查询词典 city-born

Every city in clicking a graph is nodded or the urban list on the right side of, mouth of a fenestella can be opened, the netizen can understand by way of here picture of the introduction of fundamental condition character of this one city, delegate, layer upon layer the map that after advancing, still can see this city is more and more detailed.

点击图中的每个城市点或者右侧的城市列表，一个小窗口会打开，网民可以在这里了解途经这一城市的基本状况文字介绍、代表图片，层层推进后还能看到这个城市越来越具体的地图。

Walter Benjamin' urban allegories predicts the kinds of city in the future , is when the city changes and improves most, but today's Xin Yi commercial area is in the city too rapidly while developing, there is a great difference with Paris in the 19th century in one kind of flaneur culture appeared, also break away from the space practice to constructed that traditional flaneur culture in the street, manifest the modern urban flaneur cluture conflict and contradiction in modernity development.

转为以大众传播所带来消费文化的转型，Benjamin的城市寓言预测城市未来的样貌，在城市最变动革新的时候，但时至今日的信义商圈同样处在城市急遽发展的时候，所呈现漫游文化样貌却与十九世纪的巴黎有极大的差异。也脱离传统漫游文化以街道建构的空间实践。显现现代城市漫游在现代性发展的冲突与矛盾。

Especially Taipei is in globalization and flow space at present, face with new flaneur experience to improve and the culture of the goods amazingly, make the traditional public sphere constructed disappear in the street at the same time, transfer it to with the transition of the consumption culture that mass media bring. Walter Benjamin' urban allegories predicts the kinds of city in the future , is when the city changes and improves most, but today's Xin Yi commercial area is in the city too rapidly while developing, there is a great difference with Paris in the 19th century in one kind of flaneur culture appeared, also break away from the space practice to constructed that traditional flaneur culture in the street, manifest the modern urban flaneur cluture conflict and contradiction in modernity development.

尤其当前台北处於全球化流动空间一环，面临著全新的漫游经验革新与商品文化刺激，同时也使得传统以街道建构的公共领域消失，转为以大众传播所带来消费文化的转型， Benjamin 的城市寓言预测城市未来的样貌，在城市最变动革新的时候，但时至今日的信义商圈同样处在城市急遽发展的时候，所呈现漫游文化样貌却与十九世纪的巴黎有极大的差异，也脱离传统漫游文化以街道建构的空间实践，显现现代城市漫游在现代性发展的冲突与矛盾。

The micro Taipei City: With the film《The Skywall Is Gone》and the book《Le Citta invisibili》as a secondary. Through the attitude of "flaneur" walk into the arcade or alleys in Taipei City, to described more delicate life experience, and generalized four conclusions : topic-memory, being stagnant, cram life and disorder in Taipei City.

微观的台北城：此阶段的绘本受到蔡明亮电影《天桥不见了》及卡尔维诺《看不见的城市》一书的影响，开始走进城中的骑楼、巷弄之间，开始体验较为细腻的生活经验，并归纳出四个自身较为深刻的主题─记忆中的台北城、日剧时期凝滞的台北城、补习生活的台北城及以「乱」字来形容的台北城。

Atlanta is a city in a forest, a city of green, a city of growth—a symbol of America's new south.

亚特兰大是一座森林中的城市，绿色的城市，成长中的城市—它正是美国新南方的饿象征。

And yet, in Raissa, at every moment there is a child in a window who laughs seeing a dog that has jumped on a shed to bite into a piece of polenta dropped by a stonemason who has shouted from the top of the scaffolding,"Darling, let me dip into it," to a young serving maid who holds up a dish of ragout under the pergola, happy to serve it to the umbrella-maker who is celebrating a successful transaction, a white lace parasol bought to display at the races by a great lady in love with an officer who has smiled at her taking the last jump, happy man, and still happier his horse, flying over the obstacles, seeing a francolin flying in the sky, happy bird freed from its cage by a painter happy at having painted it feather by feather, speckled with red and yellow in the illumination of that page in the volume where the philosopher says:"Also in Raissa, city of sadness, there runs an invisible thread that binds one living being to another for a moment, then unravels, then is stretched again between moving points as it draws new and rapid patterns so that at every second the unhappy city contains a happy city unaware of its own existence."

可是，在莱莎的每一刻钟都听得到窗旁的小孩的笑声，因为他看见一头狗扑上小屋抢吃一块烧饼；烧饼是棚架上的石匠掉下的；他当时正在向一个年轻的女侍应员高声喊叫："好人，让我尝一尝"；那年轻女子正捧着肉汤满心高兴地送给一个庆祝交易成功的制伞工人；爱上青年军官的一位贵妇人在赛马场炫耀她的镶花边的白阳伞；马背上的军官最后一次跳跃时向她笑了一笑；他是个快乐的人，不过他的马比他更快乐，它跳栏的时候看见鹧鸪在天上飞；快乐的鸟儿刚被一位画家放出囚笼；快乐的画家完成了鸟的插图，描出它每一根红黄斑点的羽毛；插图的书页上有哲学家的话："忧愁的城市莱莎也有一根无形的线，在某个顷间把一个生物连系上另一个生物，然后松开，又在两个移动的点之间伸展，快速画出新的图形，因此，不快乐的城市在每一秒钟都包藏着一个快乐的城市，只是它自己并不知道罢了。"

The Zhongshan city Gaize China decoration hardware limited company islocated to is"one of Asian biggest Lock production bases"and"south locks by the reputation the city"the name Zhongshan city smallolive town, is a fair research and development, the manufacture, thesale is a body high tech specialized system locks the enterprise.

中山市盖泽中方装饰五金有限公司座落于被誉为"亚洲最大的锁具生产基地之一"和"南方锁城"之称的中山市小榄镇，是一家集研发、制造、销售为一体的高科技专业制锁企业。

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

Jingjiang Prince City Solitary Beauty Peak The Jingjiang Prince City locates in the centre of Guilin, it was a prince city built for Zhu Shouqian, a grandnephew of the Ming Taizu of the Ming Dynasty Zhu Yuanzhang when he was conferred title of Jingjiang Prince.

靖江王城独秀峰靖江王城坐落于桂林市中心，是明太祖朱元璋侄孙朱守谦被封为靖江王时修筑的王城。

City; city thematic mapping; the urban cadastral database technology; to build three-dimensional model of the city; map database technology research and the integration with the graphic and so on .

本系列研究方向主要集中在：城市发展的时空扩展模型建立和模拟；网络城市地理信息系统研究；城市多尺度空间信息集成与融合；城市水资源规划信息系统；城市专题制图；城市地籍数据库技术；城市的三维模型构建；地图数据库技术与图文一体化研究等。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。