查询词典 compromise

"A lot of a consumers go into the shopping process thinking 'the first thing I need to find is a way to get this shipped to me for free.'" Many shoppers "are willing to make a compromise on the price of the product in return for free shipping," says Mudd.

&很多消费者进入购物过程思维'的第一件事，我需要找到一个办法让这发运给我自由'&，许多购物者&，都愿意作出妥协，对产品价格在换取免费送货，说：& mudd 。

However,patients with preexisting neural compromise may be at increasedrisk of further neurologic sequelae after neuraxial anesthesiaor analgesia.

但是原先有神经系统损害的患者在轴索麻醉或镇痛后进一步发生神经损害后遗症的风险性可能增。

The BLF's Dr Noemi Eiser said:"Living with a lung condition doesn't mean you have to compromise on intimacy."

但该机构的诺伊米艾尔博士说，&患有肺病并不意味着你必然享受不到好的性生活。&

Not a loan, but a gift; not a compromise, but a sacrifice, notour poorest, but our best; not a dead but a living offering.

不是一个贷款而是礼物；不是妥协而是牺牲；不是最差的而是最好的；不是死的而是活的。

Patients who fail to re ond to rest and su ortive measures must be carefully reexamined to rule out development of neurologic compromise.

当休息及支撑疗法对病人无效时，必须仔细再检查，以排除发生神经损伤的可能性。

"In 1969, a temporary compromise emerged that in effect papered over the dispute."

1969年，出现了暂时的妥协，实际上把这个争端掩盖了起来。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

The process of designing the performance, The Taiwan Indigenous Culture Park in order to compromise cultural authenticity, performance requirements and dance accompanied by music, The Taiwan Indigenous Culture Park chose the indigenous culture which has performable ingredients to The Naluwan Theater.

而在乐舞产制的过程中，园区在在文化真实性、展演需求及乐舞商品化的妥协之下，园区选择了将具有表演成份的文化元素搬上舞台。

This paper combines practice to put fotward a designing thought of "compromise" and "piecen" fo...

本文结合实践，对青岛建筑提出了&折衷&、&拼凑&的设计思想。

So scientists are working o n giving a computer the ability to offer some of the unders tanding guidance— if not all the warmth— of a human thera pist, before psychological problems or interpersonal confli cts compromise a mission.

因此科学家正在设法让电脑能够像治疗师一样，提供某种通情达理的──即使毫无温情──指引，免得心理问题或人际冲突危及太空任务。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。