查询词典 common people

They cooked the Passover on the fire as prescribed, and also cooked the sacred meals in pots, caldrons and pans, then brought them quickly to all the common people.

然后按照常例，用火烤熟逾越节羔羊，用锅或鼎，或罐煮熟其于奉献的圣物，迅速分给百姓。

And they roasted the passover in fire according to the ordinance, and they boiled the holy offerings in pots and in cauldrons and in pans, and carried them quickly to all the common people.

35：13 他们按著定例，用火烤逾越节的羊羔；别的圣物用锅，用鼎，用盘煮了，速速的送给所有一般的民众。

And they roasted the passover in fire according to the ordinance, and they boiled the holy offerings in pots and in cauldrons and in pans, and carried them quickly to all the common people.

35：13 他们按着定例，用火烤逾越节的羊羔；别的圣物用锅，用鼎，用盘煮了，速速的送给所有一般的民众。

Tianqiao covered a wide range of variety on its small area. It saw performance on the open-air grounds,and practitioner of martial art,conjurers, foutunetellers andatreet venders of specialties.It was the place where the place where the mass of common people took part in carious social activities and, for many of them,made their living there.

天桥地方虽小，但其所含内容却异常丰富，游艺、小吃、商业、医疗、五行八作，无所不包，撂地摊儿的、摔交的、武术、杂耍、说唱、看相、算卦及各种风味的小吃摊点，集吃、喝、玩、乐购物于一地，是广大平民活动和求生的场所。

Stepping in the class society,accompany with the gap which turned larger and larger among every class and with the position of most powerful dominators rised,the relationship between god and common people was getting distant.

进入阶级社会后，随着各阶级之间的地位差距越来越大，最高统治阶级的地位不断升高，神灵与民众之间的关系也就越来越疏远。

LYW: My works hinder their brainwashing of the common people. I'm anindividual witness, and they're falsifiers of memory or amnesiacs. What's

你写的是普通人，是农民、工人、流浪汉，请谈一谈为什么你的作品会对中共当局造成如此的威胁？

There aremore than 500 traditional play books of Hunan flower-drum opera, most of which draw materials from real life, showing the life of romance, family and labor about common people.

湖南花鼓戏传统剧本的文学特点，在戏剧冲突上表现为重细节而轻情节，突破了&事不奇不传&的传统戏曲情节观。

What is treated in the second part are the various superfluous characters including the old fogies and young diehards as survivals of bygone ages, the OTHERS in the male chauvinist society, and the common people as nobody in the metropolis. The third part treats Zhangs bystander narration style.

本部分从新旧时代的&弃儿&——遗老遗少的世界，男权社会里的&他者&——女性世界，以及都市里软弱的凡人，这三个方面所呈现的张爱玲的精神特征来把握她笔下的多余人群体；局外叙事。

In many countries, the folk ballad was one of the earliest forms of literature. Folk ballads have no known authors. They were transmitted orally from generation to generation and were not set down in writing until centuries after they were first sung. The subject matter of folk ballads stems from the everyday life of the common people.

在很多国家，民谣是最早的文学形式之一，都是无名作家所写，它们从开始传唱到真正写下来要在口头流传好几代人。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。