查询词典 chromatic aberration

We shall determine the adjacent vertex distinguishing incidence chromatic number of paths, cycles, stars, fans, wheels, complete graphs.

我们将确定路、圈、星、扇、轮、完全图的邻点可区别关联色数。

In the third chapter, we shall define the concepts of the adjacent vertex distinguishing incidence coloring and the adjacent vertex distinguishing incidence chromatic number of graphs: For graph G, let Q_u={|u"∈N}U{|u∈N},σ: I→C is a k- incidence coloring of graph G, C_u denotes the set of colors assigned to Q_u.

在第三章中我们将定义图的邻点可区别关联着色及邻点可区别关联色数：对图G，设Q_u={|u"∈N}∪{|u∈N}，σ：I→C为图G的k-关联着色，C_u表示着在Q_u上的色集。

If for any uv∈E, C_u≠C_v, then we callσis a k-adjacent vertex distinguishing incidence coloring of G andχ_=min{k| there exists a k- adjacent vertex distinguishing incidence coloring of G} is the adjacent vertex distinguishing incidence chromatic number of G.

若对任意uv∈E满足C_u≠C_v，则称σ为G的k-邻点可区别关联着色，并称X_=min{k|存在G的k-邻点可区别关联着色}为G的邻点可区别关联色数。

There is usually a 3rd -key added in the opening of the second theme, and sometimes a new theme is composed. Then, the subordinate key is reached before the end of exposition. 5 Silence of one whole bar is frequently utilized, which not only brings profound expressive significance, but also is important to the architectonics of these sonatas. 6 The harmonization in the variation, which is the method of applying different keys to the same melody, is handled in those Andante movements. By this way, the same melody appears in variable colors of harmony, which can not only avoid dull repetition, but also keep the lyrical nature and the completeness of melody. 7 Chromatic method is applied in the periods of development, and chromatic深层线条becomes the provident feature in some periods of development. 8 Atlas motive is put to use in c minor and A major sonatas, and a lot of "sigh" tones and c sharp minor are both preferred in those three sonatas. 9 The emotional factor of "wanderer" is the roots of thoughts for the intense conflict of music.

他通常在副部的开始加入一个三度的调性，有时再加入一个新主题，最后在呈示部结束之前到达属调； 5、较多地运用整小节的休止，使其不仅具有深刻的表情意义，而且在结构乐曲中起到了不可或缺的作用； 6、舒伯特在慢板乐章中运用同一旋律异调配置的和声变奏方式来构成音乐的段落，使同一个旋律在不同的和声色彩里闪现，既避免了单调的重复，又保持了旋律的抒情性和完整性； 7、展开的段落中习惯运用半音化的发展手法，半音阶式的深层线条成为某些展开段落的显著特点； 8、c小调和A大调奏鸣曲中都运用了"阿特拉斯"动机，三首奏鸣曲中运用了大量叹息的音调，并倾向于~#c小调的运用； 9、"流浪者"的情感因素是音乐强烈冲突的深刻思想根源。

"For a composition based on this atonal system, the composer arranges the 12 chromatic scale tones in a selected order, repeating no tone until all 12 have been used."

作曲家以一种安排好的顺序排列这12个半音音阶上的音，在所有12个出现前一个音也不重复。

Just as a waltz, mazurka or barcarolle is liable to dance out of one of his Ballades, Scherzos or Polonaises, a Nocturnes can suddenly sprout a miniature mazurka ---- for example, the C sharp minor Nocturne, no 20 here---- and such unexpected juxtapositions, like the strategically placed washes of chromatic harmony or shifts between major and minor keys have much to do with the music's sense of inhabiting those fugitive realms between sleep and wakefulness. One of the most haunting examples is op.

正如华尔兹，玛祖卡舞曲，或者威尼斯的船歌都是除了叙事曲，谐谑曲或者波洛涅兹舞之外易于舞蹈的流派，夜曲却能够突然现露出玛祖卡舞曲的缩影——例如C小调夜曲，NO.20——这样意想不到的并置，就像是在大调和小调之间刻意放置的对半音和声或音律变化的一种冲击，它与存在于那些半梦半醒之间稍纵即逝领域中的乐感息息相关。

Just as a waltz, mazurka or barcarolle is liable to dance out of one of his Ballades, Scherzos or Polonaises, a Nocturnes can suddenly sprout a miniature mazurka ---- for example, the C sharp minor Nocturne, no 20 here---- and such unexpected juxtapositions, like the strategically placed washes of chromatic harmony or shifts between major and minor keys have much to do with the music's sense of inhabiting those fugitive realms between sleep and wakefulness.One of t he most haunting examples is op.

正如华尔兹，玛祖卡舞曲，或者威尼斯的船歌都是除了叙事曲，谐谑曲或者波洛涅兹舞之外易于舞蹈的流派，夜曲却能够突然现露出玛祖卡舞曲的缩影——例如 C 小调夜曲， NO.20——这样意想不到的并置，就像是在大调和小调之间刻意放置的对半音和声或音律变化的一种冲击，它与存在于那些半梦半醒之间稍纵即逝领域中的乐感息息相关。

In this paper, we propose a new visual cryptographic method for gray-level and chromatic images without pixel expansion. We simultaneously encrypt m successive pixels (called an "encryption sequence") each time in accordance with two basis matrices. In every m encryption sequences with b blacks, we make sure that b encryption sequences are encoded by black basis matrix, and the other ones are encoded by white basis matrix.

本研究提出一种不需要像素扩展的灰阶和彩色视觉密码的技术；我们的方法利用多点同时加密的概念，每次取连续的 m 个点做为加密序列进行加密，我们的方法可以确保在 m 个具有 b 个黑点的加密序列中，一定会有 b 个加密序列是使用黑点基础矩阵加密，另外的个则使用白点基础矩阵加密，因此在叠合影像上黑与白的变化很规律。

But with transmission rate's improvement and longer transmission distance, chromatic dispersion restriction to system are more serious.

但随着传输速率的提高和传输距离的加长，色散对系统的限制就显得越来越严重。

Thus, the total chromatic dispersion can actually be zero.

因此，总色散量实际可以为零。

The use of the web to spread fears that flicking the switch on the LHC could create a Black Hole that could swallow up the Earth particularly concerned him, he said.

他说，使用互联网散布恐慌说启动LHC会生成一个可能吞噬地球的黑洞的做法让他感到忧虑。

Not a single word have I written down.

我一个字也没有写下来。