查询词典 comparative literature
- 与 comparative literature 相关的网络例句 [注:此内容来源于网络,仅供参考]
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Hou Xiaojiang of royal literature CEO thinks: Of royal literature hold water, integrated the force with network the finest literature, it is home the incident of sex of a mark that starts literary group formerly.
盛大文学CEO侯小强认为:"盛大文学的成立,整合了网络文学最优秀的力量,是国内原创文学界的一个标志性事件。"
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Hou Xiaojiang of royal literature CEO expresses: Of royal literature limited company hold water, integrated the force with network the finest literature, it is home the incident of sex of a mark that starts literary group formerly.
盛大文学CEO侯小强表示:盛大文学有限公司的成立,整合了网络文学最优秀的力量,是国内原创文学界的一个标志性事件。
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The basic conclusion of the chapter is: The Literature Award of Mao-dun is a national literature award only for saga novel, which emerges from the institutionalization of 1978 literature award.
而只是指出此类阐释的一个主要盲点在于忽视了对茅盾文学奖产生的历史语境的具体考量。
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The first part states in a comprehensive way the research on Zhou Zuoren so as to define the purpose, methodology and significance of the dissertation. The second part analyzes the experience of Zhou's self-culture creation from a personal angle-Yue culture in Zhejiang gave Zhou a perceptual knowledge of folklore, while the idea of world folklore gave him a rational cognition of folk' culture. The combination forms a dual folklore. The third part observes Zhou Zuoren's examination of literarure from folklore's perspective as well as its pioneering significance. The fourth part explores in a further way Zhou's perspective of folk culture, and analyzes the method he has established to conduct literary criticism from the angle of folklore as well as his research on Chinese Culture. The fifth part analyzes the impacts folklore theory and folk culture have on the formation of Zhou' literary ideas, focusing more his folklore interpretation and humanism perspective about the origin and hist ory of literature, also his literary aesthetic standards about "ordinary humanism" and "loving amusement" from the position of folklore. The sixth part expounds Zhou's achievement in combining literature and folklore and explores the consistency of their focus on human, thereby presenting a complete picture of Zhou's literature. The last part generalizes the revelation drawing from the research done in this dissertation.
本文分为六章:第一章综述周作人研究的历史与现状,从而确定本文的研究目的、方法及意义;第二章从社会、时代背景、区域文化传统和个人文化选择的角度,阐释周作人选取民俗学视角观照文学的原因,侧重分析周作人自我文化建构的心路历程——浙江越文化传统的浸润给周作人以民俗学的感性认识,而世界民俗学的理念赋予他注重民间文化的理性精神;第三章考察周作人的民俗学研究及先锋意义;第四章进一步探讨周作人的民俗文化观,分析他确立的从民俗文化角度进行文学批评的方法,兼及他从民俗学视角进行的中国文化研究;第五章分析民俗学理论及民俗文化观在周作人文学思想生成中的影响,着重论述周作人关于文学起源和文学发展史的民俗学阐释、文学的民俗人性观,以及从民间立场出发所具有的"平凡的人道"、"有情的滑稽"等文学审美原则;第六章从创作实践方面,探讨周作人文学作品的民俗文化意蕴,进一步论述周作人将文学与民俗结合在一起的实绩,并揭示二者以"人"为核心的内在精神的一致性,从而呈现出周作人较为完整的文学风貌;最后是余论,指出这一研究的启示。
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Section two analyzes supernaturalism and European literature tradition,from Greece literature to natural poem tradition arriving again to civil literature,inquirying into the relationship of supernaturalism verse creations with them one by one.
第二节分析超自然主义与欧洲文学传统,从古希腊文学到自然诗(来源:ABC64论文e5网www.abclunwen.com)传统再到民间文学,逐一探讨超自然主义诗歌创作与它们之间的关系。
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Mao Dun absorbs Taine"s views of character and individuality to develop the theory of figuring typical character, and presents the view of " literature of Man is literature of the real to explain the relation between literature and man, that is he maintains describing typical character in the unity of individuality and commonness.
茅盾吸取了丹纳的特征说和个性论,发展了塑造典型人物的理论,提出了"人的文学即真的文学"的论点来阐释文学和人的关系,主张在个性和共性统一中描写典型性格。
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If that's how you measure the quality of literature, then yes, the prevalence of writing like this will water down Japanese literature," said Toru Ishikawa, a professor of Japanese literature at Tokyo's Keio University."
"大小的屏幕上也需要使用总之,简单句的基本词汇,如果这是你的衡量质量的文学,然后是的,流行的写作一样,这将淡化日本文学,说:"彻石川,教授日本文学在东京的庆应义塾大学。
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The ones that worked in concert with this are: the content of literature have been presenting the information-based tendency with absolutization and philistinism, the interesting of iterature have been appearing the inclination of living and superficialling,literature form have been appearin technicalization with formalization, the literature activity wearing kinds of arbitrariness.
与此相呼应的是:文学内容呈现信息化趋势伴生着绝对化、庸俗化倾向,文学情趣呈现生活化趋势伴生着平庸化、肤浅化倾向,文学形式呈现技术化趋势伴生着表面化、形式化倾向,文学活动呈现开放性趋势伴生着随性化、任意化倾向。
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The Enlightenment trend made three inclinations come into being, such as the empiricism, the rationalism and the ethic of sensibility. Because of the three inclinations, the Enlightenment trend had three types of modes. In England where the empiricism prevailed, the narrative literature which emphasizes realism came into being. In France where the rationalism prevailed, the argumental literature which emphasizes thinking came into being. And in the influence of the ethic of sensibility, different kinds of lyric literature came into being.
启蒙主义包括经验主义、理性主义和情感伦理这三个方向,它影响启蒙主义文学形成了三种基本的书写模式:在经验主义盛行的英国,产生了重写实的叙事型文学;在理性主义盛行的法国,产生了重思考的议论型文学;而在情感伦理的影响下,则产生了不同形式的抒情型文学。
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So that, as the opposite of Chinese traditional literature, the West literature that Qian-mu studied is more arrestive, and it will reflect Qian-mu's real attitude to Chinese traditional literature from another side.
如此,钱穆对作为与中国传统文学相对的西方文学的解读,就显得格外引人关注,这种解读将从一个侧面反映其对待中国文学的真实态度,彰显其文学观的价值。
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- 推荐网络例句
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Although translator has turned from being a crystal ball by which the original culture can unrestrainedly penetrate to another crystal ball by which the target culture can freely traverse, the translator's personal embodiment, in the process of cognitive act, are still absent in translation studies. Translators are still subjects without body or simply disembodied subjects.
译者虽然由原语文化可以自由穿透的玻璃球变成了译语文化可以自由穿越的玻璃球,但译者认知过程中的个体体验在翻译研究中依然缺席,译者依然仅仅是一个没有躯体体验的主体。
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Chillingly, he claimed our technology is 'not nearly as sophisticated' as theirs and "had they been hostile", he warned 'we would be been gone by now'.
令人毛骨悚然的,他声称我们的技术是'并不那么复杂,像他们一样,和"如果他们敌意",他警告说,'我们将现在已经过去了。
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And in giving such people " a chance to be themselves," he saw himself as a champion of th South's hardscrabble underclass, both black and white.
他给了这些人一个"成就自己"的机会,同时将自己看成是南方那些贫困的下层人民的声援者。