查询词典 clay-cold

Use clay to make a model ..

用粘土捏成高山、河流、湖泊的模型。

Clay model in g is a folk art popular in both rural and urban areas.

泥塑是广泛流行于城乡酌民间艺术，不同地方有不同风格和特色。。

The main reasons I would I say are behind this are residual model clay left over transfering to the cast part.

主要的原因我想我这样说是背后的是残余粘土模型遗留下来转移到演员的一部分。

And according to the actual circumstance of the enterprise ,we can ensure that each project from concept design to clay model making and prototyping are finally completed.

通过与生产企业的密切合作，并根据企业的实际情况，我们能确保每个产品从概念方案设计到油泥模型制作到样机的最终完成。

Below we report the official image galleries from the design sketching phases, and clay model construction.

下面我们报告正式画廊形象，从设计素描阶段，粘土模型建构。

The established method of Herle and Kolymbas's clay hypoplastic constitutive model is described.

简要地介绍了Herle和Kolymbas针对黏土建立的亚塑性本构模型的方法。

An empirical pore pressure model of soft clay under cyclic loading was established.

建立了循环荷载作用下软黏土地基中孔压发展的经验模型，通过回归分析得到了模型计算参数。

To make a Gu, first you have to makea model with clay.

要制作它先要用泥巴做出一只模子

We will learn how to adjust the Display Settings and how to use the Diagnostic Shader tools to be able to evaluate the quality and the general surface conditions of the scanned polygon data of a 1:4 size clay model blown up to a full scale size data set.

我们将了解如何调整显示设置，以及如何使用着色的诊断工具，以能够评估的质量和一般的表面条件所扫描的多边形的数据， 1：4尺寸粘土模型，炸毁了一个全面的规模大小数据集。

A structured clay in this model is regarded as an assembly of lumps of different sizes, and it is assumed that the total deformation consists of 3 parts, i.e.

这一模型把变形过程中的结构性土看作不同大小土块的集合体，总的变形将由土块的弹性变形、土块之间滑动引起的塑性变形和土块破碎引起的损伤变形三部分组成。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。