查询词典 contemporary

So it is wiser for us to come back to the Chinese art context and start discussion with the simple question "What is art?" and what kind of contemporary art is of contemporariness , rather than being entangled with the concepts of western art and fighting for a justifiable name for the so called "contemporary art".

其实，与其纠缠西方艺术谱系中的概念，为所谓&当代艺术&正身，还不如回到中国艺术自我语境，从&艺术是什么&这样一个简单问题入手，讨论怎样的当下艺术才具有当代性。

Comment on this contestation will not only deepen our knowledge about the trend of the contemporary western political philosophy and ethics, but also help us learn from the justice ideas of contemporary western philosophers, and then promote our theoretical and practical creation as to the social justice problem.

对这场公正之争进行梳理和述评，不仅可以加深我们对当代西方政治哲学、伦理学整体走向的把握，而且可以将当代西方哲人的公正思想借鉴过来，为我所用，从而推动我们在社会公正问题上的理论创新和实践。

Be in contemporary China, disentomb deep the economic philosophy thought of Marx, be opposite undoubtedly the Marxism that develops contemporary China is academic, to modern science " be in integrated in development ", to us hammer and tongs socialistic modernization has very important sense.

在当代中国，深入发掘马克思的经济哲学思想，无疑对发展当代中国的马克思主义理论，对现代科学&在综合中发展&，对我们正全力以赴的社会主义现代化建设都具有极为重要的意义。

Hebbel Am Ufer 2, Berlin Kreuzberg / Umweg über China, Hebbel Am Ufer 2, Berlin Kreuzberg / The Weight of the Reality, Marella Gallery Beijing / 2006 Regenesis, Museum of Contemporary Art, Haikou / Borderline Video Art Festival, Beijing, Platform China / 2005 Limit and Freedom / Summer Market, Fine Arts Literature Center, Wuhan / 920 Kilograms, Shanghai Duolun Museum of Modern Art, Shanghai / Siemens Art Programe-Part 5, What are they doing here?, SLC, Wuhan, China / 2004 Undercurrent-Video from China, Chinaclub2, Berlin, Germany / Slowly, Fine Arts Literature Center, Wuhan / Plug and Play, Byzantium Community, Wuhan / 2003 Electrolyte, Shenghua Arts Center, Nanjing / The Minority Is Subordinate to the Majority, Biz Art Center, Shanghai / 2002 Mushroom Cloud or Eutopia, Shanghai / Everyday Attitude, special exhibition of Chinese photo art, Pingyao International Photography Festival, Shanxi, China / New Urbanism, Guangdong Art Gallery, Guangzhou / 2001 Contemporary, Wuhan, Hubei Art Gallery / Welcome, Jinshayuan,Wuhan

柏林，HAU2剧场/迂回中国艺术节，柏林，HAU2剧场/现实的重量，玛蕊乐画廊，北京酒仙桥路4号798艺术区/ 2006 再生，海口，当代艺术馆/边界线国际影像艺术展，北京，站台-中国/ 2005 自由与限制——夏市，武汉，美术文献艺术中心/ 920公斤，上海，多伦美术馆/ WHS+8，西门子公司艺术部项目，武汉/ 2004 涌动——来自中国的录像艺术，柏林，Zehdenickerstrasse 12A /慢，武汉，美术文献艺术中心/即插即用，武汉，拜占庭小区/ 2003 电解质，南京，圣划艺术中心/少数服从多数，上海，比翼艺术中心/ 2002 蘑菇云或者乌托邦，上海，外滩艺术馆/日常态度，中国图片艺术特别展，平遥国际摄影节/新都市主义，广州，广东美术馆/ 2001 现在，武汉，湖北美术馆/ WELCOME，武汉，金沙苑

On the other hand, the influence of Absurd drama manifested mainly in the perspective of observing the world in later plays. Absurd drama reveals the uncertainty of the world by the skill of"simile way". Contemporary playwrights draw extensively and broadened the use of"simile way", and create the new simile symbols: anti-classic simile, anti-system simile and anti-meaning simile. At the same time they use a comprehensive simile to create a kind of sensual drama.Absurd drama also destroys the language function of traditional drama by rupture and desegregation, also tends to use "the language of no meaning," to reflect the world's essence. The contemporary generation create a physical theatre to expulse of the role of language. Another extreme is to strengthen language function thus creating a language game.

另一方面，荒诞派戏剧的影响力主要体现在后世剧作对客观世界的认知上：荒诞派通过&直喻&的手法来表现世界不确定性的本质，被后世剧作家广泛借鉴并且拓宽了直喻手法的使用，出现了反经典、反系统和反深度的直喻符号，同时另一个极端则是用剧场性的全面直喻创造了具有震撼力的感官戏剧；荒诞派通过破裂与解体的方法化解了传统戏剧的语言功能，更倾向于用&无义的语言&表达来体现世界的无义，后世剧作家在此基础上索性彻底驱逐了语言的作用从而创造了肢体戏剧，另一个极端则是强化语言功能创造了&语言游戏&。

The article analyses writing of this autobiography body, from memory and memory, poem and true, advocate I and guest I, individual memory and culture memory, contemporary with hind contemporary the angle that waits for tensional relation, the point of view that discusses Glass to remember working " about " reachs his to reject " indomitably to forget plain the effort of ".

本文分析这部自传体写作，从记忆和回忆、诗和真、主我和客我、个体记忆和文化记忆、现代和后现代等张力关系的角度，探索格拉斯有关&记忆工作&的观点及其百折不挠的拒绝&忘川&的努力。

The thesis takes a stance that the shift in pop literature has some affinity and irreconcilement with the current Chinese social structural transition, which constitutes two theoretical basis for the change of contemporary Chinese pop literature, namely transition of social modernization and contemporary cultural logic, Therefore, the pop literary criticism takes on a shift from"dispute over the high and low"to"dispute over the canon and pop".

大众文学的变迁和中国当代社会结构转型具有同构和冲突的关系，这种关系形成了中国当代大众文学变迁的两个理论基点。

The School of Music at Hangzhou Normal University is one of the organizers of this competition as well, and is one of the birthplaces of Chinese contemporary music and education in Chinese contemporary music. The School of Music at Hangzhou Normal University ranks in the top 10 schools of music in China, has excellent learning environment, well equiped facilities, experienced and knowledged staff, and has accumulated a wealth of experience and achievements.

杭州师范大学音乐学院也是这次比赛的承办单位之一，杭州师范大学是一所开办音乐教育100年历史的中国知名大学，也是中国现代音乐和现代音乐教育的主要发祥地之一，杭州师范大学音乐学院是中国排名前10名的音乐学院，办学环境优美，办学条件完备，教师力量雄厚，已经积累了丰硕的办学成果。

If his previous work could be categorized by being in between illustration and Contemporary art, his recent work can be described as shifting and committing completely to the presets of Contemporary art. Deva Loka, an epic project Amano eagerly created with much drive. Deva Loka, a work that was crystallized through much time and imagination, carries significance because it encompasses Amano's world of art. The main concept for this project is the Big Bang, a phenomenon that brought about all the planets in space.

如果说之前的作品是游走於动画与现代艺术的中间地带，那麼，2008年创造的 Ddeva Loka＜天界＞则是开天辟地的艺术史诗，充满形而上的美丽华滋和未来主义的斑斓表现，天野喜孝发挥了他前所未有的想像力，倾注了大量的心血和时间，淋漓尽致呈现他的艺术观，创造一个过去与未来并存，存在各种不可预知的可能与光怪陆离持续在酝酿变化的奇异想像空间，那是一个充满无限生机和爆发力的混沌空间，是宇宙万物的源头，天神的居所，未来的寄托，更是梦幻的渊薮。

Upon that, Wang Zhong is like finding himself addicted to the opium poppy, maniacally drums for his work combining the features of the Big Cross and the Contemporary Cultural Relic Contemporary Cultural Relic, No.

在那， Wang Zhong 是象发现自己上瘾对鸦片罂粟，疯狂打鼓为他的工作结合大十字架和当代文化遗产(当代文化遗产，第4，合成材料， 350□00□70cm， 2000 的)特点。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失