查询词典 contemporaneity

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

This is not only because we all started our art career from traditional Chinese art. We find it regrettable that traditional art forms are in their muteness in contemporary culture. In our respective artistic practice, we have formed a common understanding about contemporaneity of Chinese Painting: Chinese Painting needs to be explored and reformed from the legacy of tradition; Chinese Painting needs to obtain its contemporary cultural significance.

这不但是因为我们都是从学习传统的中国绘画艺术开始我们的艺术之旅的，更因为我们对传统艺术方式在当代文化中无所作为的失语状态有切肤之感，在各自的艺术实践中对中国艺术的当代性有一个共同认知：中国艺术需要从传统中发掘和更新、中国艺术要努力具有当代文化的意义。

This paper make a special research about the Tang dynasty idyllist ------ Pei di.Pei di and Wang wei were both contemporaneity idyllist, but the former borned later than the latter. He lived with Wang wei for about twenty years in his life.

本文是对唐代山水田园诗人裴迪做的专题研究，裴迪是和王维同时而稍后的田园诗人，他的一生中大概有20多年的时间都是和王维一起度过的。

Data shows, in contemporaneity, the proportion that search of network of cereal song company holds by 61.8% May, drop 61.5% June; The scale that Microsoft network searchs criterion by May 8.5% rise to 9.2% June.

数据显示，在同一时期，谷歌公司网络搜索所占的比例由5月份的61.8%，下降到6月份的61.5%；微软公司网络搜索的比例则由5月份的8.5%上升至6月份的9.2%。

This article has combed the public service advertizing main emotion demand way and the initiation emotion responded that and has analyzed the influence public service advertizing emotion sympathetic chord strong and the weak primary factor, thought that grasps the advertisement subject novel the contemporaneity, the utilization agrees with the numerous psychological creativity technique, as well as using the rich attraction's advertisement manifestation, is the stimulation is produced the audiences to the public service advertizing the emotion sympathetic chord's key.

本文梳理了公益广告主要的情感诉求方式及其引发的情感反应，并分析了影响公益广告情感共鸣强弱的主要因素，认为把握好广告主题的时代性，运用新颖而契合受众心理的创意手法，以及利用富有吸引力的广告表现形式，是激发受众对公益广告产生情感共鸣的关键。

To account for the contemporaneity of these interrelated movements, three strands of explanation come readily to mind, each having produced at least some effect: a growing discrepancy between actual practice and the Islamic law, stemming from the acceretion of non-Islamic customs over the course of ten centuries of Muslim history; the impact, direct and indirect, of the European expansion; and a greater degree of communication across the entire length of the Muslim world in the seventeenth and eighteenth centuries than has generally been supposed.

这些运动何以能够同时发生？有三种解释，每一种都有其道理：1）在穆斯林长达十个世纪的漫长发展史中，一些非伊斯兰的习俗掺杂了进来，致使人们的实际做法与伊斯兰教法之间的差距越来越大；2）来自于欧洲扩张的直接或者间接的影响；3）17和18世纪，整个穆斯林世界内部之间的交流得到加强的程度比人们估计的要多。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失