查询词典 concrete music

The Hilbert amplitude envelope of the stator current includes the low frequency of fault characteristic, thus it can reduce the signal length by resample the Hilbert amplitude envelope of the stator current by downsampling, which can avoid spectrum aliasing. Then it can reduce the computation time of the MUSIC Method for the spectrum analysis to the resampled signals for the given bandwidth. Meanwhile combining continuous subdivision Fourier transform and rotor slot harmonics based slip estimation it can in advance estimate the concrete values of the fault characteristic frequency, and then inquiry purposely the fault feature component information in the stator current spectrum in order to accomplish the broken rotor bar fault with high sensitivity and h reliability, which eliminates adverse effect of issuable false peaks to the fault detection and formed a novel scheme to detect broken rotor bar fault.

定子电流Hilbert幅值包络信号包含了低频的故障特征频率调制信号，故通过对定子电流Hilbert幅值包络信号进行降采样率重采样、减少分析信号长度，可避免低频段频谱混叠，再对减少的重采样数据进行具有超分辨率的MUSIC低频段估计，可大大降低MUSIC算法频谱估计时间；运用连续细化傅里叶变换和转子齿槽谐波转差率估计技术，可预知故障特征频率精确值，从而可有目的地查询故障分量，消除MUSIC虚假波峰对故障检测混淆的影响，大大提高了故障检测的灵敏度和可靠性，以此形成异步电动机转子断条故障检测新方法。

In reference to his own performance practice, the author also shous the connection between the application of the art patterns of JingHu accompaniment music and the necessity of concrete music performance.

再次，笔者在传统已有的琴师传记资料的基础上，以较大的篇幅对传统京剧中琴师的职能、以及琴师自身进行了多维分析。

As the product of the combination of high-tech and musical art, the concrete music characterized by sound needs likewise to have its theme and along with it the"thematic treatment".

作为20世纪科技进步与音乐艺术联姻的产物――音响型的具体音乐与传统音乐一样都需要具有主题，需要赋予主题&主题性&。

Music technology plays a great role in our activity, nobody can say that it is advisable for himself to complete the creations and performance of music work with escaping from a technology, but it is blurry for many people to acknowledge the clear music concept, so this article tries to lay aside a great deal of technology of the concrete music creations and performance which have been studied, and tries to analyses some problems about music technology at the macro concept, essence, structure and alienation of the music technology.

音乐技术在我们的音乐活动中扮演着不可或缺的角色，没有哪个学音乐的人说自己是完全脱离技术而完成音乐作品的创作与表现的，但明确的音乐技术概念对于许多人来说又是模糊的，所以本文试图抛开大量文章已经研究过的具体音乐创作、表演等方面的的技巧，试图从宏观的层面分析音乐技术的一些问题。

Aiming for the university students' psychology problems, it analyzes how to develop university students' psychology of innovation, self-confidence and enterprise, correct amorous attitude, cooperation and flexible by concrete music education methods.

即针对大学生的心理素质问题，从音乐教育角度，分析如何通过具体的音乐教育方式方法，培养大学生创新心理、自信与进取心理、正确的恋爱心理、协作心理与柔韧心理。

Discuss the main body of a book and study with regard to Russia music and Russia musician Tchaikovsky development, the characteristic has been used for creation , background , population that the nation sends happily to 19 centuries detailed introduce that, emphasizing Russia music together, from Tchaikovsky's all one's life , aspect such as creating , affecting having some nations in analysing whose music work, and combining concrete music example analysis finally in article.

本文就俄罗斯音乐和俄国音乐家柴科夫斯基展开讨论与研究，对于19世纪民族乐派的产生、背景、总体特征做了详细介绍，并以俄罗斯音乐为重点，从柴科夫斯基的生平、创作、影响等方面分析其音乐作品中带有的民族性，并在文章最后结合音乐实例具体分析。

The third part deals with the causes of the inheritance and evolution.The paper combines the method of historical musicology and ethonomusicology,presents a comprehensive and deep contrastive study of instrument compilation and orchestra organization between Korean aak and Chinese Yayue on the basis of the historical documents of the same period between China and Korea, thus revealing the evidence and cause of history-culture through the analysis of concrete music forms.

论文采用历史音乐学与民族音乐学相结合的研究方法，以历史为主线，并以中朝双方同时代的文献史料为基础，对中朝两国的雅乐在乐器编成、乐队编制等方面进行横向对比，对朝鲜的雅乐、唐乐和乡乐进行纵向对比，试图通过具体音乐形态的分析来揭示其历史文化的轨迹及其成因。

This thesis commences from the review of the process of music curriculum standards in the recent hundred years of primary and junior high school, concluding the outstanding characteristics of 《Music Curriculum Standards of the compulsory education 》compared with the advanced 《music Teaching syllabus of the compulsory education》. We use the method of question, interviewing and observing etc. to investigate and understand concrete implementation situation of music curriculum standards in Hohhot, Inner Mongolia, including the uses of music teachers of 《standards 》, feels of students in implementation of《standards 》. Also this text concluded the variety of music curriculum standards implementation in Hohhot, Inner Mongolia from teaching methods, studying ways, evaluating curriculum etc., concluded the existing drawbacks, and gave suggestion of further development. It also outlooks foreground of curriculum reformation. The aim is to perfect music curriculum standards to guide the music teaching availably.

本文从回顾近百年来中小学音乐课程标准的演变过程入手，通过《义务教育音乐课程标准》与先行的《义务教育音乐教学大纲》的对比，总结了音乐课程标准较之音乐教学大纲的突出特点，在此基础上本文采用问卷法、访谈法、观察法等，调查了解了内蒙古呼和浩特实验区的音乐课程标准实施的具体状况，包括音乐教师对《标准》的使用情况、学生在《标准》实施过程中的感受，并且本文从教师教学方式、学生学习方式、课程评价等几方面总结出内蒙古呼和浩特实验区音乐课程标准实施所带来的变化，同时也总结出实施中所存在的问题，并给出音乐课程标准进一步推广应注意的几点建议，也对课程改革前景予以展望，旨在促进音乐课程标准的进一步完善，以便更有效地指导音乐教学。

Based on the analysis and studies of the concrete music representative of the present times, the article comes up with several approaches to the thematic treatment of the concrete music works, which involve modeling musical theme, comparing music theme and extending music sections by effect modulation; constructing music wo...

本文从当今具有代表性的具体音乐作品分析入手，研究提出了具体音乐作品中关于主题的几种处理手段：如通过效果调制塑造音乐主题、对比音乐主题、发展音乐段落；通过&主题材料综合呈示与渐变发展&、&主题材料分别呈示与交叠发展&、&主题材料逐渐呈示与交替发展&等主题呈示、发展与结构全曲的布局处理的手法来构建音乐作品，体现主题的&主题性&。

This strain of modernism looks backward to the dada school of art exemplified by Duchamp, and to the collage of "concrete" music, as well as experiments with electronic music by

这个现代主义原则看起来可回溯至

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。