查询词典 composers

Bela Bartok is one of the most influential composers of the 20th century.

贝拉·巴托克是二十世纪最有影响力的作曲家之一，是匈牙利著名的钢琴家、音乐教育家。

Bunya Koh and Akira Ifukube were among the most important Asian composers. At the beginning of their artistic career, they inspired each other, and learned from each other. Though they both studied in Japan, and dealt with nationalistic source material in a modern way, they were different in their pursuits of Nationalism and in their styles. Their efforts had gradually become part of the cultural tradition of the nation. Akira Ifukube's Nationalism started from the nationwide level, adapting the ancient Ainu hymn originated in his hometown, Hokkaido, Japan. After underwent the contemporary dynamism, he ended up in Japanese classical music, singing for Asian music.

江文也、伊部昭是亚洲重要的作曲家，二人在创作之初互相观摩、激，虽然在日本学习的环境相似，而且以较现代技法及民族素材创作，但「民族主义」的层面及民族性风格在追求方向是有同的，这些追求逐渐成为他们的文化记忆与文化传统的一部份；伊部昭「民族主义」风格转变，由「日本层面」推演至海道爱奴人「古歌咏的旋」风格，再由「现代主义」尝试之后，进而转向日本雅文化、歌咏亚洲的音。

In 1987, he furthers his study at the Real Conservatorio Superior de Musica in Madrid, studying under renowned guitarists and composers, among them Manuel Barrueco and Leo Brouwer.

后赴西班牙马德里皇家音乐学院深造，师从多位著名结他演奏及作曲家如 Manuel Barrueco 及 Leo Brouwer 等。

In 1984, he received a scholarship to participate in Musica en Compostela in Spain, and furthered his studies at the Real Conservatorio Superior de Musica in Madrid in 1987, studying under renowned guitarists and composers, among them Manuel Barrueco and Leo Brouwer.

同年入读主修结他演奏。1984年获奖学金到西班牙参加，1987年赴西班牙马德里皇家音乐学院深造，师从多位著名结他演奏家及作曲家，如：Manuel Barrueco及Leo Brouwer等习艺。

Composers Uzeyir Hajibeyov, Gara Garayev and Fikret Amirov created a hybrid style that combines Western classical music with mugham.

作曲家乌泽亚·哈基别耶夫，噶拉·噶拉耶夫和菲克莱特·阿米罗夫结合西方古典音乐和木卡姆创作出了一种混合的音乐风格。

Created by famous Chinese composers and musical educators, WU Zuqiang and Du Mingxin, ichthyic Peri was a great hit and became a classic work known to all.

由中国著名作曲家和音乐教育家吴祖强、杜鸣心联手作曲的舞剧《鱼美人》曾轰动一时，成为家喻户晓的经典之作。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare , Christopher Marlowe , Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney , John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis , John Taverner , and William Byrd .

在英格兰，伊丽莎白时代标志著英格兰文艺复兴的开端，那时流行着作家莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，托马斯·莫尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

He does not deny that music has gone on to be sexually selected (indeed, one of his students, Konstantinos Kaskatis, has shown that Dr Miller's observation about jazz musicians also applies to 19th-century classical composers and contemporary pop singers).

他不否认音乐受到性别选择的影响因为事实确实如此，他的一位学生Konstantinos Kaskatis 已经在米勒博士对爵士乐音乐家进行观察的基础上，又证实了这一点在19世纪的古典作曲家和当代的流行乐歌手身上同样得到了体现。

He does not deny that music has gone on to be sexually selected (indeed, one of his students, Konstantinos Kaskatis, has shown that Dr Miller's observation about jazz musicians also applies to 19th-century classical composers and contemporary pop singers). But he does not think it started that way.

他并不否认音乐已经成进而处于受到性选择下（事实上，他的一名学生Konstantinos Kaskatis展现出Miller博士对爵士乐音乐家的发现对于19世纪古典作曲家、现代流行歌手也符合）但是，他并不认为音乐是因为这原因而产生。

Composers of the period alternated florid and discant organum (more note-against-note, as opposed to the succession of many-note melismas against long-held notes found in the florid type), and created several new musical forms: clausulate, which were melismatic sections of organa extracted and fitted with new words and further musical elaboration: which was a song for more voices to be sung rhythmically, most likely in a procession of some sort; and trops, which were rearrangements of older chants with new words and sometimes new music. All of these genres save one were based upon chant: that is ,one of the voice,(usually three, though sometime four) nearly always the lowest sung a chant melody, though with freely composed note-lengths, over which the other voice sang organum.

这个时期作曲家的作品中华丽的奥尔加农和迪斯康特交替出现note-against-note(应该是自由奥尔加农，与由许多连续的装饰音组成的旋律对抗，这些装饰音对应在华丽部分中出现的长音，他们还开创了几个新的音乐形式：clausulae，来自于奥尔加农的拖腔片段，并配以新的词和更富悦耳的细节；conductus，孔杜克图斯，一种基于圣咏之上的有节奏性的单声或者多声歌曲，很有可能是用于礼拜的行列。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。