers were the academic painter Bouguereau , and subsequently Gustave Moreau , who was closer to the contemporary avant-garde movements.

他的老师是学术画家布格罗，随后古斯塔夫莫罗，谁更接近现代的前卫运动。

More than three decades later, having set down benchmark recordings of his patron's work together with that of Mr Boulez's teacher, Olivier Messiaen, and two other masters, Gyorgy Kurtag and Gyorgy Ligeti, both Hungarian, Mr Aimard's reputation as his generation's foremost pianist of contemporary classical music is beyond question.

三十多年后，艾马尔与布列兹之师奥利维埃。梅湘及另外两位匈牙利大师乔治。库塔和乔治。里盖蒂合作，完成了老板的任务--奠定了自己地位的唱片，成为这个时代无可争辩的首席当代古典音乐钢琴师的。

After France he moved to Luxemburg where he collaborated with The European Commission on various projects involving exhibitions and multi-media performances involving actors and electronic music performances. In 1982 he moved to Belgium where he became very succesfull with portraying the Belgium Aristocracy and High Society.In 1984 he moved again to Paris and studied contemporary electronic music in the IRCAM that was under the direction of the famous French composer Pierre Boulez. In 1986 he moved to Berlin to study the new tendencies in German painting.

之后，他搬到了卢森堡，和欧盟委员会合作了很多项目，包括画展、多媒体演员表演和电子乐演出。1982年，他搬到比利时，为当地贵族和上流社会人物画肖像画，非常成功。1984年，他再次来到巴黎，在巴黎IRCAM进修当代电子音乐，当时IRCAM由著名法国作曲家Pierre Boulez所领导。1986年，他到柏林研究德国绘画艺术新潮流。

Gerhard Oppitz has earned a reputation in the performance of contemporary music, particularly works by Lutoslawski, Ligeti, Veerhoff, Boulez, Messiaen and Stockhausen.

格哈特·奥皮兹在演奏现代音乐方面亦获得极大声誉，特别是卢托斯拉夫斯基、利盖蒂、维亚霍夫、布莱兹、梅西安、斯托克豪森等人的作品。

Initially, his music seemed to be steeped in an Anthony Braxton influence, and there were some references to contemporary Western Art Music practices.

一开始，他的音乐深受 Anthony Braxton 的影响，有些创作参考当代西方艺术音乐风格。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

He is currently Artistic Director of the Aldeburgh Festival, Music Director of the Birmingham Contemporary Music Group, and Britten professor at the Royal Academy of Music.

亚代斯目前担任Aldeburgh艺术节的艺术总监，伯明翰当代乐团的音乐总监，并兼任英国皇家音乐学院的教授。

In contemporary economy, the research task that risk of economic stability sex, system and economic safety are heat of economics bound broil all the time.

在当代经济中，经济稳定性、系统风险与经济安全一直是经济学界炙热的研究课题。

For those who know little about contemporary management thinking, as Mr Delves Broughton did when he arrived in 2004, he has put his class notes to good use by providing an excellent layman's guide to the big ideas of the literature.

对那些不懂得现代管理思维的人来说，就会像德尔夫斯？布劳顿先生2004年进校时一样，他现在已经把他当年的课堂笔记用到了极致，为文学上的大思想提供了一份绝佳的外行指南。

As we move into the digital epoch of the prime illusion, holography, patently awaits its devenir to further a vision in Art that may be traced back to the invention of perspective by Italian architect, Filippo Brunelleschi, in the middle of the fifteenth Century when he carried out a series of optical experiments that led to a mathematical theory of perspective, to contemporary science where Stephen Hawking suggest that quantum physics conspires the development of a holistic theory of our universe suggesting the universe may be compared to one giant hologram as the information of the whole exists in every constituent part; each particle containing all information pertaining to everything that exists or ever will exist.

当我们迈进数码时代的时候，原始的幻影，全息术，理所当然的期待着它对进一步提高视觉艺术所做的贡献。视觉-作为一种艺术可以从十五世纪中期意大利建筑师费里波。布朗勒斯奇对透视的发明，追溯到当代最新科学中史蒂芬。霍金提出的以量子物理学为基础的宇宙整体理论，前者在当时实现了一系列光学实验从而推导出了透视的数学理论，后者则将宇宙比喻为一张巨大的全息图，因为其全部信息存在于每个要素局部中；每个粒子都包含了属于每件事物的所有信息，无论该事物已存在或是将要存在。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失