查询词典 contemporary

People were pleased to see that contemporary Longquan celadon can not only keep the roots and reinforce, firing out of celadon rhyme, and bold innovation, and integration into the modern ceramics elements, so that a more brilliant bloom Longquan celadon color.

人们欣喜地看到，当代龙泉青瓷不仅能守根固本，烧制出青瓷古韵，而且大胆创新，融入现代陶艺元素，使龙泉青瓷绽放出更为绚丽的色彩。

The decline and collapse of the old feudal clan turned out to a favorite topic for many sensitive and talented contemporary writers.

现代文学三十年，封建旧家庭的没落与解体，不同家庭角色的人生选择与情感历程，始终是新文学敏感而富有才华的作家们笔下经久不衰的创作母题。

In contemporary Chinese socialist ideology in the process of innovation, language, and the executioners theory plays not ignore the construction of social justice, and as a socialist ideology, to realize the core idea of the free and full development of contemporary China should also be of socialist ideology is an important content of innovation.

在当代中国社会主义意识形态的创新过程中，语言、理论执行者的建设起着不可忽视的作用；同时将社会公正作为社会主义意识形态的核心理念；实现人自由而全面的发展也应成为当代中国社会主义意识形态的创新的重要内容。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Against the background of art history development and international contemporary art, we discuss Chinese Contemporary Printmaking academically and experimentally from two dimensions of time and space.

在综述中国当代版画的现状，并将中国当代版画置于艺术发展史和国际当代艺术的大背景下，从时间和空间两个向度对中国当代版画进行了学术性和实验性的探讨。

It's said that all architectural design issues have been debated over hundreds years. What we do is just to reinterpret old issues in the new age. The theories on contemporary architecture are diverse and dispersive, old and new issues are continuously proposed and rediscussed. It's unavoidable reality that architecture is the product of contemporary current of thought.

人言道，建筑设计所有的议题早在几百年前就被全部谈论过了，我们只是不断在新的时代中重新再诠释旧的议题；当代的建筑思潮是多元而发散的，新、旧议题不断地被提出与再讨论，建筑本是随著当代思潮变迁的产物，这也是建筑人不可逃避的现实。

"Photo Beijing" specially invites BAMAKO African Contemporary Photographing Biyearly Exhibition to bring us the photographs of the most excellent African contemporary photograph artists.

&影像北京&特特别邀请BAMAKO非洲当代摄影双年展为我们带来最优秀的非洲当代摄影艺术家的作品。

He not only explained contemporary writing in "Axel's Castle"; he knew and advised many contemporary writers, among them Fitzgerald (a Princeton classmate and close friend), Dos Passos, Hemingway, Cummings, Bogan, Millay, Farrell, Nabokov.

他不仅解释了当代文字在&Axel 的城堡&；他知道和劝告了许多当代作家，在他们之中Fitzgerald (普林斯顿同学和亲密的朋友)， Dos Passos， Hemingway， Cummings， Bogan， Millay， Farrell， Nabokov 。

His experience in contemporary art goes back 27 years. In 1982 Volker Diehl co-organized one of the most important exhibitions of contemporary art in Europe,"Zeitgeist" in the Martin Gropius Bau, Berlin.

沃尔克·迪尔是一个经验丰富的画廊主、艺术顾问和当代艺术方面的专家，从业已经27年了。1982年他曾在柏林马丁·格罗皮厄斯博览会上组织了欧洲最重要的当代艺术展之一——&时代精神&。

Working in many media, including fabric installations, video, site specific installations, and sound and performance, her work has been exhibited internationally and featured in numerous solo and group shows, such as A Needle Woman, P.S.1 Contemporary Art Center/ MOMA, New York (2001), Conditions of Humanity: Museum Kunst Palast, Düsseldorf, Padiglione d'Arte Contemporanea, PAC, Milan, from the Museum of Contemporary Art, Lyon (2003 - 2004), and Biennales in Kwangju, Sao Paolo, Syndey, Istanbul, Lyon, Whitney, and Venice.

她的创作应用了多种类的媒体材料，例如纺织装置、视频、特定场所装置、声音和行为艺术等，她在世界范围内举办过多次个展并且参加群展，例如在纽约P.S.1 当代艺术中心展出的&针妇女&（2001）。人性状况：杜塞尔多夫Kunst Palast博物馆，米兰现代艺术博物馆，里昂的当代艺术博物馆（2003，2004），以及在光洲、圣保罗、悉尼、伊斯坦布尔，里昂，惠特尼和威尼斯等地举办的双年展。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失