查询词典 composers

Joseph Kerman has written that the English madrigal composers demonstrate a"preoccupation with purely musical devices,a reluctance to follow the Italians in splitting up compositions mercurially at the whim of the text."

约瑟夫·科尔曼写道英国牧歌创作者显示了一种&对于纯正的音乐节奏的全神贯注，不情愿像意大利作曲家那样在一时兴起的奇想下灵活地分割曲子&。

Composers have compensated for this deficiency by developing styles that are typically pianistic, or rather "keyboardistic," since the harpsichord and clavichord also suffer from the same limitation.

通过一般钢琴演奏家，或更确切地说是键盘乐器演奏家发展他们演奏风格，作曲家已经弥补了这一缺陷。其实大键琴和翼琴也同样有这样的局限性。

This was Venice, the flattering and suspect beauty - this city, half fairy tale and half tourist trap, in whose insalubrious air the arts once rankly and voluptuously blossomed, where composers have been inspired to lulling tones of somniferous eroticism.

& &这是威尼斯，奉承和怀疑之美-这个城市里，一半一半的童话故事和旅游陷阱，在空气中的有害健康的艺术一旦rankly和肉感开花，在那里作曲家受到启发，lulling的somniferous色情铃声。

In the vocal music, had more composers, the singer has carried on the bold exploration and the innovation in the creation and the practice, on was objective has broken "sang the law" the bamboo fence, broke through the separatrix.

摘要在声乐界，1些作曲家、歌唱家在创作与实践中进行了大胆的探索与创新，客观上打破了&唱法&的藩篱，突破了分界线。

"Certified 'masterpieces' by dead composers, manipulated by charismatic star performers for the delectation of an increasingly passive and uninquisitive audience".

&由已故作曲家所作的被证明的'杰作'，由具有超凡魅力的明星演奏家为迎合越来越消极及缺乏好奇心的观众的欢乐而演奏&

Of the modern composers, I suppose Vincenzo Bellini is my favourite.

现代作曲家中我最喜欢的是文森佐·贝里尼

I invoke your consideration of the scene--the marble-topped tables, the range of leather-upholstered wall seats, the gay company, the ladies dressed in demi-state toilets, speaking in an exquisite visible chorus of taste, economy, opulence or art; the sedulous and largess-loving garcons, the music wisely catering to all with its raids upon the composers; the melange of talk and laughter--and, if you will, the Wurzburger in the tall glass cones that bend to your lips as a ripe cherry sways on its branch to the beak of a robber jay.

我提到下面的情景定会引起你的思考——大理石桌面的桌子，一排排靠墙的皮革椅座，愉快的侣伴，稍加打扮的女士们正以微妙而又明显可见的情趣争相谈论着经济、繁盛和艺术，小心周到喜欢慷慨的侍者，使作曲家慌忙不迭的音乐机灵地满足一切人的口味，还有杂七杂八的谈话声、欢笑声——假如你乐意的话，高高的玻璃锥体维尔茨堡酒将躬身到你的唇边，就像那枝头上的熟樱桃摇晃进强盗樫鸟的嘴壳一样。

I invoke your consideration of the scene--the marble-topped tables, the range of leather-upholstered wall seats, the gay company, the ladies dressed in demi-state toilets, speaking in an exquisite visible chorus of taste, economy, opulence or art; the sedulous and largess-loving garcons, the music wisely catering to all with its raids upon the composers; the melange of talk and laughter--and, if you will, the Wurzburger in the tall glass cones that bend to your lips as a ripe cherry sways on its branch to the beak of a robber jay.

我这位世界公民名叫E·拉什莫尔·科格兰，明年夏天他将在科尼岛②——他对我说，他即将在那儿建立一种新的&诱惑力&，并提供国王式的消遣。

However, the cameos are not merely designed for you to remember the great composers, but to hang up clothes.

然而，这些浮雕不仅仅是专为你要记住伟大的作曲家，也可以挂衣服。

In 1952, twelve young and promising Italian musicians, mainly roman and mostly graduates of the master classes at the Accademia di Santa Ceacilia, got together "inter pares" to create a unique chamber orchestra comprising six violins, two violas, two cellos, one double bass and one harpsichord, with the intention of revitalizing the string repertory, particularly that of the Italian composers of the "settecento".

1952年，12个年轻而又前途光明的意大利音乐家聚在一起，他们主要来自罗马而且大多数取得了意大利国立圣塞西莉亚学院的硕士学位，萌发了创立一个独特的室内乐团的想法。这个乐团将包括6名小提琴手，2名中提琴手，2名大提琴手，1名低音大提琴和1名大键琴手，创立的初衷是复兴弦乐曲库，特别是意大利文学艺术史上18世纪作曲家的作品。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。