查询词典 contemporary

Must Be contemporary art center is by digging and coordinating contemporary art civilian video as the most important project in 20 years recently. It set up documentary in 2005, and will hold on experimental drama 、 Avant-courier poetry 、 show the geography of Beijing contemporary art 、 Chinese contemporary construction BBS 、 contemporary dance etc for one year, these activities present the first theme of literature exhibition, and in all corners of the country's various sorts of multiplex no mainstream group and strength of folk art.

更重要的是玛斯德比当代艺术中心还以挖掘和整理中国近 20 年当代艺术的平民化影像为重要项目，在 2005 年设立了文献展，将用 1 年的时间以举办实验戏剧、先锋诗歌、展示北京当代艺术地理、中国现代建筑论坛、现代舞等活动，来呈现第一届文献展的主题，'江湖'中的中国各种多元化的非主流的民间艺术团体与力量。

We can't be with easy self-sufficient and self-confident in the judgment mode of "the more is of a race, the more is of a world". And we will never consider it as high as to climb when get into the exchanges and have a conversation in the modern world. National art has to be with open and contemporary character, be able to face the grand humanities background and appreciate the contemporary aesthetic standard. Meanwhile, it can dig the contemporary significance of the race and region life. The art can represent the contemporary Chinese culture, as well as that of the world.

这样，既不可以在"越是民族的就越是世界的"的判断模式中轻易地自足自信，也决不应该将进入现代世界的交流、对话视为高不可攀之事，而是要求我们的民族艺术必须应具备当代性和开放性，亦即能够面对宏阔的人文背景，理解当代人的审美标准，对于民族性、地域性生活作当代意义的开掘，并能够站在当代中国文化乃至世界的高度去表现。

To insouciant; From the elegance of the 18th century contemporary glass coffee Table furniture contemporary glass coffee Table furniture - modern contemporary coffee table contemporary glass coffee Table furniture.

以漫不经心；从优雅的18世纪当代玻璃茶几当代家具玻璃茶几家具现当代咖啡桌|当代玻璃咖啡桌家具。

This book is an in-depth study of contemporary Chinese art, touching upon modern ink painting, architecture, performance art, etc, The book is separated into five chapters: Modern consciousness and the establishment of a Chinese contemporary art methodology; The significance of the utopia of modern materials in contemporary Chinese architectural theory; the crisis in contemporary ink painting; maximalism, and artist case study with Xu Bing.

《另类方法另类现代——艺术大视野丛书》"Art Horizon Series： Special Method in Kind， Special Modernism in Kind"本书针对中国当代艺术进行深入的研究，内容涉及现代水墨、建筑、行为艺术等，分为五章：现代意识与中国当代艺术方法论的建立；现代物质乌托邦在中国当代建筑方法论中的意义；中国当代水墨的危机是缺乏方法论；极多主义：一种现代主义的幻觉；一个艺术家个案的研究：徐冰的艺术和方法论。

He has participate in many large exhibitions of academic standing, including the research project "The Migration of Asian Contemporary Art and Geo-politics" 2002-2004,"Image Existence" the 5th Shanghai Biennial 2004,"In the Deep of Reality: Contemporary Chinese Art" and "Asian Time: New Media Art" in 2005,"Micrology: Chinese Contemporary Art" and "The Yellow Box: Contemporary Art and Architecture in a Chinese Space".

自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的"亚洲当代艺术的迁徙与地缘政治"系列研究计划、2004年的"影像生存：第五届上海双年展"、2005年的"现实深处：中国当代艺术邀请展"和"亚洲时间：新媒体艺术展"、2006年的"显微学：中国当代艺术展"以及"黄盒子：中国空间里的当代艺术与建筑"学术邀请展等。

Selected Exhibitions : 2008 /"The Third Guangzhou Triennial : Farewell to Post-Colonialism", Guangdong Museum of Art, Guangzhou,China / 2007 /"Alchemy of Shadow : 3rd Lianzhou International Photo Festival", Lianzhou, China / 2006 /"A Yellow Box In Qingpu: Contemporary Art and Architecture in a Chinese Space", Shanghai /"Micrology, the Politics of Realism Chinese Contemporary Art Exhibition, Macao / 2005 /"In the Depth of Reality : China Contemporary Art Exhibition", Hangzhou /"Gift, Contemporary Art Invited Exhibition", Hangzhou / 2004 /"Formatting: New Media Art Project", Hangzhou /"Labyrinth : the Second Chinese New Media Art Festival", Hangzhou / 2003 /"Experimental Art Project in White Pagoda Mountain", Hangzhou /"Links: Contemporary Art Exhibition", Hangzhou /"Exhibition of Chinese Young Artists, Hangzhou

郑端祥，1977年生於中国福建，现任教於中国美术学院造型基础学部。作品《时间的横截面III》於2006年展出於澳门艺术馆"显微境。观：中国当代艺术展"，同年影像装置《时间的横截面之夜游记》展出於"黄盒子在青浦"，2007年於连州国际摄影展展出《失忆系列》和《工厂系列》。重要展览有： 2008年/雕塑中国，香港汉雅轩/广州三年展：与后殖民说再见，中国广东美术馆、中国第三届媒体艺术节：四季，中国杭州，2007年/中国当代艺术展：在瓦伦西雅55天，西班牙瓦伦西雅、首届今日文献展：能量－精神。身体。物质，今日美术馆，中国北京、夜间摄影，香港汉雅轩，2006年/。盒子，中国上海、显微境。观：中国当代艺术展，中国澳门当代美术馆

In his book Why WE Hate (New York, Contemporary Books, 2002), science writer Rush Dozier tells of a judge who regularly presides over child custody cases and trials of violent criminals, and reports that he is much more worried about his personal safety during the custody cases.

在《我们为何生气》（New York， Contemporary Books， 2002）这本书中，作者讲述了在离异双方监护权的判定上应更加注重于其是否有暴力倾向，作者写到他更加担心孩子在被监护过程中的人身安全。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

The latest edition of the Longman Dictionary of Contemporary English painstakingly itemises the differences, if you want detailed inventories.

最新的Longman Dictionary of Contemporary English系统地列举了二者的区别。

Jackson was crowned the King of Pop back before new media helped crack the monolith of radio pop into innumerable subgenres, from hip-hop and house to praise rock and adult contemporary.

在新媒体把他数量巨大的电台流行单曲按 hip-hop 、 house 、 rock 和 adult contemporary 分类之前，杰克逊的&流行之王&皇冠已经丢失了。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。