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contemporariness相关的网络例句

查询词典 contemporariness

与 contemporariness 相关的网络例句 [注:此内容来源于网络,仅供参考]

" And what kind of contemporary art is of contemporariness , rather than being entangled with the concepts of western art and fighting for a justifiable name for the so called "contemporary art.

比如,在普通人群与一些专业人群中,关于&架上&、&非架上&的判断就截然相反:普通人士多认为&非架上&不是艺术,&架上&才是艺术的代表;而一些专业人士则认为&架上&已经不能代表艺术,是没落的形式,只有&非架上&才是艺术发展的方向。

More or less, they have witnessed the development of Chinese oil painting in the 1980s and 1990s and thus are different from those artists always focusing on "contemporariness" in that they no longer focus on how instead of what to express in their art works.

与仍然注重&当下性&的艺术家不同的是:他们不再把关注社会生存,强调对于人类命运和社会抉择心态的解读作为艺术家必须承担的主要责任;不再在乎表现什么,而是注重如何表现!

Considering the historical transition and the feature of modernity of the western philosophical theme,the understanding and construction of the ultimateness,infinity,integrity and non-substantiality and so on of Tao in China's philosophy not only provides the most powerful demonstration for the contemporariness of China's philosophy,but also offers boundless possibility for the visual threshold of the question...

如果从&世界主义&的视角,把&合法性&理解为&合时性&的话,那么&现代性&问题的实质就是,作为历史存在的中国哲学,能否融入当代哲学主题,并参与当代哲学建构的问题。

May be unloaded from Internet thus novelty and contemporariness of the Ball is.

有效学习英语帮手:用户可以卸载,例如英语课程讲授,卡通制造讲座等地学习球。

So it is wiser for us to come back to the Chinese art context and start discussion with the simple question "What is art?" and what kind of contemporary art is of contemporariness , rather than being entangled with the concepts of western art and fighting for a justifiable name for the so called "contemporary art".

其实,与其纠缠西方艺术谱系中的概念,为所谓&当代艺术&正身,还不如回到中国艺术自我语境,从&艺术是什么&这样一个简单问题入手,讨论怎样的当下艺术才具有当代性。

Therefore, the research on the contemporariness of Marxist capital theory is an integrated approach which involves different elements of capital in the society and in the history from its contents to its form, its theory to its application and its methods to its objects. This research covers the peculiarities of capital as a link to a certain social system and the universalities of capital as a provider for the contemporary economic relations. Furthermore, the research also includes not only the traditional economic and social relations generally reflected in the capital, but also the new economic and social relations in modern market economic conditions.

因此对马克思资本理论当代性研究是一个包含着从内容到形式、理论到实际、方法到对象的社会经济综合体,其中不仅有资本与一定社会制度相联系的特殊性,更有资本作为当代经济关系的普遍规定性;不仅有资本所反映的一般的传统的经济和社会关系,而且有现代市场经济条件下新增的经济和社会关系。

Considering the historical transition and the feature of modernity of the western philosophical theme,the understanding and construction of the ultimateness,infinity,integrity and non-substantiality and so on of Tao in China's philosophy not only provides the most powerful demonstration for the contemporariness of China's philosophy,but also offers boundless possibility for the visual threshold of the question of the fusion of China's philosophy into contemporary philosophy.

如果从&世界主义&的视角,把&合法性&理解为&合时性&的话,那么&现代性&问题的实质,就是作为原创性的历史存在的中国哲学,能否融入当代哲学主题,并参与当代哲学建构的问题。为使讨论相对集中,本文试从西方哲学主题的历史转换和具有现代性的问题境域入手,解读中国哲学的现代性问题,希望能够从中找到中国哲学&合法性&或&合时性&的内在根据,以挺立中国哲学的民族主体性,并展示中国哲学的世界性、现代性和独特价值。

Artists Chen Bo, Qiu Xiaofei, Wang Chengyun, Wang Qingsong, Xiong Yu and Zhou Wenzhong, even though they have independent productions are representatives of Chinese contemporariness–the result of a maturity process in parallel and simultaneously to the evolutionary process China currently enjoys in the social, political and economic spheres.

此次,这六位中国当代艺术家的典型代表,陈波、仇晓飞、王承云、王庆松、熊宇及周文中,又以群展形式被带到了哈瓦那双年展上。尽管他们的作品有独立的面貌,但他们是中国当下社会现实的典型代表,是中国目前正享有的在社会、政治、经济等各方面成长进化过程的结果。

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Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势,并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。

This dramatic range, steeper than the Himalayas, is the upturned rim of the eastern edge of Tibet, a plateau that has risen to 5 km in response to the slow but un stoppable collision of India with Asia that began about 55 million years ago and which continues unabated today.

这一引人注目的地域范围,比喜马拉雅山更加陡峭,是处于西藏东部边缘的朝上翻的边框地带。响应启始于约5500万年前的、缓慢的但却不可阻挡的印度与亚洲地壳板块碰撞,高原已上升至五千米,这种碰撞持续至今,毫无衰退。