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The art produce of root purpose,is make people are in the process of appreciating beauty art product in acquire dulcify of spirit with satisfy,therefore,decision art essence of is an appreciate beauty of art attribute,not art of merchandise value attribute.

摘 要：艺术生产的根本目的，是使人们在对艺术产品的审美过程中获得精神的愉悦和满足，因此，决定艺术本质的是艺术的审美属性，而不是艺术的商品价值属性。

Currently serves as the President of Fine Arts College of Guangxi Normal University, professor, Master student's director, the member of Chinese Book Association, Gungxi Art Association, the Japan Basis Shaping Institute, and Japan Design Association, curator of art museum, the president of Guilin Basis Shaping Research Institute, the centre director of Guilin and Japan's Culture Studying Institute and Culture Exchange Centre, the editor of "Magnificent Spectacle of Fine Art" and Ceramics Art and Science, the Master student director of Guangxi Art Academy, visiting professors of Europe Asia University, Shaoxing Academy, Guilin Engineering College, and Guangxi Occupation Tec.

现为广西师范大学美术学院院长、教授、硕士生导师，中国书协、广西美协，日本基础造型学会、日本设计学会会员，师础坚艺术馆馆长，桂林基础造型学研究会会长，桂林日本文化研究所及桂林研美文化转播交流中心主任，《美术大观》、《陶瓷艺术与科学》编委，广西艺术学院兼职硕士生导师，马来西亚欧亚大学、绍兴文理学院、桂林工学院、广西职业技术学院等客座教授。

Although Science of Design Art and the education of design art of the time have made a rapid progress in China, the faculty construct and theory research of design art keep developing tardily, furthermore the object of the research of Science of Design Art is not very legible and the academic frame of the Science of Design Art research still has not been built.

一、设计艺术学释义设计艺术学是一门关于设计艺术的科学。设计艺术具有物质和非物质两个层面。在物质层面上，它是人类造物的艺术方式，它创建艺术质的人造物系列；非物质层面，它同样采用艺术设计方式，对事物进行筹划、安排，如社会发展规划、城市发展规划等等。

In addition, combining some research and application to the art education theory in the course of making the art teaching practice applying the existing art teaching material, she has also expatiated that the hortative teaching has advanced the change of the art education idea and the reformation of the art teaching mode and students' learning from the angle of the course construction.

本文通过对美术教育标准的分析，结合心理学对个体积极性的调动的心理分析，论述了美术教育对学生学习积极性的调动因素、方式、方法、措施等，并结合自己在运用现有的美术教材进行的美术教学实践中，对美术教育理论的一些探索和运用阐述了幼师美术教学从课程建设的角度，运用鼓励教学的方法促进了美术教育观念的转变，促进了美术教学模式和学生学习的变革。

He has participate in many large exhibitions of academic standing, including the research project "The Migration of Asian Contemporary Art and Geo-politics" 2002-2004,"Image Existence" the 5th Shanghai Biennial 2004,"In the Deep of Reality: Contemporary Chinese Art" and "Asian Time: New Media Art" in 2005,"Micrology: Chinese Contemporary Art" and "The Yellow Box: Contemporary Art and Architecture in a Chinese Space".

自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的"亚洲当代艺术的迁徙与地缘政治"系列研究计划、2004年的"影像生存：第五届上海双年展"、2005年的"现实深处：中国当代艺术邀请展"和"亚洲时间：新媒体艺术展"、2006年的"显微学：中国当代艺术展"以及"黄盒子：中国空间里的当代艺术与建筑"学术邀请展等。

He has participate in many large exhibitions of academic standing, including the research project "The Migration of Asian Contemporary Art and Geo-politics" 2002-2004,"Techniques of the Visible" the 5th Shanghai Biennial 2004,"In the Depth of Reality: Contemporary Chinese Art" and "Asian Time: New Media Art" in 2005,"Micrology: Micro-politics in Chinese Contemporary Art" and "The Yellow Box: Contemporary Art and Architecture in a Chinese Space".

自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的"亚洲当代艺术的迁徙与地缘政治"系列研究计划、2004年的"影像生存：第五届上海双年展"、2005年的"现实深处：中国当代艺术邀请展"和"亚洲时间：新媒体艺术展"、2006年的"显微学：中国当代艺术展"以及"黄盒子：中国空间里的当代艺术与建筑"学术邀请展等。

Secondly, the thesis tries to find out aspects on the works of art that are on the surface of impersonal existence, associated with art and people, and most likely to draw people's attention other than their reality. These aspects are images and forms, especially the using of lines, which is the most living form in my study of Chinese painting. The topic extends from the using and exhibition of lines in the sketching and art creation, further to the intuition, which is the way and measure of obtaining the form of the works of art. Intuition is a nonfigurative emotional activity that melting the sensibility and logos of human being. The thesis discloses that emotion is the momentum of art intuition.

然后试图找到艺术作品这一客观实物上最为表层的、与艺术、与人相关的，除了它的实在以外最容易被关注的部分---形式，尤其是我所学习的中国画中，线这一最具生命感的形式，在花鸟写生和创作中的运用和体现，进而深入到艺术作品的形式获得的途径和方法---直觉，这种人类感性和理性相融合的情感的复杂抽象活动，并揭示出艺术直觉的动因是情感，人们为了满足某种心灵的需要而进行艺术的直觉和积累。

But thedigital art design have got what oneself the magic power's art design of the specialkind manifestation, lack the perfect and emollient theories system of oneself over along period of time, and not set up to adapt to the digital art design characteristicwith the development's idea and thought, not these ideas with thought the guideinto to the digital art design's artistic with enjoy the inside and go to, digital artdesign can't break the mode of the traditional art design with old mt, can't developthe advantage of the arithmetic figure to sink into the mimicry with magic power,It is not difficult with plagiary predicaments.

但数字化艺术设计是有着自身独特性质的魅力的艺术设计表现形式，长期缺乏自己完善有力的理论体系，不树立适应数字化艺术设计特征和发展的观念与思想，不将这些观念和思想引入到数字化艺术设计的创作和欣赏中去，数字化艺术设计就无法突破传统艺术设计的模式和窠臼，无法发挥数字化的优势和魅力，难免陷入模仿和抄袭的困境，无法进一步的前进和深入，这无论是对数字化艺术设计本身还是对整个艺术设计的发展都是不利的。

In the art classification, the art call plastic art, sense of vision art, space art again.

在艺术分类中，美术又称造型艺术、视觉艺术、空间艺术。

The primary character of vulgar sociology is that the art should serve the politics as a propagandistic tool;the research on art is mainly oriented to the relationship between art and society,art and politics,art and classes.

庸俗社会学长时间占据了中国的学术界，其基本特点是强调艺术为政治服务的，艺术简单地充当宣传的工具，对艺术的研究主要围绕艺术与社会、艺术与政治、艺术与阶级的关系。

Objective To study the effect of chitosan in the prevention of fibrous scar formation in the epidural space after laminectomy.

目的 观察选择性脊神经后根切除术椎板切除后硬膜外几种防瘢痕粘连物质的作用并探讨其机制。

On his way to the lift, he looked back to us or was it me his eyes pointing?

当他要进电梯时，他回头看我们（或者说是我，他的眼光？