查询词典 concerto

When she played her final Carnegie Hall performance — the chamber version of Mozart's Concerto No. 12 in A (K. 414), with the Tokyo String Quartet, in November 2002 — The New York Times reported that,"The small details — the trills and turns that adorn the score — as well as the more expansive pianism in the cadenzas and the glowing Andante, had considerable energy behind them."

当她在卡耐基音乐厅做最后的演出时——在2002年和东京弦乐四重一起演绎的莫扎特第12协奏曲（A调K414总谱）室内音乐厅版——纽约时报如是报道，&颤音和转音这些装点乐曲的细节，在句尾更赋张力的钢琴演奏技巧和洋溢着的舒缓节拍，所有这些背后都蕴藏着强大的能量。&

The first part elucidates the origin of the term sonata and the relationship between the early sonata and other contemporary instrumental music genres, pointing out the fact that the intertwining and mixing among sonata, canzona, sinfonia and concerto was caused by the obscure defining and distinguishing of different music genres. Since they overlapped in many aspects such as composition and performance, they were often confused with each other in actual practices.

第一部分阐述了奏鸣曲这一术语的起源以及早期奏鸣曲与同时代其它器乐体裁之间的关系，指出奏鸣曲与坎佐纳、交响曲、协奏曲之间的交错与混合在于体裁本身及体裁之间尚未形成明确的界定，它们在创作手法、演奏形式等方面存在着重合，因而在实际运用中经常被混同。

This article takes Chopins as the object to study, carrying on the elaboration in 4 chapters. The first chapter mainly introduced Chopin and his concerto. It induced and discussed the origination of Chopin's creative inspiration as well as different styles of piano music in different times by elaborating his biography and his creations. Furthermore, this paper analyzes the background of from the society, the culture and the reality three aspects separately.

本文以肖邦《f小调第二钢琴协奏曲》作为研究对象，分四章进行论述：第一章主要是对肖邦本人和肖邦的协奏曲进行了概括式的介绍，通过对肖邦生平及创作的阐述，归纳和探索了肖邦创作灵感的来源以及不同时期钢琴音乐的不同风格；另外，论文分别从社会、文化和现实三个方面分析了《f小调第二钢琴协奏曲》的创作背景。

Concerto for Two Clarinets in E flat major, Op.

降E大调双单簧管协奏曲，作品35

He has also recorded the Brahms Double Concerto with the Berlin Philharmonic Orchestra, Claudio Abbado and Gil Shaham; the Haydn Concerti with the Gulbenkian Orchestra under Muhai Tang; Messiaen's Quartet for the End of Time and Brahms, Mozart and Schumann chamber music with Pires and Dumay.

他还与柏林爱乐和阿巴多以及沙汉姆合作录制了勃拉姆斯的双协奏曲；与汤沐海和古本江管弦乐团合作录制海顿协奏曲；与郑明勋、沙汉姆、迈尔合作梅西安的世界末日四重奏；还与皮埃尔、杜梅合作了勃拉姆斯、莫扎特和舒曼的室内乐。

Lute Concerto in F major, Op. 10, No. 5, RV 434

大调长笛协奏曲，作品10之5，RV 434

Concerto,in F minor,R.297,"Winter"

F小调协奏曲：R.297，&冬天&

F.Chopin: Piano Concerto No.2 in F minor, Op.21

F。肖邦：F小调第二钢琴协奏曲，作品21 32

Diffuse the split step, walk the sky of love, Zhang the mouth, a sweet, falling, my red lips sang a song, enough to edge slowly shedding streams, dash of Gentle on my mind micro-ripples, your warm palm , holds up the flyings, to listen to an Age A-mei, the distance, near, water ripples, Juanjuan thin ring, love the concerto, for you, for me, in between heaven and earth Fang Ge, my soul, fly into the Vacant world, you are colorful, the warmth sections of my clothes as white as feathers, your eyes glide, such as water, Fu Guo skin, and makes a thick, like kiss, loving bound in a league, through your smile, so Feng Yang from my hair, eyes closed, I have drunk in your arms this life.

漫着碎步，行走爱的天空，张了张口，一份甘甜，飘落，我的红唇，唱起了歌谣，足边缓缓淌着溪流，几许柔润，于心头微漾，你暖暖的掌，扬起了飞花，来听一曲阿哥阿妹，远处，近处，水的波纹，涓涓细响，爱的协奏曲，为你，为我，于天地间放歌，我的灵魂飞入了空灵的世界，你在万紫千红中，温情款款，我的衣裳洁白如羽，你的目光滑过，如水，抚过肌肤，细细密密，似吻，缱绻，穿过你的微笑，让风扬起我的发，闭眼，我已在你怀里醉了此生。

Chapter Two: Detailed analyze to musical form structure of the" frescos concerto".

第二部分：对谢苗诺夫的《壁画协奏曲》作出了详细的曲式结构分析。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。