查询词典 composers

Of course we know that every day serious "classical" works are being composed by contemporary composers like Yiannis Xenakis and John Adams and hundreds of others, but yet many of their works have yet to be stamped with what the vox populi consider to be the requisite imprimatur of historicity to be considered sufficiently "classical."

我们当然知道，当代的古典音乐家从未曾停止过创作新的"古典乐"作品，他们中包括Iannis Xenakis，John Adams，以及不计其数的同道者。然而，许多这样的作品仍需被贴上"人民的认同"这样的标签，才算是得到了必须的认可，才能被定论为"古典"。

It was a time when composers did not have to use MIDI, but write music by hand without being complained of incomprehensibility -such as what I often experience. It was the summit point of Classical Music, the golden age of Western arts.

那是个不用Midi而用手写谱也不会像我一样被人骂看不懂的年代(当然如果能写出像他们伟大不朽的曲子，谁还敢complain)，那是个古典音乐的全盛，西方艺文的颠峰。

It is inconceivable that Caldara did not come into contact with some of these composers.

这是不可思议的卡尔达拉没有接触到这些作曲家一些。

Since 18C., some composers made use of balladry as lyrics to indite music known as vocal ballade.

十八世纪以来，开始有作曲家以叙事诗为词进行音乐创作即声乐叙事曲。

In classical music I always admired Mussorgsky's unorthodoxy, unpredictability and disrespect of rules, and a few other Russian composers such as Shostakovich (the second tempo of his 8th String Quartet and Chamber Symphony op.110/110a electrocuted my imagination at least as much as the beginning of his 5th Symphony must have remained stuck in Morrissey's mind, when he sampled it for 11 minutes on the opening song of his "Southpaw Grammar" album), Prokofiev (whose exceptional melodic ingeniousness influenced me, but must have pleased Sting too, as he borrowed the theme of Prokofiev's "Lieutenant Kijé" for his hit "Russians") and Mosolov (whose mid-1920s piece "Iron Foundry" is pure Prog-Rock à la Magma, Art Zoyd, Univers Zero).

古典音乐家里面我一直十分欣赏Mussorgsky的叛逆、不可预测以及他对常规的无视，还有少数俄罗斯作曲家，比如Shostakovich，（他的C小调第八弦乐四重奏作品第110号/110a的第二部分 [1]强烈激发了我的想象力，这种激发不亚于他的第五交响曲[2]的开始部分对于Morrissey[3]的影响，那段旋律令他印象如此深刻以至于他将11分钟的采样放在了他的专辑《Southpaw Grammar》中。）Prokofiev（他格外出色天才一般的旋律影响了我，但是Sting肯定也获益匪浅，因为他也在自己的热门单曲"Russians"俄罗斯人中借用了Prokofiev 的"Lieutenant Kijé"三驾马车[4]），和Mosolov[5]（他创作于1920年中期的作品"Iron Foundry"是纯粹的前卫摇滚à la Magma，Art Zoyd，Univers Zero）。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare , Christopher Marlowe , Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney , John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis , John Taverner , and William Byrd .

在英格兰，伊丽莎白时代标志着英格兰文艺复兴的开端，那时流行着作家莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，托马斯·莫尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare, Christopher Marlowe,Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney ,John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis, John Taverner, and William Byrd.

在英国，伊丽莎白时代标志着英国文艺复兴的开端，那时流行着作家威廉·莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，汤玛斯·摩尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

Johannes Brahms is that great master in 19 centuries composers,his work come down to the various music type except opera.

约翰内斯。勃拉姆斯是19世纪作曲家中的巨匠，他的作品涉及除歌剧外的各种音乐体裁。

Taking German and Austrian composers as examples, there were seven pieces of piano quartet works in total until the time of Johannes Brahms; through the transformation and development of a hundred years, piano quartet had become another kind of classic quartet genre besides string quartet.

横跨十八世纪，直至莫札特两首作品的问世，钢琴四重奏才开始有了音乐史上象徵指标性的作品，以德奥作曲家为例，到布拉姆斯为止，共有七首钢琴四重奏作品，历经百年的蜕变和发展使其成为弦乐四重奏之外另一种四重奏经典乐种。

Joseph Kerman has written that the English madrigal composers demonstrate a"preoccupation with purely musical devices,a reluctance to follow the Italians in splitting up compositions mercurially at the whim of the text."

Joseph Kerman 曾经写道：英国的抒情歌作曲家表明他们有个偏见，在纯音乐设计方面的，他们不喜欢乐章像意大利式的极快的升降起伏。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。