查询词典 colour television

According to analysis and reference from colour source,this paper points out that it is indispensable and with sufficient reasons to define Happening Colour.It enumerates familiar expressions about Happen- lug Colour and analyzes its colour character.It compares Happening Colour with traditional colour about colour relation,colour concept,the mode of colour management and the method of colour using.It explains realizingly that Happening Colour has very important innovational significance and application val...

Design colour ； Natural colour ；本文根据对色彩来源的分析和借鉴，提出了偶发性色彩定义的理由和必要性，列举了偶发性色彩常见的表现形式并分析其色彩特征，比较了偶发性色彩在色彩关系、色彩观念、色彩管理模式、用色方法等方面与传统设计色彩的差别，明确了偶发性色彩在当代设计领域所具有的创新意义和值得挖掘的应用价值，完善了偶发性色彩的界定标准。

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Complementary colours: In additive colour mixing, it is the colour required to mix with a primary colour to produce white, or in subtractive colour mixing, a colour re -quired to mix with a primary colour to produce black.

补色：在加法混色中，和一个原色混合而成色的颜色。在减色混色中，和一个原色混合而成的颜色。

This article starts form carding the formation and development of the animations in the United States, Japan and Europe, in their respective national television animation style characteristics. In the second chapter, from the national culture, folk customs and ways, the character and geographical four conditions explore the United States, Japan, Europe, ethnic style animation in the film formation due to the dynamic; Chapter III trays to find the common aesthetic features of the Television Animation factors in United States, Japan, Europe, also this part describes the characters from four aspects, such as to find truthfulness, to find kind and so on. Chapter four is the key of this article, this part colludes several parts , such as film animation level, the way how animation to present to the concept of integrity, the character and language of the text character and so on . This end of this article is a summary of papers, down from globalization understanding of the vision of China Television Animation, the theoretical study of the ultimate goal is to practice creative services, what is more important is a comparative analysis, which received some of reference, identify China Television Animation and the gap between other countries, in order to learn from foreign advanced development of the film and television animation experience in the domestic film and television animation themes and concepts updates, in the localization of the close integration with the international on the road to the former OK, can have a more far-reaching significance.

论文首先从美、日、欧、中影视动画各自民族风格的特点出发，对其民族风格的形成与发展进行系统的梳理；进而在第二章中，从民族文化、民风民俗、民族性格和地域条件四个方面探究美、日、欧、中影视动画民族风格形成的动因；第三章是对美、日、欧、中影视动画的同质性因素进行比较，论文从启真、扬善、弘美、尚趣四个维度来寻求其共通的美学特征；第四章中外影视动画民族风格的异质性因素比较是本文的重点，也是论文的难点，这一章涉及到许多影视动画本体性的层面，拟从动画的观念品格、文本品格和行为品格三个方面进行把握、比较；最后一章是论文的总结，从全球化的视野下来认识中国影视动画，理论研究的最终目的是要为实践创作服务的，因而，论文更主要的是通过比较分析，从中获得一些借鉴性意见，找出中国影视动画和其他国家之间的差距，更好的学习国外影视动画先进的发展经验，以期对国产影视动画在题材和观念的更新上、在本土化与国际化紧密结合的道路上如何前行能够有更为深远的指导意义。

Blue is the colour of moderate, neutral, natural, pure !It is brinish blue in the most broad colour of mainland . It is clear blue in the most far reaching colour of sky . It is deep blue in the most natural colour of world. It is dream blue in the best colour of human society.

蓝色是温和、中性、自然、纯净的颜色，陆地上最宽广的颜色是海蓝，天空中最深远的颜色是湛蓝，人世间最自然的颜色是幽蓝，红尘中最美好的颜色是梦蓝。

The text was divided into five parts: The basic conception of narratology applicability of narrative theory in television advertisiment research was explained in the first chapter; television advertisiment was researched on four aspects: the entity of narratory、the display mode of storied advertisiment、the analysis of live broadcast and word of narrative advertisiment in the second chapter; narrative research on the symbol mode of television advertisiment such as montages and voices et cetera was made in the third chapter; television advertisiment was analyzed by signifier and signified of advertisiment as well as narrative technique in desire and implementation in the fourth chapter; the relationship of narrative prototype and adoption in television advertisiment was discussed on several aspects such as circumstances prototype、ideological prototype and person prototype et cetera in the fifth chapter.

本文正文共分五个部分展开：第一章阐释叙事学的基本概念以及叙事理论对电视广告研究的适用性；第二章从叙事的本质、广告故事化的表现形式、广告叙事的时况和话语分析四个方面研究电视广告并尝试建构一个电视广告叙事学的研究模式；第三章对电视广告中的画面和声音等符号形式进行叙事学研究；第四章从广告中的能指和所指、愿望和实现的叙事技巧对电视广告进行分析；第五章从情节原型、意识形态原型、人物原型等方面探讨电视广告中叙事原型与叙事接受的关系，同时探讨电视广告的陌生化表达方式。

The Chinese television profession from it that moment which is born in China, experienced take propagandized the attribute as the leading first stage, take creator art work attribute as leading second stage, Enters slowly has occupied the dominant position now by the cultural commodity the third stage, after at present this stage field weight standard is each column weighting the viewing ratio height, But regardless of has various understanding and the discussion to the viewing ratio, also no matter the viewing ratio essence is good or bad, the list from the data analysis starting point, it indeed can reflect and explain very many questions, In view of the fact that the author at the Central Committee Television seventh set of agriculture program " the date of the countryside " the column practical work experience with CCTV Rope Luck Switzerland Investigation Company the data feedback which column each reception of TV investigates to "the date of the countryside", Simultaneously furthermore has to the agricultural dissemination study concrete understanding, this article analyzes emphatically from the television jobholders' angle to this range pole -like viewing ratio data, obtains corresponding fords the agricultural television conversation class program the creation method and to the television medium thorough understanding.

中国电视行业从其在中国诞生的那一刻起，经历了以宣传属性为主导的第一阶段，以创作者艺术作品属性为主导的第二阶段，慢慢进入了现在以文化商品占主导地位的第三阶段，目前这个阶段业界的衡量标准就是各频道各栏目加权后收视率的高低，但是无论对收视率有何种理解和探讨，也不管收视率的本质是好还是坏，单从数据分析的出发点来说，它的确能够反映和说明很多问题，鉴于笔者在中央电视台第七套农业节目《乡约》栏目的实际工作经验和央视索福瑞调查公司对《乡约》栏目各项收视调查的数据反馈，同时更兼有对农业传播学的具体理解，本文着重从电视从业人员的角度对这个标杆式的收视率数据加以分析，得出相应的涉农电视谈话类节目的创作方法和对电视媒介走向的理解。因此本文是建立在对《乡约》栏目的收视率数据分析、受众收视倾向分析以及《乡约》栏目的电视节目创作经验总结基础上所得出的涉农类电视访谈节目的创作规律和理念。

The algorithm has a premise that the colour differences among the pixels in a diamond field of 5 x 5 are almost the same,it uses the correlation interpolation between the known colour component of existing images and the different colour's component to obtain the unknown colour component.

该算法以5×5菱形领域内像素点的色差分量几乎相同为前提，利用当前像素的已知颜色分量和不同颜色分量之间的关联性插值得到未知的颜色分量。

Based on this, this thesis intends to have a general study of colour terms from the perspective of translation studies, putting forward some translation skills which could be applied to overcome some obstacles caused by them in C-E translation, such as substituting new colour terms for the original ones, omitting colour terms, subjoining colour terms and adding other words.

基于此，本论文打算从翻译研究角度对颜色词进行一个大体的研究，提出一些翻译技巧来解决一些中英互翻时遇到的阻碍，并说明颜色词对我们十分有用处且非常重要。例如，用新的颜色词代替已有的；去掉原句中颜色词；在译文中增加颜色词和增加其他词汇。

The shaping method of noncircular part and the tool holder's radial motion characters in noncircular turning process are discussed in detail in the thesis.

论文详细研究了非圆零件的成型方法和加工过程中刀架的径向运动规律。

I have not really liked him,I do not like his this kind of disposition.

我没有真的喜欢他，我不喜欢他的这种性格。