查询词典 clay-colored

To create paintings on the coarse surface of the rocks, the artists first applied grass and clay on the roofs and walls of the cave s and then began painting.

为了在粗糙的岩壁上作画，历代的艺术大师们先在洞壁的四周及顶部抹上草泥，白垩打底，再绘制壁画。

The origin of tight sandstone reservoir is due to the cementation of quartz and crystallization of clay minerals from the pore water.

2砂岩储层致密的原因是石英的胶结作用和粘土矿物的沉淀。

Soil in the Champagne region is either chalky or a clay-chalk mixture.

香槟区的土壤为白垩土或陶土和白垩土混合两种。

HA coatings on the minerals were able to confer a different characteristic on the clay surface.

腐殖物质在粘土表面的吸附改变了吸附剂的属性。

Yunfeng breeze blowing on the ears to stand, feet are red clay, looked around the mountain walk with the rows of tea plants, like from the valley like terraces climb the hilltop and then take a look at the head of limbs under the tea cloth filled with large or small, or green or yellow Chaya.

站在云峰上耳边吹着微风，脚底是红土，放眼望去一排排的茶树随着山势走着，像梯田似的从山谷里爬上山顶再看看肢下茶树的头上布满了或大或小，或绿或黄的茶芽。

Other forms of chert, like those with a heavy clay base, would make great hardscape for a mid-western feel, with its blended, reddish composition.

其他形式的燧石一样，怀着沉重的粘土基地，将使一个伟大hardscape中西部感觉，与其混纺、红组成。

Approx 7 x 11 on Cherub Pink or Monet Blue Linens, it features clay ...

约7× 11对与Cherub粉红色或蓝色的被单，莫奈，它的特点粘土。。。

Chiliad not the kiln fire of extinguish, on clay breed goes civilization of long history of pottery and porcelain.

千年不熄的窑火，在泥土上孕育出悠久的陶瓷历史文明。

The deposits of china clay in Cornwall are of great economic value.

康沃尔的瓷土沉淀带来了巨大的经济价值。

And since 1984 has been China's largest porcelain clay coating suppliers.

且1984年至今，一直是中国最大的涂布瓷土供应商。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。