查询词典 clavichord

Sonya was sitting at the clavichord, playing the prelude of the barcarolle that Denisov particularly liked.

索尼娅坐在击弦古钢琴旁边，弹奏着杰尼索夫特别爱听的船夫曲的序曲。

It was made in Germany in 1681. Our clavichord is kept in the living room.

我们家 有这件乐器已经很久了，是我祖父在很多年以前买的。

Our clavichord is kept in the living room.

我们的古钢琴是放在起居室里的。

It was made in Germany in 1681. Our clavichord is kept in

我们家有这件乐器已经很久了，是我祖父在很

Our clavichord is kept in the living room. It has belonged to our family for a long time.

我们家 有这件乐器已经很久了，是我祖父在很多年以前买的。

In 1681. Our clavichord is kept in the living room.

我们的这架古钢琴存放在起居室里。

Our clavichord is kept in the living room .

我们的这架古钢琴存放在起居室里。

We should first know what is clavichord—the musical instrument in Bach"s time, before we begin the study of Bach"s Polyphony keyboard works. Then can we start the study of how to perform Bach"s clavichord works with modern accordion, how to keep Bach"s style in the performance, how to revive Bachs spirit, etc.

要研究巴赫的复调键盘作品，首先要了解巴赫时代的乐器——古钢琴，我们如何用现代的手风琴去演奏巴赫的古钢琴作品，如何在演奏中把握巴赫的风格，如何再现巴赫的精神，这就是摆在我们面前，急待我们去解决的课题。

Francois Couperin, a rococo leading exponent, left behind him a tremendous legacy, of which his four volumes of clavichord master pieces composed during the maturity stage of his music creation career, well characterize the music style upheld at the time in France, and embody his unique clavichord style.

作为洛可可时代的代表人物弗朗索瓦。库普兰，他的四卷古钢琴曲集是其音乐创作成熟阶段杰出的作品，极具代表性地反映了当时法国崇尚的音乐风格，更是其独特的古钢琴音乐风格的集中体现。

Based on his four volumes of collection of his clavichord music works and CD reference materials, the author focuses the study on the structure, titles, ornaments of the music pieces, in an attempt to analyze the characteristics of Francois Couperin' s clavichord works and to shed light on the significance of the clavichord master' s style in enlightening the later music composers.

库普兰古钢琴作品之所以呈现与众不同音乐风格的根源，由其四卷古钢琴曲谱以及CD资料着手，着重对于标题、结构、装饰音进行探析，论析其古钢琴音乐特征，并且揭示出其古钢琴作品音乐风格对后世作曲家所具有的启示性意义。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。